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1. Litteraturen i en multimediatid, med eksempler fra nordisk elektronisk litteratur

   Den papirbaserte boka har beveget seg inn i en tid hvor ungdommen påvirkes i en multimedia-verden. Tradisjonell lineær fortelling, der en definert forfatter lager et ferdig produkt, tilbys alternative muligheter.
   Web'en utvikler seg fra å være skriftbasert til større bruk av bilder og lyd, og nye arbeider kan gi leseren mulighet til å delta i utviklingen av fortellingene. Denne utviklingen trenger vi ikke se som en kamp mellom to alternative løsninger.

   Den elektroniske litteraturen sier noe om samtiden som samtidslitteraturen ikke kan på samme måte, den kan øve leseren opp til det nye århundrets komplekse medie- og tekstunivers.

   Patricia Tomaszek - 20.03.2013 - 13:02

2. Polish Digital Literature. An Introduction

   Polish digital literature has a rich tradition to build on: from Polish experimental literature to avant-guarde filmmakers associated with Warsztat Formy Filmowej (Film Form Workszop) of the 1970s, including Bruszewski and the Oscar winner Rybczyński. Other precursor phenomena include Jan Potocki's “Rękopis znaleziony w Saragossie”, interwar avant-garde and the work of concretist artists like Stanisław Dróżdż. Poland's contribution to the developemnt of world hyperfiction was the notion of sylwa (from the latin silva rerum), "a form more capacious”, very popular in XX century literature. The description of this form by Czesław Miłosz inspired Michael Joyce to write an essay on this subject. Polish digital literature develops alongside the phenomenon of liberature, which, since its beginnings in 1999, influences our understanding of the digital medium. A rather isolated position on the international scene and a separate, unique historical background contribute to the distinctiveness of Polish digital literature.

   Patricia Tomaszek - 16.10.2013 - 13:16

3. Animated Concrete Poetry Between Stillness and Motion - a Close-Up on Ottar Ormstad's Oeuvre of Works

   Throughout the last seven years, Ormstad experimented with both moving images and letters, conceived narratives, and styles that according to him reflect a continuum of the printed work he created in the 60’s. If the continuum also holds true for concrete poetry and poetry-films in general is a question addressed in my talk.

   Patricia Tomaszek - 19.11.2013 - 13:46