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1. ZeroDeath

   ZeroDeath is a digital poetry created by Yohanna Joseph Waliya, He uses HTML as his platform to potrai his poetry. Floating animations of binary code and colours are to be seen in the background.  

   Yohanna Joseph Waliya - 10.04.2019 - 05:18

2. option drag

   Four monitors are placed in a row on the wall. As you walk closer an exhaled breath is heard, then a mouse click, a sigh. A voice commands, “then drag up”; a different voice, “like this”. Excerpts of Youtube typography tutorials populate the screens, complete with Photoshop, Maya, Illustrator, GIMP, etc. interfaces along with the type that is being carefully constructed. A rhythm emerges, “Rotate left, pull down, move forward, like that”. In this piece, a multimodal digital poem forms from the aural language of making visual language. Fragments of descriptive phrases are heard over looping patterns of mouse clicks, exhales, sighs and keyboard strokes amplifying the language of micro-gestures. The unseen role of the body in the circuit of human-computer interaction is ever present in this installation exposing the analog labor of creating digital type and the articulation of the physical process of making digital words. The work humorously explores the physicality of creating visual communication and calls attention to the human, social and cognitive labor behind the typography we take for granted in our daily lives.

   Vian Rasheed - 18.11.2019 - 01:07

3. The Renewable Sonnets of William Shakespeare (Volumes 1 & 2)

   The larger project is my first foray into digital poetry that uses a relatively large data set, in this case, the complete sonnets of William Shakespeare.

   In Volume 1, the user has the ability to stir lines from Shakespeare’s original 154 sonnets into their “own” creation and to render a screenshot of any particular stirring by pressing the “collect the ephemera” button. The user also has the option to “defeat the ephemera” and return the text to one of Shakespeare’s originals.

   In Volume 2, the user does not have the ability to stir Shakespeare’s texts into their “own” creation as the texts are generative or “self-stirring.”  Instead, the user has the opportunity to “read the ephemera” by pressing the “Thou shouldst print more, not let that copy die” button rendering a screenshot of any particular stirring. “Thou shouldst print more…” is the last line of Sonnet XI.

   (Source: http://thenewriver.us/95-2/)

   Lucila Mayol Pohl - 09.10.2020 - 11:01