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Reading Hypertext
In Reading Hypertext, Mark Bernstein and Diane Greco have selected the best and most important studies of hypertext reading and criticism, drawn from disciplines ranging from philosophy and classical philology to film theory and technocriticism. These indispensable studies reveal how much we now understand about the reading hypertext, and point the way for important new work.
Source: Reading Hypertext
Jill Walker Rettberg - 15.10.2011 - 20:05
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The Lyrical Quality of Links
A short paper arguing that hypertext might be a lyrical rather that a narrative form. It proposes the close examination of explicit links as the starting point for a study of hyperfiction rhetoric.
Jill Walker Rettberg - 15.10.2011 - 20:15
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“How Do I Stop This Thing?” Closure And Indeterminacy In Interactive Narratives
Early critical article on narrative closure in both print and hypertext fiction that was developed into the book End of Books, Books without End. Provides an early and influential analysis of Joyce's afternoon, a story.
Jill Walker Rettberg - 15.10.2011 - 20:26
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‘Trying to See the Garden’: Interdisciplinary Perspectives on Hypertext Use in Composition Instruction.”
Argues that technology necessitates that composition instructors gain the ability to shift perspectives and to look at the use of technology in composition instruction from as many disciplines as possible. Discusses some aspects of what it means to read and write in hypertext in two (normally mutually exclusive) perspectives: technology criticism and cognitive psychology.
Jill Walker Rettberg - 15.10.2011 - 20:58
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The Endless Reading of Fiction: Stuart Moulthrop's Hypertext Novel Victory Garden
The Endless Reading of Fiction: Stuart Moulthrop's Hypertext Novel Victory Garden
Jill Walker Rettberg - 15.10.2011 - 21:15
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Digital Literature: From Text to Hypertext and Beyond
In this study, I have chosen "hypertext" as the central concept. If we define hypertext as interconnected bits of language (I am stretching Ted Nelson's original definition quite a lot, but still maintaining its spirit, I believe) we can understand why Nelson sees hypertext "as the most general form of writing". There is no inherent connotation to digital in hypertext (the first hypertext system was based on microfilms), but it is the computerized, digital framework - allowing the easy manipulation of both texts and their connections - which gives the most out of it. In addition to the "simple" hypertexts, there is a whole range of digital texts much more complex and more "clever", which cannot be reduced to hypertext, even though they too are based on hypertextuality. Such digital texts as MUDs (Multi User Domains - text based virtual realities) are clearly hypertextual - there are pieces of text describing different environments usually called "rooms" and the user may wander from room to room as in any hypertext.
Jill Walker Rettberg - 15.10.2011 - 21:30
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Hypertextual Criticism: Comparative Readings of Three Web Hypertexts About Literature and Film
Hypertextual Criticism: Comparative Readings of Three Web Hypertexts About Literature and Film
Jill Walker Rettberg - 15.10.2011 - 22:18
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Of Two Minds: Hypertext Pedagogy and Poetics
In Of Two Minds, noted hypertext novelist and writing teacher Michael Joyce explores the new technologies, mediums, and modalities for teaching and writing, ranging from interactive multimedia to virtual reality. As author of Afternoon: A Story, which the New York Times Book Review termed "the most widely read, quoted, and critiqued of all hypertext narratives," and co-developer of Storyspace, an innovative hypertext software acclaimed for offering new kinds of artistic expression, he is uniquely well qualified to explore this stimulating topic. The essays comprise what Joyce calls "theoretical narratives," woven from e-mail messages, hypertext "nodes," and other kinds of electronic text that move nomadically from one occasion or perspective to another, between the poles of art and instruction , teaching and writing. The nomadic movement of ideas is made effortless by the electronic medium, which makes it easy to cross borders (or erase them) with the swipe of a mouse, and which therefore challenges our notions of intellectual and artistic borders.
Jill Walker Rettberg - 15.10.2011 - 22:59
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The History of Hypertext Authoring and Beyond: Interview with Stuart Moulthrop
Malloy's interview with Moulthrop focuses on his early work, his entrée into writing hypertext and his hypertext novel Victory Garden, the "mostly mythical" artists' collective TINAC, and one of his later works, Under Language. The interview appears on the Authoring Software project.
Scott Rettberg - 20.10.2011 - 09:42
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Fashionable Noise: On Digital Poetics
The book collects various writings centered around the theme digital poetics. It is based on earlier publications of the author and often accompany an element of language game to the chapters.
Patricia Tomaszek - 11.11.2011 - 18:02
