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Babel
Babel is a site specific work for a non-site. The context of the work is non-physical. The site is an abstract thing...information space and the taxonomy of knowledge that all libraries represent...which the Internet, where the project is realised, is.
The Dewey Decimal numbering system, used in the cataloguing of library contents, is the key metaphor, visualised in a three dimensional multi-user space that is itself a metaphor for the infinite nature of information.
In Babel the Dewey Decimal system is used as a mapping and navigation technique. The structure of the library is re-mapped into the hyper-spatial that constitutes the Web. The Dewey numbering system is employed as a means to navigate the internet itself, the taxonomy inherent in the numerical codes mapping onto web-sites that conform with the defined subjects.
Simon Biggs - 21.09.2010 - 11:36
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François Coulon
Hyperfiction French author.
Serge Bouchardon - 21.09.2010 - 11:36
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Aesthetics of Visual Noise in Digital Literary Arts
The essay analyzes the phenomenon of digital poems representative of the use of a visually “busy” and typographically dense aesthetic. The essay focuses on digital works, such as Spawn by Andy Campbell, Diagram Series 6 by Jim Rosenberg, and Leaved Life by Anne Frances Wysocki. The author argues that a dominant aesthetic technique of these works, which is called “visual noise,” is generated by a tactilely responsive surface in combination with visual excess. This in turn requires an physical engagement from the reader/user in order for a reading to take place.
Maria Engberg - 21.09.2010 - 11:37
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Tonnus Oosterhoff
Oosterhoff was born in Leiden, and is poet, novelist and essay-writer. He works in a small village in the empty countryside of Groningen, Netherlands. He received the Buddingh-price for his printdebut in 1990, and the Multatuliprice for his novel The Thick Heart. For his poetry-collection (Robuuste tongwerken,) een stralend plenum he recieved the Jan Campertprijs. In 2002 his first CD-rom appeared, accompanying a print colection of poetry, for which he received the prestigious VSB-price. He has continued to publish print poetry with CD ROMs (Hersenmutor, for example), and adding new works to his website, which always features a few of his digital works. These are always text-based Flash-poems, sometimes accompanied by little drawings by the author.
yra van dijk - 21.09.2010 - 11:37
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Precession of the Equinoxes
This work uses similar software to that used in Babel, another 3D multi-user internet piece by the artist. Viewers logged in to the work are confronted with a 3D visualisation of a space formed as a receding array of words. As the viewer moves the mouse around the screen they are able to navigate this 3D environment. If the viewer types a word on their keyboard then when they press the RETURN key that word will appear in their own 3D array (the white words). Continuing to do this will cause the words to cascade through the array. These words are also broadcast to all the other viewers logged on (along with the viewers mouse coordinates, allowing each viewers 3D location to be calculated) such that everybody can read what the viewer has written. All the viewers are thus able to see what all the other viewers, who are simultaneously logged onto the site, are seeing. The multiple 3D views of the word-space are montaged together into a single shared image, where the actions of any one viewer effects what all the other viewers see.
Simon Biggs - 21.09.2010 - 11:37
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Kunstnett.no
Government website for culture and art. Merged with government cultural website Kulturnett.no
Thomas Brevik - 21.09.2010 - 11:38
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Echelon
This work was made in response to a call by Metamute (London) for Jam Echelon Day 2001. It simply employs all the words stored in the Echelon system in a program that automatically generates texts using whatever dictionary it has available.
Whenever a user moves their mouse over a text it will automatically re-write itself as a new text. It will then e-mail that text to a random e-mail address (this last e-mailing component of the work is currently disabled, but will be enabled by the artist at the appropriate time - the effect will be to flood the net with echelon sensitive messages at the rate of hundreds per minute, depending on user interaction).
Echelon is the worldwide signals intelligence network run by the US National Security Agency and the UK Government Communications Headquarters in collaboration with Canada, Australia and New Zealand. Echelon uses large ground-based radio antennae in the United States, Italy, the UK, Turkey, New Zealand, Canada, Australia, and several other countries to intercept satellite transmissions and some surface traffic, as well as employing satellites to tap transmissions between cities.
Simon Biggs - 21.09.2010 - 11:39
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This is Not a Hypertext
Web based interactive generative language artwork
Simon Biggs - 21.09.2010 - 11:40
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Pause
French Hyperfiction published on CD-ROM in 2003.
This work is a hypertextual narrative with an important graphic dimension.
Serge Bouchardon - 21.09.2010 - 11:41
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non-LOSS'y Translator
In this piece the user can type whatever they wish into the application. The application takes this information and displays it in a more or less conventional manner. However, it does this in a number of different languages, including English, Greek symbols, the decimal ASCII codes that map keyboard keys to typography, the binary codes that equate to these, Morse Code and Braille. In all cases, except that of the Braille, the material is all remembered and displayed back to the user. All material written is also saved to the user's hard-drive, as it is typed in, so that they may keep a permanent record of that which has been written. The saved file is called "LossText" and you should be able to find it in the prefs or plug-ins folder of the browser you are using to run the application. You could find it using the FIND command of your computer.
Simon Biggs - 21.09.2010 - 11:42
