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The Book After the Book
One is not after the novelty of cyberculture, nor striving to reinforce the now tedious discourse of the Internet’s redeeming potential as a computer web able to candidly unite all humanity into a global village.
This wouldn’t be more than a chapter in the spectacular history being successfully elaborated in the last ten years by the computer and software industry.
This narrative confers to the selfsame industry the power and the mission to inaugurate a new era. But digital writing points to another direction. It celebrates the loss of inscription by removing the trace from acts of erasure.
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Scott Rettberg - 23.05.2011 - 13:47
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Blue Velvet
Blue Velvet is a documentary about Hurricane Katrina and its affect upon New Orleans, LA. “Combining sound, text, photography, video, and several maps, the piece sculpts an evocative and poignant landscape that nonetheless refuses all registers of nostalgia, insisting as it does that we locate Katrina and the Crescent City among multiple trajectories of policy, memory, and representation”
(Source: “Blue Velvet”—Vectors, cited in the Electronic Literature Exhibition catalogue).
Blue Velvet: Re-Dressing New Orleans in Katrina's Wake" is an interactive essay enabling its users to submerge themselves in a poetic wordscape describing the contours of American racial politics post-Katrina.
Artists' Statement
Meri Alexandra Raita - 30.01.2012 - 12:16
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Webessay
What happens with an essay when it abandons the set form of book pages, and steps out into the internet's virtual space? Webessay is an invitation into a digital meta-essay: an enormous text-tapestry of quotations, photos, rt and music produced from the two essayists associations and personal library, and arranged into four metaphorical trips: the scientific expedition, the internal journey, the big city holiday, and space tourism. The travelers move past over fifty different stops in all, and are sketched out with the help of many hundreds of airmail-striped envelopes. The program is organized so that the traveler can follow the predetermined routes' tracks, or take a spontaneous trip with the help of self-selected links. You can search in the depths, surf freely away in a labyrinth of hypertexts, or you can choose to be led by the webessay's composition. You're guaranteed to get lost, and find something you weren't expecting.
Melissa Lucas - 30.11.2012 - 19:12
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Speak: a Hypertext Essay
This modest work is an essay which engages non-linear narrative and includes multimedia elements such as sound and image. The title is taken from Gayatri Spivak's essay, "Can the subaltern speak?." Variously, postcolonialism and feminism as discourses of 'otherness' have addressed the notion of 'speaking' and 'speaking position', asking questions such as 'who speaks for whom?', 'who is authorised to speak'. Such questions displace the idea that the 'other' is absent or silent, or that the 'other' is indeed 'other'.
(Source: 2002 ELO State of the Arts gallery)
Scott Rettberg - 13.01.2013 - 22:40
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Otte forsøk på at forstå hvad en bog er
Eight attempts in understanding what a book is.
Sissel Hegvik - 07.03.2013 - 16:40
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The Montaigne Machine
The Montaigne Machine is a work of electronic literature that invites users to participate in the creation of multimedia personal essays. The essays generated by The Montaigne Machine each center on a specific topic taken up by the inventor of the genre, Michel de Montaigne. The essays combine text from Montaigne’s famous Essais, first published in 1580 and here translated into English, with original text from each visitor who uses the machine. These texts are placed within an image that has been uploaded by a photographer on Flickr, designated as available for remixing, and most recently tagged with a term appropriate to the essay’s topic. The resulting essay is a collaboration, perhaps even a conversation, across time and media by three artists.
(Source: http://conference.eliterature.org/media/eric-lemay-montaigne-machine)
Daniela Ørvik - 05.02.2015 - 15:33
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The Reverberatory Narrative: Toward Story as a Multisensory Network
The Reverberatory Narrative: Toward Story as a Multisensory Network is an evolving, transmedia series that employs print, film, installation and digital practices in the assembling and disassembling of lyric essays, poetry, graphic design, photography and physical artifacts in an experimental documentary of memory, time and story. The initial form of this documentary work was an installation at the photography gallery Agnes in Birmingham, Alabama in 1993, titled "Undressing Audrey," in which the viewer physically "undressed" the book, slipping text from a woman's garments, one button and layer at a time. Through subsequent, increasingly digital interpretations, Pretty relied on a layered structure that attempted to approximate the original installation experience through a series of overlapping narrative threads that could be sorted and resorted by different contexts and media types, such as time, place, character, artifact, image, audio, and video, among others.
Magnus Lindstrøm - 05.02.2015 - 15:40
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daddylabyrinth
daddylabyrinth is an interactive new media memoir, a combination of traditional writing and personal video assembled and delivered through the authoring system SCALAR <http://scalar.usc.edu/scalar/>. It exists at the cusp of several forms—the lyric essay, the archive, the family history, the home movie—and delves into questions that shape our contemporary narrative practices, such as navigational readership and new ways of experiencing the cinematic. daddylabyrinth is a father/son book, in a long tradition of such, refracted through the lens of new media’s narrative possibilities. The legacies of my father that I carry—objects he left behind and a flotilla of unresolved emotions that continue to vex my self-identity nearly forty years after his death, when I am a father myself— resist any single linear narrative. I turned to SCALAR for this project because it lets me create multiple, interlocking narrative lines, through which I explore interrelationships between objects, incidents, and impressions.
Thor Baukhol Madsen - 06.02.2015 - 11:45
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Kaos 3 - Action Poetique 129 130
Kaos était une revue sur ordinateur consacrée à la littérature électronique et produite par la société Kaos, qui la présentait comme carte de voeux. Réalisée par Jean-Pierre Balpe, trois numéros sur disquettes seront ainsi édités entre 1991 et 1993. Ce numéro 3 est sorti en Janvier 1993. La génération automatique de textes est quasi l'oeuvre de Jean-Pierre Balpe dont l'influence a été décisive sur la littérature numérique française des années 1980. Le numéro 3 propose plusieurs générateurs de différents auteurs. (Source: http://imal.org/fr/resurrection/kaos-3-action-poetique-jean-pierre-balpe)
Hannah Ackermans - 04.08.2015 - 15:26
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OK Texts
"OK Texts" is a series of linked animated gifs that explores the noton of textuality and texts.
Dene Grigar - 31.07.2018 - 21:51
