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1. Non-Translation as Poetic Experience

   In my paper I present some points of view concerning strategies for experiencing electronic literature and art made in different languages, and suggest ways for dealing with language diversity in electronic literature. Although educated as a sociologist, I am not a researcher but an artist, and use some of my own works of concrete and digital poetry as a basis for my presentation. This includes two paper-based works of concrete poetry (audition for fenomener uten betegnelse and bokstavteppekatalogen), the screening of my first work of video–poetry LYMS (2009) and my latest film “when” (2011). Because of the nature of my works – and a lot of different works in the world of e-lit – I use the concepts literature and art in a broad sense.

   Eric Dean Rasmussen - 12.06.2012 - 16:26

2. From Concrete to Digital Poetry: Driving Down the Road of Continuity? A Personal Report from Norway

   In this contribution I discuss my practice as concrete and visual poet with a special mode of creation from paper-based works to digital video-poems. I trace my path through the paper by describing some of my earlier works that built the basis for the concepts behind the animated works svevedikt (2006), LYMS (2009), when (2011), and natyr (2013). My aim is to express my artistic position at the time I visited the E-Poetry Festival in Paris 2007, and thereby entered the “e-lit-family” for the first time.   It is my wish to explain how I experienced the festival in several ways: the relation between the presentation of papers and works, the variety of the works and performances, the impressions of meeting a well-established community, and a comparison between the festival and arrangements in the late sixties from an ideological perspective.  To accomplish this, I will (after a short discussion of terms and contextualization) provide a description of my background as visual artist, and the different sorts of poetry I have created before I entered the electronic literature community in 2007. Then I want to focus on how I was influenced by the festival and the community.

   Patricia Tomaszek - 29.04.2013 - 16:03

3. Creative Practice and Experimental Method in Electronic Literature and Human Experimental Psychology

   This article discusses issues arising from the relationship between practitioners in Electronic Literature and researchers in the field of Human Experimental Psychology, including the possible emergence of new communities that cross over this boundary. The introduction (1) considers the possible drivers of this process, including technology, interdisciplinarity and research funding policy, after first explaining the source of the article in an interdisciplinary project, Poetry Beyond Text: Vision, Text and Cognition (2009-11). This project involved literary critics, psychologists and creative artists and studied works that combine (poetic) text with images, including digital poetry, concrete poetry, artists’ books, visual poetry and poetry-photographic works. In section 2 we discuss the concept of the “experimental” in aesthetic and scientific contexts, identifying the relatively universal model of the subject constructed through experimental procedure in Psychology and contrasting it with the radical idea of the subject implied by avant-garde aesthetic practice.

   Scott Rettberg - 25.06.2013 - 13:52

4. Poesia Digital: Reflexões em Curso

   Este trabajo analiza la recepción de la poesía digital basada en la producción de Mallarmé, Apollinaire, Pound, Joyce y Cummings, con el objetivo de señalar la influencia de estos poetas en su construcción. A través del análisis de los poemas en un medio electrónico, encontramos algunos elementos de literariedades digitales, identificando algunas de sus características. Algunos poemas digitales instan al lector a una relación más interactiva, otros permiten una lectura de menos dispersión interpretativa, y hay poemas que explotan exhaustivamente los recursos del computador, y la postura del lector es la que determina la construcción del significado, independientemente de los medios de circulación de la producción.

   Alvaro Seica - 02.12.2013 - 11:52

5. Visuality and Material Expressiveness in the Portuguese Experimental Poetry

   Visuality and Material Expressiveness in the Portuguese Experimental Poetry

   Rui Torres - 03.12.2013 - 23:37

6. Ian Hamilton Finlay: the concrete poet as avant gardener

   Ian Hamilton Finlay: the concrete poet as avant gardener

   Ana Castello - 13.10.2018 - 16:06

7. Concrete & “What Looks Like Poetry

   Concrete & “What Looks Like Poetry

   Ana Castello - 13.10.2018 - 17:10