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1. Poetics of Dynamic Text

   Dynamic texts offer new possibilities for reading and new challenges in how we approach the reading object, forcing the final object away from the idea of a fixed form on a fixed surface. In order to "read" such an object, one must look deeper, into the code itself, and one must consider the various ramifications inherent in a code-based work. Ultimately, one must explore the edge where language apparatuses engage.

   Patricia Tomaszek - 28.05.2011 - 00:02

2. Coding the Infome: Writing Abstract Reality

   Because of their specific history, we think of computer languages and code as symbolic abstractions of natural languages, and computers as universal machines manipulating these symbols. However, today every computer exists in relation to the Internet, whether it is connected or not. Every software is potentially a networked software, a building block of the networks we live within and through. Because of this, code is no longer Text, a symbolic representation of reality - it is reality. To write code is to create and manipulate this reality. Within it, artist-programmers are more land-artists than writers, software are more earthworks than narratives, this creates new and fascinating issues in terms of referentiallity and meaning for the coding artist to delve into.

   Patricia Tomaszek - 28.05.2011 - 00:14

3. The Time of Digital Poetry: From Object to Event

   The Time of Digital Poetry: From Object to Event

   Eric Dean Rasmussen - 30.05.2011 - 10:58

4. The Bride Stripped Bare: Nude Media and the Dematerialization of Tony Curtis

   The Bride Stripped Bare: Nude Media and the Dematerialization of Tony Curtis

   Eric Dean Rasmussen - 30.05.2011 - 11:30

5. Exchange on Curriculars (2003)

   Exchange on Curriculars (2003)

   Eric Dean Rasmussen - 30.05.2011 - 11:40

6. Riding the Meridian

   Riding the Meridian

   Eric Dean Rasmussen - 30.05.2011 - 11:44

7. Deeper into the Machine: The Future of Electronic Literature

   N. Katherine Hayles's keynote address for the 2002 State of the Arts Symposium at UCLA. Hayles identifies two generations of electronic literature: mainly text-based works produces in Storyspace and Hypercard until about 1995-1997, and second-generation works, mainly authored in Director, Flash, Shockwave and XML in years after that. She identifies second-generation works as "fully multimedia" and notes a move "deeper into the machine." She then reads a number of second-generation works in the context of their computational specificity.

   Publication note: Also published online in Culture Machine Vol. 5 (2003)

   Scott Rettberg - 30.05.2011 - 12:38

8. Electric Line: The Poetics of Digital Audio Editing

   Electric Line: The Poetics of Digital Audio Editing

   Eric Dean Rasmussen - 30.05.2011 - 14:24

9. Screening the Page/Paging the Screen: Digital Poetics and the Differential Text

   Screening the Page/Paging the Screen: Digital Poetics and the Differential Text

   Eric Dean Rasmussen - 30.05.2011 - 14:33

10. Kinetic Is As Kinetic Does: On the Institutionalization of Digital Poetry

    Kinetic Is As Kinetic Does: On the Institutionalization of Digital Poetry

    Eric Dean Rasmussen - 30.05.2011 - 15:53

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