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1. slippingglimpse

   In slippingglimpse, we model a ring in which the roles of initiator, responder, and mediator are taken by all elements in turn. Our mantra for this: water reads text, text reads technology, technology reads water, coming full circle. Reading then comes to mean something different at each stage of the poem, in all cases involving sampling. Ryan reads and captures the image of 'chreods' (dynamic attractors) in water. Strickland's poem text, by sampling, appropriating, and aggregating artists' descriptions of processes of capture, reads this process of capture. And the water reads, via Lawson Jaramillo's motion-capture coding, by imposing its own sampled pattern. A variety of reading experiences are enabled: reading images while watching text; reading in concert with non-human readers, computer and water; reading frame breaks (into scroll or background); or reading by intervening. For instance, reversibility and replay are available on the scroll, as are reading in the direction and speed you wish; while, in the water, regeneration of text is available, as are unpredictable jostling and overlays.

   Eric Dean Rasmussen - 31.01.2011 - 13:07

2. When I Was President

   When I Was President is a portrait of absolute power as depicted by a fictional President of the United States. This President is unnamed and non-historical, that is, he has never, and could never, exist, yet what he represents is archetypal in nature and endures within the optimism, dangers, and limitations of political power. The work is created in Flash and divided into nine sections, each of which addresses a different Presidential act of power, and its consequences. The acts of power are elemental and metaphoric--they are simultaneously absurd, idiosyncratic, and impossible, yet they seem to tell some basic truth about the promise of absolute power, and its inherent failures. This work uses images, videos, and audio files acquired online, and modified by the artist. A credits page is included on the site.

   (Source: from rhizome.org)

   Meri Alexandra Raita - 28.01.2012 - 14:24

3. Sujeitobjeto (Practices of Meaning)

   Using a transparent oilbar and a window reflecting the sunny sky in Basel, Betty Leirner relates the subjects of language, thought and object, while Florian Kutzli relates photography to film by shooting 2.538 pictures with a Nikon D2 photo camera in order to actualize 'practices of meaning' - a fotofilm. (Source: reelport catalog)

   Luciana Gattass - 22.11.2012 - 14:12

4. Killing Lena

   "Killing Lena" is a rendered video series in which Lena Sjööblom's famous face is repeatedly exposed to the compression algorithms she unwittingly helped to develop. The videos presented are compression pornography, the suggestion of a "compressivist art", and a poetic digital demise. The installed version of this piece shows the effect of different recursively applied compression algorithms on the original image, simultaneously on separate screens.

   (Source: 2008 ELO Media Art show)

   Scott Rettberg - 09.01.2013 - 21:15

5. (Dis)Location, (Dis)Connection, (Dis)Embodiment

   (Dis)Location, (Dis)Connection, (Dis)Embodiment" is a collective experiment in database video and random access narrative. The installation is the work of many artists, each responsible for thirty seconds of video attempting to engage with paradoxes of digital culture and 21st. This is a collaborative project with Edgar Endress and the Students of the Art and Visual Technology Department at George Mason University. 

   Scott Rettberg - 09.01.2013 - 23:01

6. Epiglobis

   "Epiglobis" is an interactive video that explores consumption, desire, and issues pertaining to globalization through non-linear imagery and sounds called at random from a databank that generates continuously new juxtapositions.

   Scott Rettberg - 13.01.2013 - 17:43

7. Astres / Stars

   This e-poetry project, is based on a poetic body of work of the Canadian-Welsh author Childe Roland and the images of the Canadian photographer Susan Coolen.

   Scott Rettberg - 30.01.2013 - 01:45

8. Thoems

   The default display for this series of “THOught-poEMS” is a looped linear sequence of stanzas displayed in randomized fonts hovering in random positions over randomized video clips, while a cluster of words flock towards the pointer’s location on the text. Jhave provides the reader with control over several variables: videos, font, position, and gives him the ability to toggle, play, or pause the presence of text, video, flocking words, and sound. Finally, the reader can choose to see the video singly or doubled with a mirror image of itself. (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 08.02.2013 - 16:32

9. El rumor de los álamos

   Oscar Martín Centeno said "the aim of my videoprojections is to impregnate the audience with all the senses". El rumor de los álamos -The Murmur of Poplars- suceeds in reinforcing the poetic meaning with the expressive reading of the author, the relaxing piano music and the image of hands getting together in a liquid atmosphere, like if they were inside of a river in an imaginary forest in a memory or dream (Maya Zalbidea 2014).

   Maya Zalbidea - 25.07.2014 - 14:02