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  1. Excerpts from the Chronicles of Pookie & JR

    Excerpts from the Chronicles of Pookie & JR is a short fiction by J. R. Carpenter about her adventures with Montreal-based artist Ingrid Bachmann's hermit crab Pookie during the month June of 2009. Pookie's website is: http://digitalhermit.ca/ Pookie is also known as Pookie 14.

    J. R. Carpenter - 25.11.2011 - 11:32

  2. @everyword

    @everyword is a Twitter bot that tweeted every word in the English language, in alphabetical order, one at a time, every half hour. <@everyword started its task in late 2007 and completed it in 2014. Along the way, it picked up over 100,000 followers and inspired dozens of parodies and imitations. The project, initially inspired by John F. Simon's Every Icon, was an exercise in the potential synergies of social media and experimental writing techniques extending over time: What happens when single words, invested with their own lexical context, are juxtaposed with ever-changing, personalized Twitter feeds? How does social media as a channel shape and afford the presentation of writing?

    Leonardo Flores - 20.03.2013 - 17:37

  3. #gifandcircumstance

    This bot mines the Twitter stream for phrases starting with “when,” extracts the clauses, and joins each phrase with a randomly selected animated GIF in a Tumblr. Here’s a more detailed description from Parrish’s blog: A “#whatshouldwecallme-style tumblr” is one in which animated GIFs are paired with a title expressing a circumstance or mood—usually a clause beginning with “when.” I wrote a Python script to make these kinds of posts automatically. Here’s what it does: (1) Search Twitter for tweets containing the word “when.” (2) Extract the “when” clause from such tweets. (3) Use Pattern to identify “when” clauses with suitable syntax (i.e., clauses in which a subject directly follows “when”; plus some other heuristic fudging) (4) Post the “when” clause as the title of a tumblr post, along with an animated GIF randomly chosen from the imgur gallery. This is both a critique and homage of the #whatshouldwecallme tumblr and the meme it inspired.

    Hannelen Leirvåg - 07.05.2013 - 18:48

  4. @tonightiate

    This bot generate short template based sentences and publish them on Twitter every 10 minutes. With them Schneider demonstrates some of the versatility of the same kind of device when applied to different topics. The bot “@tonightiate,” uses a relatively simple template that produces an obsessive litany of consumption. (Source: Leonardo Flores, I ♥ E-Poetry)

    Hannelen Leirvåg - 07.05.2013 - 18:57

  5. @MassageMcLuhan

    Schneider’s artist’s statement, offers the source code in addition to this description. I created @massagemcluhan, a bot that would “massage” McLuhan’s quotes—work them over completely, as McLuhan would say. I’ve noticed McLuhan’s penchant for reworking and revisiting phrases (“the medium is the message” and “the medium is the massage” being the most famous), and thought it would be interesting to rework some of these phrases by substituting various nouns into them. (Source: Leonardo Flores, I ♥ E-Poetry)

    Hannelen Leirvåg - 07.05.2013 - 19:01

  6. Tweet Haikus

    This bot data mines a 1% sample of the public Twitter stream to identify tweets that could be considered haiku. It then republishes the result, formatting it as can be seen above, and retweets the original in its Twitter account. The page the haikus are published in uses random background images of nature, a nod towards the seasonal reference so valued in this poetic tradition. (Source: Leonardo Flores, I ♥ E-Poetry)

    Hannelen Leirvåg - 09.05.2013 - 21:04

  7. I've Died and Gone to Devon

    I've Died and Gone to Devon re-purposes a Python script by Nick Montfort to tell (and retell) the story of an arrival and first impression of Devon. Most of the sentences in this story were adapted from Twitter posts written during a five-week visit to Devon, August - September, 2009.

    J. R. Carpenter - 15.10.2013 - 17:30

  8. World Clock

    World Clock tells of 1440 incidents that take place around the world at each minute of a day. The novel was inspired by Stanislaw Lem’s “One Human Minute” and Harry Mathews’s “The Chronogram for 1998.” It celebrates the industrial concept of time and certain types of vigorous banality which are shared by all people throughout the world. This novel was generated with 165 lines of Python code, all of which were written by the author in about four hours on November 27, 2013. The only external data source that is used in the generation process is the computer’s time zone database. The source code is available under a free software license at http://nickm.com/code; anyone is welcome to use that code to generate their own novel or for any other purpose. World Clock was generated as part of the first "NaNoGenMo" or National Novel Generation Month, which was declared on Twitter this year as a response to, and alternative to, the better-known NaNoWriMo (National Novel Writing Month).

    Alvaro Seica - 14.11.2014 - 13:14

  9. The Several Houses of ....

    Author's reading from work for NaNoWriMo (National Novel Writing Mo) 2017 The Several Houses of Brian, Spencer, Liam, Victoria, Brayden, Vincent, and Alex. 

    The Several Houses of Brian, Spencer, Liam, Victoria, Brayden, Vincent, and Alex is 800-page novel generated by a Python script. 

    Jana Jankovska - 26.09.2018 - 14:56

  10. The Renewable Sonnets of William Shakespeare (Volumes 1 & 2)

    The larger project is my first foray into digital poetry that uses a relatively large data set, in this case, the complete sonnets of William Shakespeare.

    In Volume 1, the user has the ability to stir lines from Shakespeare’s original 154 sonnets into their “own” creation and to render a screenshot of any particular stirring by pressing the “collect the ephemera” button. The user also has the option to “defeat the ephemera” and return the text to one of Shakespeare’s originals.

    In Volume 2, the user does not have the ability to stir Shakespeare’s texts into their “own” creation as the texts are generative or “self-stirring.”  Instead, the user has the opportunity to “read the ephemera” by pressing the “Thou shouldst print more, not let that copy die” button rendering a screenshot of any particular stirring. “Thou shouldst print more…” is the last line of Sonnet XI.

    (Source: http://thenewriver.us/95-2/)

    Lucila Mayol Pohl - 09.10.2020 - 11:01