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  1. Transliteracy and Interdisciplinarity in Digital Media Research

    Transliteracy and Interdisciplinarity in Digital Media Research

    Scott Rettberg - 07.01.2013 - 15:20

  2. On Moving and Being Moved

    Mark Hansen (2004) argues that the privilege of literature as a technology of communication lies not in its imitation of the flexibility of technical media, but rather in its relationship with the body. This is apparent in the processes by which we acquire alphabetic literacy (how we learn to read and write) and in the reproduction of writing through processes of inscription, dissemination and reception. Newer media technologies are tapping into this relation of intimacy with increasingly greater speed and accuracy (Kittler, Levy). The conversion of text into language calls not only on the cognitive capacities of writers and readers, nor simply on the sense of sight alone. Rather, it mobilises these capacities along with those of all the other sensory modalities, including affect. Language itself is a supramodal synaesthetic medium, as various theories of metaphor make clear. This view of language makes electronic forms a privileged site for understanding the relationship between language, the visual, and the sonic as they are channelled and processed by the senses and temporarily organised in a series of ‘central assemblies'. We take this latter term from the work of Silvan S.

    Scott Rettberg - 07.01.2013 - 22:57

  3. Digital Modernism

    A prominent strategy in some works of contemporary electronic literature is the appropriation and adaptation of literary modernism, what I call "digital modernism." This paper examines digital modernism as a strategy relevant to rethinking not only the origins of electronic literature but the ways in which we discuss and understand the field of electronic literature in general. I examine Bob Brown's Readies machine (circa 1930), an avant-garde attempt to speed up text and thus transform literature and reading practices, in relation to works of electronic literature by Young-hae Chang Heavy Industries and William Poundstone. These contemporary works employ Flash to create a flashing aesthetic that resonates with Brown's goals for the Readies. Situating electronic literature within this forgotten but distinctly literary history of machine-based textual experimentation exposes the importance of reading today's new, new media literature in relation to the a movement from the early decades of the twentieth century which sought to "make it new" in the new media of its time.

    Scott Rettberg - 07.01.2013 - 23:29

  4. Musical Time with Kinetic Type

    Musical Time with Kinetic Type

    Scott Rettberg - 08.01.2013 - 11:10

  5. The Aesthetic of Dissonance within 6amhoover.com

    Within many of the projects on 6amhoover.com disorder and dissonance are fundamental features in the communication. How theses aspects function and their importance in terms the conceptual rationale and participant experience will be detailed and discussed in the presentation with reference to how such an approach sits within a broader aesthetic of dissonance and the context of interactive literary art.

    (Source: Author's abstract, 2008 ELO Conference site)

    Scott Rettberg - 08.01.2013 - 15:40

  6. Practical Play: Research and Invention

    Practical Play: Research and Invention

    Scott Rettberg - 08.01.2013 - 23:18

  7. A New Literary Information System: GPS, The Global Poetic System: Bringing Electronic Literature To The Greater Public

    The Global Poetic System (GPS) is an information system that explores four types of interfaces (mobile phones, PDA, desktop applications, and Web application) and three manners of reading (literary adaptive texts, literary classic texts, texts constructed by community interaction) through an interface that delivers literary content based upon real-time geographic positioning. This project is being executed by the Open University of Catalonia (UOC, Spain) and the Advanced Research Center in Artificial Intelligence (CAVIIAR, USA) thanks to a 200,000€ grant awarded by the Spanish Ministry of Industry and Technology for one year of execution during 2008. The GPS is an ambitious project that tries to incorporate the literature into the space of digital technologies, bringing the literature over to the greater public. It presents one of the most complex multi-channel, multimodal information systems to date. This talk will offer a preview and a sample of the text.

    (Source: ELO 2008 site)

    Hannah Ackermans - 06.04.2016 - 13:57