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1. A Companion to Digital Humanities

   This Companion offers a thorough, concise overview of the emerging field of humanities computing. 

   • Contains 37 original articles written by leaders in the field. 
   • Addresses the central concerns shared by those interested in the subject. 
   • Major sections focus on the experience of particular disciplines in applying computational methods to research problems; the basic principles of humanities computing; specific applications and methods; and production, dissemination and archiving. 
   • Accompanied by a website featuring supplementary materials, standard readings in the field and essays to be included in future editions of the Companion.

     (Source: publisher's website) 

    

   Eric Dean Rasmussen - 10.03.2011 - 10:45

2. Digging For The Roots Of Interactive Storytelling

   This paper is a writer's reflections on the pre-computer origins of interactive narrative. It seeks out forms of human expression dating back to prehistory that can viewed as the precursors of contemporary interactive storytelling and contemplates what can be learned from these forms that can be applied to contemporary works of interactive storytelling. The examined forms include the participatory myth-based dramas of the ancient Egyptians and Greeks; coming of age rituals in traditional societies; games that blend spiritual beliefs and athleticism; and various Judeo-Christian and pagan religious practices.

   Scott Rettberg - 08.01.2013 - 11:46

3. Towards the delight of poetic insight

   I am interested in the specific nature of POETIC insight and knowledge (Erkenntnis) in relation to other systemic spheres like, e.g., science or religion. As an approach to this subject my paper will discuss how poetic knowledge is addressed by the handling of ‘innovation’. Innovation will be observed as feature between reflexivity and potentiality in poetic experimentation. These poetological categories will be related to both practical and theoretical forms of technology driven language art. As exemplary forms I will focus on the radio play "Die Maschine" (The Machine, 1968) which simulates an Oulipo computer and was written and realized by George Perec and on its poetic comment by Florian Cramer (pleintekst.nl, 2004) as well as on the historical concept of ‘artificial poetry’ by Max Bense (in respect of his 100st anniversary) in the light of recent poetological concepts of innovation.

   (Source: Author's abstract)

   Audun Andreassen - 14.03.2013 - 15:18

4. A New Companion to Digital Humanities

   This highly-anticipated volume has been extensively revised to reflect changes in technology, digital humanities methods and practices, and institutional culture surrounding the valuation and publication of digital scholarship. 

   • A fully revised edition of a celebrated reference work, offering the most comprehensive and up-to-date collection of research currently available in this rapidly evolving discipline 
   • Includes new articles addressing topical and provocative issues and ideas such as retro computing, desktop fabrication, gender dynamics, and globalization 
   • Brings together a global team of authors who are pioneers of innovative research in the digital humanities 
   • Accessibly structured into five sections exploring infrastructures, creation, analysis, dissemination, and the future of digital humanities
   • Surveys the past, present, and future of the field, offering essential research for anyone interested in better understanding the theory, methods, and application of the digital humanities

     (Source: Publisher's website) 

    

   Alvaro Seica - 01.06.2016 - 11:35