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  1. Writing at the Edge

    A discussion of hypertext literature based on Landow's writing workshop, with a guided tour through some hypertext works.

    Jill Walker Rettberg - 14.01.2011 - 12:21

  2. Robert Coover

    Robert Coover

    Jill Walker Rettberg - 14.01.2011 - 12:24

  3. Hypertext Hotel

    A collaborative writing space using MOO technology that was used for Coover's writing workshops at Brown University, and that was active through much of the 1990s.

    Jill Walker Rettberg - 14.01.2011 - 12:27

  4. New York Times Book Review

    New York Times Book Review

    Jill Walker Rettberg - 14.01.2011 - 12:30

  5. The End of Books

    Coover's "The End of Books" essay in the New York Times significantly introduced hypertext fiction to a wider literary audience. The essay describes that ways that hypertext poses challenges for writers and readers accustomed to coventional narrative forms, including assumptions about linearity, closure, and the division of agency between the writer and reader.

    Jill Walker Rettberg - 14.01.2011 - 12:33

  6. ACM Hypertext 1999

    ACM Hypertext 1999

    Jill Walker Rettberg - 14.01.2011 - 12:36

  7. Piecing Together and Tearing Apart: Finding the Story in afternoon

    This paper is a reading of a classic of hypertext narrative: Michael Joyce’s afternoon, a story. Several writers have discussed afternoon previously. However I have chosen to explore afternoon from a different angle by using theories of narratology, especially Genette. In this reading, I explore ways in which the text confuses the reader but also the many stabilising elements that aid the reader to piece together a story.

    NB: Published under author's unmarried name, Jill Walker.

    Jill Walker Rettberg - 14.01.2011 - 12:40

  8. Tim Wright

    Tim Wright

    Jill Walker Rettberg - 14.01.2011 - 12:42

  9. Rob Bevan

    Rob Bevan

    Jill Walker Rettberg - 14.01.2011 - 12:42

  10. Online Caroline

    Online Caroline is a story told to and, importantly, with its reader. It's built around a database that collects the information you feed it as you read. The reader answers questions about him or herself and the program uses that information to generate personalised emails from Caroline. When you visit Caroline's web site the version you see depends on how much of the story you've read. Each day the reader is limited to one episode consisting of an email and the appropriate version of the web site. In addition to the daily webcam segment, the web site regularly updated diary section similar to a web diary or personal home page. It takes a minimum of 24 days to experience the drama.

    Jill Walker Rettberg - 14.01.2011 - 12:48

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