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  1. Third Hand Plays: “Out of Touch” by Christine Wilks

    Third Hand Plays: “Out of Touch” by Christine Wilks

    Eric Dean Rasmussen - 21.10.2011 - 10:46

  2. eLiterature: la letteratura nell’era digitale. Definizione, concetto e statuto.

    In questo contributo si analizza il concetto di eLiterature e il suo statuto digitale. Si considera quindi il rapporto tra letteratura ed eLiterature e si presentano le caratteristiche peculiari di quest’ultima. Attraversando i concetti di digital born, paper-under-glass, ibridità, mutagenabilità, ergodicità, agency e testualità digitale si offre infine una definizione di letteratura elettronica.

    Fabio De Vivo - 22.10.2011 - 11:54

  3. Kenneth Goldsmith

    A conversational interview between the with poet Kenneth Goldsmith and the literary critic Marcus Boon.

    Eric Dean Rasmussen - 27.10.2011 - 13:29

  4. The New Place of Reading: Locative Media and the Future of Narrative

    Locative technologies hold out the promise to transform literary space in all of its dimensions, including its represented spaces, reading interfaces, and the very spaces within which literature is produced and consumed. Yet, despite the growing use of location-based technologies, authors and readers alike have been slow to take to site-specific narrative due to limitations inherent in both the current design of locative media systems and our received notions of what constitutes the narrative experience.

    Patricia Tomaszek - 22.11.2011 - 16:06

  5. Con/Tact/ile

    Con/Tact/ile

    Jerome Fletcher - 25.11.2011 - 12:37

  6. Voice of the poet programmer Jörg Piringer

    Voice of the poet programmer Jörg Piringer

    J. R. Carpenter - 25.11.2011 - 13:30

  7. Paradoxical Print Publishers TRAUMAWIEN

    Paradoxical Print Publishers TRAUMAWIEN

    J. R. Carpenter - 25.11.2011 - 14:02

  8. Digital Literature and the Modernist Problem

    What is the status of digital literature in contemporary culture? Many scholars and practitioners assume that digital literature constitutes a contemporary avant-garde, which does its work of experimentation outside or in opposition to the mainstream. The notion of the avant-garde might seem thoroughly out of date in a consideration of the digital future. Important theorists (e.g. Huyssen, Drucker) have argued that the avant-garde is no longer viable even for traditional media and art practices. On the other hand, the avant-gardes of twentieth-century modernism made claims about the function of art that remain surprisingly influential today – within the art community and within popular culture. As Peter Bürger and others have discussed, an important division grew up in modernism on the question of whether art should strive for formal innovation or for sociopolitical change. Avant-gardes of the twentieth century took up positions along a spectrum from pure formalism (e.g. the Abstract Expressionists) to overt political action (e.g. the Situationists).

    Maria Engberg - 27.11.2011 - 00:59

  9. Playing with time in digital fiction

    Playing with time in digital fiction

    Jill Walker Rettberg - 09.12.2011 - 10:42

  10. Digital Text: writing with the hand and fingers

    Digital Text: writing with the hand and fingers

    Jill Walker Rettberg - 09.12.2011 - 10:43

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