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Ruth Schnell

Martijn Holtkamp - 21.05.2024 - 12:57

ISEA2016 Cultural Revolution

Martijn Holtkamp - 21.05.2024 - 13:01

Facades

facades is an audio-visual animation, conceived for performance in a fulldome. Fulldomes are immersive, dome-based projection environments, which – as an interface – allow full and multimodal integration of the viewers in a multi-sensory, potentially interactive, experiential space. The piece challenges traditional concepts of space, reality and perception, and the presented immersive experience is also an experience of instability.

Martijn Holtkamp - 21.05.2024 - 13:05

Malitzin Cortés

Martijn Holtkamp - 21.05.2024 - 13:23

ISEA2020 Why Sentience?

Martijn Holtkamp - 21.05.2024 - 13:29

HYPER_D

“The infinite overflows the thought that thinks it” – Emmanuel Lévinas

What stories could the objects tell if they had their own voice to do so?
How would they narrate the human footprint and all the exhaustion, what would they say about our urgency to invent ways to inhabit the future? HYPER_D is an immersive experience habitable in the present and in the near future, where the user experiences a trip to the spatial excess of objects, the artificial and natural magnitude of our world and the invisible border that exists between them, which forces us to feel through the scale and speculation of some hyper-objects, which for now occupy such a disproportionate spatial phase that it makes them invisible to humans.

Martijn Holtkamp - 21.05.2024 - 13:33

Adam Vidiksis

Martijn Holtkamp - 21.05.2024 - 13:53

ISEA2022 POSSIBLES

Martijn Holtkamp - 21.05.2024 - 13:58

It will happen here, in Barcelona (Tindrà lloc aquí, a Barcelona)

Tindrà lloc aquí a Barcelona (It will happen here in Barcelona) is an immersive experience that reframes questions of sea-level rise, migration and extinction, in which familiar places — and the memories and dreams that attend them — are transformed by rising waters; the work gives rise to acts of recognition, utterance and transformation. Viewers travel along the marshlands and industrial wastelands of our local watershed and others worldwide that are shaped by industrialization. The sounds, images and text flow like waters, following a computer-code based system that gathers materials together in ever-changing experiences. Like ocean tides, the code-driven work is always changing. Roderick Coover’s images, gathered over the past decade from journeys on and around shorelines, combine with field recordings, voices and electronic music composed by Adam Vidiksis. Nick Montfort draws from Coover’s logs to create a continually evolving, poetic text.

Martijn Holtkamp - 21.05.2024 - 14:02

Frédéric Deslias

Martijn Holtkamp - 21.05.2024 - 15:25

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