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  1. Creating Screen-Based Multiple State Environments: Investigating Systems of Confutation

    The intentions of this practice-led thesis are to investigate the interplay between Internet based digital narrative, image and interaction, and ultimately develop new practice, which primarily within the experiencing of the artwork articulates a new contribution to the field of study. The dual literature and contemporary practice reviews highlighted this as desired output. The predominant research in the field is not focused on the production of new projects but uses various forms of literary and critical theory to search out new interpretations and structural understanding of the artefacts in question. Similarly the reviews revealed a strong set of visual hegemonies - namely the ascent of neo-minimalism and a preoccupation with the replication of reality. My practice sits between these poles as being a hybrid of detailed line art, handcrafting and popular imagery, and as such, functions with uniqueness. The interstitial paradigm is used to support the practice, as parallels are drawn not only in the aesthetics of the work but also the politic of the communication.

    Meri Alexandra Raita - 19.02.2012 - 19:37

  2. Narrative Archaeology and the New Narrativology

    To reconsider narrative and its relationship to new media one must look at the spatial possibilities and rich subtext already present in the cities and roads away from hypertext and screen specific data forms. The majority of work dealing with gps is emphasizing the leaving of traces, of another layer to enhance. This misses a huge area of potential. The city spaces can now be "read" in all the layers of architecture, ethnography, layers of land usage, and the narratives of people lost in time. Writing can become one of a story space constructed of fictive detail to establish story space AND the details of the steets and buildings themselves and their details (much of which is unkown to most who pass them). Juxtaposition, experiential metaphor, a sense of not V.R with one still in one world in active in another as story space, but active in both. The new writing form creates a new sense of detail and metaphor as well as of process itself, with many exciting new possibilities.

    (Source: Author's abstract, Incubation3 conference, trAce Archive)

    Scott Rettberg - 19.01.2013 - 23:39

  3. Cyberdrama

    Pat Harrigan and Noah Wardrip-Fruin introduce Cyberdrama, the first section of First Person.

    Andre Lund - 26.09.2017 - 13:23

  4. Tending the Garden Plot: Victory Garden and Operation Enduring...

    Dave Ciccoricco returns to Stuart Moulthrop, considers Operation Enduring Freedom (2003) in light of Operation Desert Storm (1991), and consults the annals of World War II for a likely source of “Victory Garden,” the title of Moulthrop’s 1991 network fiction on the Gulf War.

    Trung Tran - 24.10.2017 - 14:09

  5. Joseph McElroy's Cyborg Plus

    Salvatore Proietti straddles science and fiction to offer an interpretation of a McElroy Cyborg.

    Glenn Solvang - 07.11.2017 - 13:21

  6. Narrative across Media: The Languages of Storytelling

    The essays gathered in this collection approaches the subject of narrative and how it creates meaning across various media. This collection has a new approach to defining storytelling, raising questions on how narratives are expressed through visual, gestural, electronic and musical means.

    Mathias Vetti Olaussen - 29.09.2021 - 12:44