Search

The search found 151 results in 0.013 seconds.

Search results

1. [Id]entities as a Multilayered Self: The Individual Pervasiveness of Social Networks

   [Id]entities as a Multilayered Self: The Individual Pervasiveness of Social Networks

   Jill Walker Rettberg - 06.06.2013 - 12:02

2. maintenant #40: sergej timofejev

   I want to share simple truths with you” – an interview with Sergej Timofejev by SJ Fowler.

   One of the most adventurous and groundbreaking poets in the Baltic, Latvia’s Sergej Timofejev is a fundamental part of the radical reconfiguration of his nation’s poetic culture and landscape in the last few decades. A urbane, grounded, naturalistic stylist, the power of his poetry has allowed him to implement numerous innovations in a region associated with formalism. Experiments with poetry and music / art installations / performance / video & even computer games, have seen his popularity soar in Latvia, though he remains a poet writing in Russian. In the 40th edition of Maintenant, Sergej Timofejev discusses the influence of Western culture, the healthy state of Latvian poetry and the reward of poetic collaborative innovation.

   Natalia Fedorova - 04.09.2013 - 21:38

3. The Reader in Cyberspace. In Search of Digital Literature in Spain

   The Reader in Cyberspace. In Search of Digital Literature in Spain

   Maria Goicoechea - 07.10.2013 - 13:08

4. Teaching Digital Literature in Spain. Reading Strategies for the Digital Text

   Teaching Digital Literature in Spain. Reading Strategies for the Digital Text

   Maria Goicoechea - 07.10.2013 - 13:11

5. Two Poems and a Conversation With J.R. Carpenter

   Sina Queyras interviews J. R. Carpenter about two prose poems, "I've Died and Gone to Devon" and "A Turn for the Cold".

   J. R. Carpenter - 15.10.2013 - 17:46

6. Considerações Acerca do Código Fonte na Poesia Digital

   This article has aims on mapping and analyzing aspects of computer science, on how they affect creation, aesthetic reception and operating mode of digital poetry. Specifically, it means to look at the programming language as part of the creation and constitution of the digital literary work, as that which stands behind what is shown to the reader, as a restriction and potentiality of creation, and as a signifier in a construction that has its own materiality as a giver of meaning And finally, it intends on comprehending up to what point the knowledge of these modes and mediums are necessary for both the creation and reception of the digital literary works.

   English Reference: TAVARES, O. G. "Considerations regarding the source code of digital poetry". Revista de Letras, São Paulo, v.50, n.2, p. 447-467, jul. /dez. 2010.

   (Source: Author's Abstract)

   Alvaro Seica - 02.12.2013 - 10:20

7. X0y1 #ensayos sobre género y ciberespacio

   Una colección de ensayos como resultado del Seminario Internacional X0y1: Arte e industria digital: aproximaciones desde el género y el ciberespacio. January 22rd and 23rd of 2014, CAAC. Los editores publicaron en este volumen los diferentes trabajos de investigación que fueron debatidos en las conferencias y los proyectos teóricos presentados en el encuentro y seleccionados en la convocatoria pública. A ellos han sumado además la traducción de una breve selección de trabajos sobre feminismo y cultura digital de Mary Flanagan, Gesche Joost y Sandra Buckmüller.

   Maya Zalbidea - 30.07.2014 - 11:08

8. Estética de la hipernovela. Un género de la inestabilidad

   Nos preguntamos en este estado de la cuestión: ¿cuando pensamos en la HN, se trata
   solamente de un caso de traducción de formato? Y, ¿qué implicaciones y efectos tiene la
   HN para la crítica literaria? ¿El crítico puede usar solamente los instrumentos de análisis
   del código “escrito” impreso?

   Maya Zalbidea - 15.08.2014 - 15:08

9. A Vernacular Web

   An extended and illustrated version of a talk at the Decade of Web Design Conference in Amsterdam, January 2005

   When I started to work on the World Wide Web I made a few nice things that were special, different and fresh. They were very different from what was on the web in the mid 90's.

   I'll start with a statement like this, not to show off my contribution, but in order to stress that -- although I consider myself to be an early adopter -- I came late enough to enjoy and prosper from the "benefits of civilization". There was a pre-existing environment; a structural, visual and acoustic culture you could play around with, a culture you could break. There was a world of options and one of the options was to be different.

   So what was this culture? What do we mean by the web of the mid 90's and when did it end?

   J. R. Carpenter - 10.05.2015 - 12:32

10. Things They Wrote With: The Material Making of Modern Fiction

    In his new book, Michael Wutz examines how the work of four canonical novelists - Norris, Lowry, Doctorow, and Powers - register the revolutions in 20th century media technology. Such an analysis, reviewer Joseph Conte suggests, is an important extension of Kittlerian media theory to the field of American literature.

    (source: http://electronicbookreview.com/thread/criticalecologies/enduring) 

    Malene Fonnes - 26.09.2017 - 13:24

Pages