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1. Philippe Castellin

   Philippe Castellin (1948, Isle sur-Sorgues, France) – poet, digital poet, artist, performer, critic. Graduated from the Rue D’Ulm Université (Paris), in 1991 received a doctorate degree (Aesthetics and Semiology) at the Université de Paris IV. He is the author of a number of poetry books and collections, including the following: Où il ne faut pas (Paris: Confidentielles Ed., 1976), Immalamour (in collab. with J.-Y. Bosseur,1982, a part was published in the Doc(k)s #50), Livre (Ajaccio: Akenaton Ed., 1984), Paesine (Paris: Ed. Evidant, 1989), L’Afrique (Ales: Aiou Ed., 1996), Travelling Slow (Marseille: Akenaton Editions, 1996), Khaki (Paris: Al Dante, 1999), Les_Grandes_Herbes (FidelAnthelmX ed., Marseille, 2011) and also of the visual poetry works, presented in the collection of the Galerie La Marge (Ajaccio) and published in various international magazines, catalogues, literary miscellanies and anthologies on the experimental poetry.

   Eric Dean Rasmussen - 17.03.2011 - 13:16

2. Stan VanDerBeek

   American experimental filmmaker. His desire for the utopian led him to work with Ken Knowlton in a co-operation at Bell Labs, where dozens of computer animated films and holographic experiments were created by the end of the 1960s. Between 1964 and 1967 Vanderbeek created Poem Field, a series of 8 computer-generated animations with Ken

   (Source: Wikipedia)

   Eric Dean Rasmussen - 17.03.2011 - 14:09

3. These Waves of Memories: A Hyperfiction by Caitlin Fisher

   The web-based ‘hypermedia novella’ These Waves of Girls by Caitlin Fisher won the first prize in the fiction category awarded by the Electronic Literature Organization in 2001. In this article I’ll take a closer look on some of the aspects of this work, a confessional autobiography about a girl coming to terms with her lesbian identity. The article is structured around a set of relations: the relation between the critic and the work; textual and audio-visual representation; personal and social relations; hypertextual structure and autobiographical, unreliable narration. These Waves is a class-room example of the so-called associative hypertext. The hypertextual structure is also closely linked to the problematics of autobiographical narration.. As readers we get to ponder about the nature of remembering, of telling stories about one’s life. One of the genuine accomplishments of Fisher’s work is to bring forth these questions in a tangible, and still discreet, way.

   (Source: author's abstract).

   Eric Dean Rasmussen - 20.03.2011 - 09:58

4. Karen Wagner

   Co-founder, with Christian Yde Frostholm, of Afsnit P, the Danish bookshop, art gallery, and virtual exhibition space.

   Eric Dean Rasmussen - 23.03.2011 - 12:39

5. Review of From Papyrus to Hypertext: Toward the Universal Digital Library

   In forty pithy essays, the author considers technological innovations that have transformed writing, altering the activity of reading and the processing of texts, individually and collectively. . . . The book's fragmentary organization--the adroit syntheses can be read in any order--makes it exceptionally accessible . . . for the born-digital generation. . . . Essential.

   Eric Dean Rasmussen - 24.03.2011 - 15:57

6. John David Zuern

   Zuern has been a member of the English faculty at UHM since 1997, and teaches classes in literature, literary theory, and rhetoric. His current projects focus on ethics in contemporary fiction and on comparative approaches to the study and teaching of digital literature.

   (Source: author website, 2011)

   Jill Walker Rettberg - 24.03.2011 - 22:18

7. Letters That Matter: Electronic Literature Collection Vol 1

   John Zuern considers the significance of the first volume of ELO's Electronic Literature Collection for the future of electronic arts.

   (Source: ebr)

   Jill Walker Rettberg - 24.03.2011 - 22:30

8. Tripp trapp tresko i cyberspace

   Dette er en anmeldelse av Juliet Ann Martins diktsyklus oooxxxooo. Juliet Ann Martin er skjermkunstner. Diktene hennes finnes ikke i trykt utgave, de må leses på skjermen. Hvis du vil, kan du lese dem nå. Du kan bruke back knappen i nettleseren din for å komme tilbake til denne anmeldelsen. Back knappen kan også være nyttig når du skalfinne frem og tilbake i anmeldelsen. Hvis du ikke liker labyrinter, finnes det en veiforklaring. Men prøv labyrinten først.

   Jill Walker Rettberg - 24.03.2011 - 23:31

9. A Child's Game Confused

   This is a hypertextual essay about and around a cycle of poems by Juliet Ann Martin: oooxxxooo. It's an interpretation of the poems, a reading. It's also about playing with the medium and with writing. The essay speaks its own voice, linking almost only to itself, always beside the poems it speaks of. You may hear voices of theorists behind these words, but they are implicit, a background rather than names to be paraded

   Jill Walker Rettberg - 24.03.2011 - 23:45

10. Stepping Into the River: Experiencing John Cayley's riverIsland

     In this paper I investigate the emergence of new writing and reading practices under the impact of digital media. Examining Cayley's poetic work riverIsland , I focus on what the poet himself calls “literal morphing.” These transformations of letters constitute, I argue, an important shift in poetic writing whose importance for literary analysis must be acknowledged. I conclude that poetic works in programmable media lead to a rethinking of concepts of surface and depth in relation to writing.

    Jill Walker Rettberg - 25.03.2011 - 13:36

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