Search
The search found 109 results in 0.016 seconds.
Search results
-
Interview with Brian Kim Stefans
Brian Stefans has achieved notoriety for a number of mischievous achievements: poetic subversion (The Dream LIfe of Letters), theoretical nimbleness (Fashionable Noise: On Digital Poetics), and curatorial omniscience (SF-MOMA OpenSpace: Third Hand Plays ).
He is also a prof at UCLA & always in, his sparse timely way, a poet.
We spoke on 2012-02-15 at the Banff Centre where Brian was a guest lecturer at the In(ter)ventions residency.
(Source: David Jhave Johnston, CAPTA)
Scott Rettberg - 12.02.2013 - 12:06
-
Interview with Charles Bernstein
Interview with Charles Bernstein
Scott Rettberg - 12.02.2013 - 12:20
-
Interview with Christian Bök
Christian Bök is pre-eminent among paradigm shifters. He has done seminal sound poetry as a beatbox-poet, written a bestseller lipogram Eunoia, and now is bio-hacking a durable bacteria so it exudes protein poems.
(Source: David Jhave Johnston, CAPTA)
Scott Rettberg - 12.02.2013 - 12:37
-
Interview with Loss Pequeño Glazier
Loss Pequeño Glazier directs the Electronic Poetry Centre at University of Buffalo. In 2002, he authored the seminal critical text: Digital Poetics: The Making of E-Poetries (Univ. of Alabama Press).
He is also a polyglot sensualist of ecstatic intensity whose recent projects fuse e-poetry and dance. Here he discusses the ocean in unix and other metaphoric issues.
(Source: David Jhave Johnston, CAPTA)
Scott Rettberg - 12.02.2013 - 12:44
-
Interview with Steve Tomasula
Interview with Steve Tomasula
Scott Rettberg - 12.02.2013 - 12:53
-
Fils de l'art et la littérature (Interview with Alexandra Saemmer)
Alexandra Saemmer is associate professor of information and communication sciences at University Paris 8 and vice-director of the « lab of excellence » Arts-H2H. She has authored several books and is concerned with the semiotics of networked surfaces, games and discipline, rhetoric in mediated contexts, icons, interfaces and ephemera. Her works include Etang and Tramway.
(Source: David Jhave Johnston, Vimeo page)
Scott Rettberg - 12.02.2013 - 12:57
-
CREADER (interview with Jeneen Naji)
Jeneen Naji has taught digital media in Dubai and now in Dublin. Her research transposes traditional poetry critiques onto digital poetry. In doing so she uncovers the distinct modalities of digital practice and develops intriguing neologisms such as CREADER to replace: "creator viewer user reader".
In 2012 she completed a phd dissertation "Poetic Machines: an investigation into the impact of the characteristics of the digital apparatus on poetic expression."
Interview 2012-06-21 at ELO Morgantown.
(Source: David Jhave Johnston, Vimeo)
Scott Rettberg - 12.02.2013 - 13:24
-
1994-96 Word Nozzle (digital materiality) (Interview with Jason Lewis)
Jason Lewis is currently engaged with mobile apps and POEMMS created specfically for tactile ios devices. But he began programming experimental text interfaces and custom software for digital-language art-installations in the late 90s while completing a Masters at the Royal College of Art. Subsequently at Interval Research, he created "It's Alive" a text animation engine. And then in the early 21st century started OBX Labs which creates custom typographic engines.
(Source: David Jhave Johnston, Vimeo)
Scott Rettberg - 12.02.2013 - 13:35
-
Points of View (1983) (Interview with Jeffery Shaw)
Jeffrey Shaw has been exploring and defining the limits of Future Cinema since the 1960s. In many of his works language operates visually. Currently he invests in large-scale custom software architectures that permit him to explore systems of dynamic fluid moving imagery in immense immersive spaces.
In this brief excerpt from a longer conversation, he discusses 'Points of View' (1983), which significantly predates his well-known navigable language work 'Legible City' (1989). In Points of View, Shaw adapted early flight simulator software to build 3D scenes of hieroglyphs which operated as protagonists; audience members were given dictionaries to understand how to read the emergent relations as they navigated. The cosmology of the work is thickened by spatially distributed voices (readings) which mixed 16 channels thru a stack of 8 stereo cassette-decks using voltage-controlled amplifiers mechanically influenced by a light source on a joystick modulating light sensors. 'Points of View' exemplifies an interactive multi-channel spatial sound-language installation constructed before the maturity of physical computing.
Scott Rettberg - 12.02.2013 - 13:48
-
The Limits of Computation (Interview with Jim Andrews)
Jim Andrews is one of the pioneers of digital poetry.
Indefatigable contributor to early list-servs, agile practitioner of algorithmic art, instigator of dialogs and diatribes, provocateur and poet of machinic potentials. His web portal vispo.com/ continues to provide a hybrid dose of poetry, visuals and spoken word conjoined by code.
Jim is a poet who studied formal programming for 7 years and continues to call for the necessity of programming at the core of digital poetics.
His work has been exhibited internationally; he currently resides in Vancouver where (among other gambits) he teaches mobile app development, JavaScript, Phonegap, and HTML. He's also the organizer of The Group of X, a Vancouver-based group of artists and scholars involved in computer art.
Interview 2012-07-08 in Vancouver.
(Source: David Jhave Johnston, Vimeo)
Scott Rettberg - 12.02.2013 - 14:18
