Search

The search found 142 results in 0.015 seconds.

Search results

1. In the Event of Digital Text. Performativity and E-literature.

   In the Event of Digital Text. Performativity and E-literature.

   Scott Rettberg - 06.10.2011 - 17:15

2. Analysing Digital Poetry: A Case Study

   A semiotic reading of Les Manges Texts, an early work of French electronic literature.

   Scott Rettberg - 07.10.2011 - 11:51

3. Memory at work in Michael Joyce's afternoon, a story, Shelley Jackson's Patchwork Girl, and Mark Amerika's Grammatron

   Memory at work in Michael Joyce's afternoon, a story, Shelley Jackson's Patchwork Girl, and Mark Amerika's Grammatron

   Scott Rettberg - 10.10.2011 - 12:23

4. Remediation as Passage. The example of the French poem Nouvelles Impressions d’Afrique by Raymond Roussel

   Remediation as Passage. The example of the French poem Nouvelles Impressions d’Afrique by Raymond Roussel

   Scott Rettberg - 10.10.2011 - 12:30

5. Digital readings. Reading through images and sound

   Digital readings. Reading through images and sound

   Scott Rettberg - 10.10.2011 - 12:48

6. Subversive Writing and the Digital Text

   Our understanding of “subversion” can be traced to its Latin roots: vertere, which means “to turn, overthrow, or destroy,” and the prefix sub, which means, “under, beneath.”  Hence, subversion is literally destruction from below.  This understanding carries with it two different connotations, one which is more concrete, as a form of non-frontal assault on a government or similar institution, by staging the attack from behind enemy lines.  The second, relies upon the antagonistic connotations of the first, but refers to the act of turning a system upon itself from within.

   Eric Dean Rasmussen - 24.11.2011 - 11:54

7. Generating Books: Paradoxical Print Snapshots of Digital Literary Processes

   Since the advent of the internet, advocates and critics alike have heralded the end of the book. George P. Landow observed that hypertextuality and poststructuralism emerged at the same moment, both due to dissatisfaction with the printed book and hierarchal thought. Derrida argued the question of writing could only be opened if the book was closed. Consider, then, the paradoxical position of Vienna-based publishers TRAUMAWIEN. Recognizing that although the vast majority of the text produced by computer systems – protocols, listings, error logs, binary codes – is never seen or read by those who consume it, this text is internal to our daily thoughts and actions and is thus literary. TRAUMAWIEN conceives of the print books it publishes as snapshots of computer generated literary processes which would otherwise be disappearing as soon as they are written. This paper will discuss the iterative processes by which I generated one such book published by TRAUMAWIEN in 2010.

   J. R. Carpenter - 25.11.2011 - 12:05

8. Con/Tact/ile

   Con/Tact/ile

   Jerome Fletcher - 25.11.2011 - 12:37

9. Massively Multireader: A Networked Teaching of House of Leaves across Five Classrooms

   Why read an incredibly complex novel by yourself when you can tackle it with 60 other students across the nation? This presentation will report on a cross-campus experiment in scholarly communication, digital making, and classroom shifting at five public, private, and small liberal arts schools.

   Patricia Tomaszek - 03.12.2011 - 19:00

10. Hypertext Revisited: The Issue of Non-Sequentiality in Print and Digital Literature

    In this keynote, Baetens argues that the difference between print and digital literature is shrinking, because print literature has embraced the digital revolution. He proceeds to compare installment narrative to hypertext literature, looking at five aspects, where he finds that hypertext literature fails in relation to installment narrative. 

    Jill Walker Rettberg - 09.12.2011 - 10:14

Pages