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  1. New Media Poetics: Contexts, Technotexts, and Theories

    New media poetry—poetry composed, disseminated, and read on computers—exists in various configurations, from electronic documents that can be navigated and/or rearranged by their "users" to kinetic, visual, and sound materials through online journals and archives like UbuWeb, PennSound, and the Electronic Poetry Center. Unlike mainstream print poetry, which assumes a bounded, coherent, and self-conscious speaker, new media poetry assumes a synergy between human beings and intelligent machines. The essays and artist statements in this volume explore this synergy's continuities and breaks with past poetic practices, and its profound implications for the future. By adding new media poetry to the study of hypertext narrative, interactive fiction, computer games, and other digital art forms, New Media Poetics extends our understanding of the computer as an expressive medium, showcases works that are visually arresting, aurally charged, and dynamic, and traces the lineage of new media poetry through print and sound poetics, procedural writing, gestural abstraction and conceptual art, and activist communities formed by emergent poetics.

    (Source: Publisher's description)

    Patricia Tomaszek - 21.09.2010 - 11:24

  2. Digital Poetry: A Look at Generative, Visual, and Interconnected Possibilities in its First Four Decades

    Digital Poetry: A Look at Generative, Visual, and Interconnected Possibilities in its First Four Decades

    Chris Funkhouser - 09.03.2011 - 15:20

  3. Digital Poetics: The Making of E-Poetries

    In this revolutionary and highly original work, poet-scholar Glazier investigates the ways in which computer technology has influenced and transformed the writing and dissemination of poetry. In Digital Poetics, Loss Glazier argues that the increase in computer technology and accessibility, specifically the World Wide Web, has created a new and viable place for the writing and dissemination of poetry. Glazier's work not only introduces the reader to the current state of electronic writing but also outlines the historical and technical contexts out of which electronic poetry has emerged and demonstrates some of the possibilities of the new medium. Glazier examines three principal forms of electronic textuality: hypertext, visual/kinetic text, and works in programmable media. He considers avant-garde poetics and its relationship to the on-line age, the relationship between web "pages" and book technology, and the way in which certain kinds of web constructions are in and of themselves a type of writing. With convincing alacrity, Glazier argues that the materiality of electronic writing has changed the idea of writing itself.

    Eric Dean Rasmussen - 16.03.2011 - 12:55

  4. Digital Poetry Beyond the Metaphysics of 'Projective Saying'

    Digital Poetry Beyond the Metaphysics of 'Projective Saying'

    Eric Dean Rasmussen - 23.03.2011 - 14:01

  5. How to Read Words in Digital Literature

    How to Read Words in Digital Literature

    Eric Dean Rasmussen - 23.03.2011 - 14:17

  6. From ASCII to Cyberspace: A Trajectory in Digital Poetry

    From ASCII to Cyberspace: A Trajectory in Digital Poetry

    Eric Dean Rasmussen - 13.04.2011 - 10:45

  7. Screening the Page/Paging the Screen: Digital Poetics and the Differential Text

    Screening the Page/Paging the Screen: Digital Poetics and the Differential Text

    Eric Dean Rasmussen - 30.05.2011 - 14:33

  8. Kinetic Is As Kinetic Does: On the Institutionalization of Digital Poetry

    Kinetic Is As Kinetic Does: On the Institutionalization of Digital Poetry

    Eric Dean Rasmussen - 30.05.2011 - 15:53

  9. New Media Poetry and Poetics

    LEA leaps into yet another bold foray, this time revolving around the world of new media poetics. Bursting at the cyber-seams, a spiffy collection of essays by myriad authors await. The proud guest editor of this edition in Tim Peterson and he’s woven together a marvelous mix of nine essays, and curated an equally exciting gallery showcasing four illuminating artist works. (Source: LEA)

    Eric Dean Rasmussen - 02.09.2011 - 10:30

  10. Postliterary America: From Bagel Shop Jazz to Micropoetries

    Postliterary America: From Bagel Shop Jazz to Micropoetries

    Eric Dean Rasmussen - 05.09.2011 - 10:59

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