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Digital Genres: Digital Art, Electronic Literature, and Computer Games (DIKULT 103, Spring 2011)
Digital Genres: Digital Art, Electronic Literature, and Computer Games (DIKULT 103, Spring 2011)
Scott Rettberg - 22.02.2011 - 12:24
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The Word Made Digital (CMS 609J, Fall 2009)
The Word Made Digital (CMS 609J, Fall 2009)
Jill Walker Rettberg - 24.03.2011 - 22:52
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Grand Text Auto
A group blog about computer narrative, games, poetry and art. From 2003-2009 operated as a collective effort on a single blog, now pulls conent from individual and institutional blogs of the contributors. Grand Text Auto also had two collective gallery shows of electronic literature and digital art, at the Beall Center for Arts and Technolgoy at UC Irvine (2007) and the Krannert Center at the University of Illnois (2009).
Scott Rettberg - 14.04.2011 - 00:27
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Literatura Electrónica
Weblog focused on electronic literature, digital art, and digital culture, featuring frequent reviews of works of electronic literature.
Scott Rettberg - 14.04.2011 - 00:51
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Do the Domains of Literature and New Media Art Intersect? The Cases of Sonnetoid web projects by Vuk Ćosić and Teo Spiller
Franco Moretti's notion of “distant reading” as a complementary concept to the “close reading”, which emerged alongside the computer based analysis and manipulation of texts, finds its mirror image in a sort of “distant” production of literary works – of a specific kind, of course. The paper considers the field, where literature and new media creativity intersect. Is there such a thing as literariness in “new media objects” (Manovich)? Next, by focusing on the three web sites that generate texts resembling and referring to sonnet form the paper asks the question about the new media sonnet and, a more general one, about the new media poetry. A mere negative answer to the two questions doesn't suffice, because it only postpones the unavoidable answer to the questions posed by existing new media artworks and other communication systems. Teo Spiller's Spam.sonnets can be viewed as an innovative solution to the question, how to find a viable balance between the author's control over the text and the text's openness to the reader-user's intervention.
Eric Dean Rasmussen - 30.08.2011 - 11:59
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Comparative Analysis of the Cyberfeminist Hyperfiction and New Media Art work: Francesca da Rimini’s Dollspace
Comparative Analysis of the Cyberfeminist Hyperfiction and New Media Art work: Francesca da Rimini’s Dollspace
Eric Dean Rasmussen - 30.08.2011 - 12:36
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Creative Communities: Nooks, Niches, and Networks
Creative Communities: Nooks, Niches, and Networks
Eric Dean Rasmussen - 08.09.2011 - 16:38
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New Media Art
New Media Art
Meri Alexandra Raita - 02.10.2011 - 14:37
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Digital Genres: Digital Art, Electronic Literature, and Computer Games (DIKULT 103, Spring 2012)
Digital Genres: Digital Art, Electronic Literature, and Computer Games (DIKULT 103, Spring 2012)
Patricia Tomaszek - 13.04.2012 - 15:14
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Electronic literature or digital art? And where are all the challenging hypertextual novels?
Lack of new and challenging, interactive hypertextual fictions causes a continuously growing frustration among literary scholars like myself. While we are witnessing a growing and exciting field within digital poetry, and especially digital art as such, hypertextual fictions seem to have become part of and/or floating into interactive digital performance and installation artworks. Noah Wardrip-Fruin’s CAVE-work Screen and Camilla Utterback’s Text Rain are among digital artworks based on text and words. According to Roberto Simanowski in “Holopoetry, Biopoetry and Digital Literature” (2007), however, Utterback’s work in particular, must be seen as a work of digital art rather than literature, since its aim is not to be read but to be played with. So how much text, how many literary generic traits must a hypertextual fiction include to be called literature and not digital art?
Jill Walker Rettberg - 18.06.2012 - 11:10
