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David Clark
David Clark is a media artist interested in experimental narrative form and the cinematic use of the internet. He has produced work for the internet, narrative films, and gallery installations. Recent works include large-scale interactive narrative works for the web: ’88 Constellations for Wittgenstein’, an experimental portrait of the philosopher Ludwig Wittgenstein, and ‘Sign After the X’, an encyclopedic work about the letter X (made in collaboration with Vancouver writer/artist Marina Roy and composer Graham Meisner). He has also been involved with collaborative public media arts projects such as “Waterfall”(2010) that was commissioned by the Canadian Wildlife Foundation for the 2010 Vancouver Winter Olympics and the commission “Touch & Go” (2007) for the Toronto Pearson International Airport. His 2002 project ‘A is for Apple’ played at over 50 festivals around the world including the Sundance Film Festival, SIGGRAPH, FCMM in Montreal, EMAF in Osnabreuck, Transmediale in Berlin, and the Museum of Moving Images in New York. It won the top prize at the 2003 SXSW Interactive Festival and the FILE2002 in Sao Paulo, Brazil.
Eric Dean Rasmussen - 18.02.2011 - 19:15
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Erik Loyer
Erik Loyer uses tactile and performative interfaces to tell stories with interactive media. His work has been exhibited online and internationally at venues including MOCA Los Angeles, the Prix Ars Electronica, and IndieCade. Loyer's award-winning website The Lair of the Marrow Monkey was one of the first to be added to the permanent collection of a major art museum, at SFMOMA. As Creative Director for the experimental digital humanities journalVectors, he has designed over a dozen interactive essays in collaboration with numerous scholars, including the Webby-honored documentary Public Secrets.
Eric Dean Rasmussen - 18.02.2011 - 19:18
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Andreas Maria Jacobs
A. Andreas (NL 1956) is a transdisciplinary artist, writer and editor, studied physics and mathematics at the University of Amsterdam NL, electronic and computer music at the State University Utrecht NL and holds a BSc. in software engineering (University of Applied Sciences - The Hague NL). Among his works are Ors Vibranter Wurld 2008, Creative Resistance - New Media as Soft Arms 2007, Semantic Disturbances 200X, Fiat Lux 2005 and Gerausche aus der Helle 1989. His pieces have appeared in Nictoglobe (Volume 14 Issue 3, 2005) and New River Journal (Fall, 2007) as well as being performed at various Europian festivals and nightclubs. An agent for the Brahamian Intelligence Service }|{ Online. He has publiced essays in project.Arnolfini (UK 2008), seecult.org (Serbia 2007), MetaMute (UK 2007) among others. He is publisher/editor of Nictoglobe magazine, ISSN 1874-9534, online since 1986! An irregular contributor to Poetry Kessel-Lo Belgium and the Theory and Wryting mailinglist. A. Andreas is currently working as a free-lanced software engineer. He lives in Amsterdam, the Netherlands and Walkenried, Germany with Judith V. and their 3 children.
Eric Dean Rasmussen - 18.02.2011 - 19:22
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Chris Joseph
Chris Joseph is a British/Canadian writer and artist who works primarily with electronic text, sound and image, and sometimes publishes work under the pseudonym babel.
His past projects include Animalamina, a collection of interactive multimedia poetry for children, and the interactive multimedia fiction series Inanimate Alice that has been incorporated into educational courses around the world. Inanimate Alice is one of several collaborations with Canadian author Kate Pullinger, including The Breathing Wall - a novel that responds to the reader's rate of breathing - and the collaborative fiction Flight Paths.
Eric Dean Rasmussen - 18.02.2011 - 19:28
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Christine Wilks
Christine Wilks is a digital writer, artist, practice-based researcher and developer of interactive narratives and playable media. Her digital fiction, Underbelly, won the New Media Writing Prize 2010 and the MaMSIE Digital Media Competition 2011. Her work is published in online journals, exhibitions and anthologies, including the 'Electronic Literature Collection, Volume 2' and the ‘ELMCIP Anthology of European Electronic Literature’, and has been presented internationally at festivals, exhibitions and conferences. From 2007 to 2013 she was a core member of the digital arts remixing collective, R3M1XW0RX, and contributed over 100 remixes. Before working in digital media and the web, she made short films, videos, animations, installations and wrote fiction and screenplays. She has an MA in Fine Art from Cardiff Institute of Higher Education (UWIC), an MA(Hons) in Creative Writing and New Media from De Montfort University and a PhD in Digital Writing from Bath Spa University.
Eric Dean Rasmussen - 18.02.2011 - 19:32
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The Unknown
The Unknown is a collaborative hypertext novel written during the turn of the millennium and principally concerning a book tour that takes on the excesses of a rock tour. Notorious for breaking the "comedy barrier" in electronic literature, The Unknown replaces the pretentious modernism and self-conciousness of previous hypertext works with a pretentious postmodernism and self-absorption that is more satirical in nature. It is an encyclopedic work and a unique record of a particular period in American history, the moment of irrational exuberance that preceded the dawn of the age of terror. With respect to design, The Unknown privileges old-fashioned writing more than fancy graphics, interface doodads, or sophisticated programming of any kind. By including several "lines" of content from a sickeningly decadent hypertext novel, documentary material, metafictional bullshit, correspondence, art projects, documentation of live readings, and a press kit, The Unknown attempts to destroy the contemporary literary culture by making institutions such as publishing houses, publicists, book reviews, and literary critics completely obsolete.
Eric Dean Rasmussen - 18.02.2011 - 19:39
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V: Vniverse
V: Vniverse is a textual instrument for exploring a sequence of poems that also appear in a double invertible book. Navigation/performance possibilities provide a micro-texture of interplay between patterns and their activation, both within the alphabetic forms and in relation to the diagrammed constellations. Programmed all in its original frame, the piece gives the illusion of words moving directly in and out of the sky. Thus all the time resources of the piece go toward responsiveness and production of language, rather than visual display. Here space is fashioned to amplify the sense of resonance that internal timings create.
(Source: Author's description)
Eric Dean Rasmussen - 18.02.2011 - 20:02
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Entre Ville
Entre Ville was commissioned in 2006 by OBORO, an artist-run centre in Montréal, on the occasion of the 50th anniversary of the Conseil des Arts de Montréal. J. R. Carpenter writes: "Although I had lived in Montréal for 15 years at the time of the commission, Entre Ville was my first major work about my adopted city. It took me that long to learn the vocabulary. I don’t mean French, or Greek, Italian, Portuguese, Yiddish or any of the other languages spoken in my neighbourhood. I refer, rather, to a visual, tactile, aural, sensorial vocabulary. My home office window opens into a jumbled intimacy of back balconies, yards, gardens and alleyways. Daily my dog and I walk through this interior city sniffing out stories. Poetry is not hard to find between the long lines of peeling-paint fences plastered with notices, spray painted with bright abstractions and draped with trailing vines.
Eric Dean Rasmussen - 18.02.2011 - 20:09
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in absentia
in absentia is a site-specific web-based writing project which addresses issues of gentrification and its erasures in the Mile End neighbourhood of Montreal, where the author lived for seventeen years. J. R. Carpenter writes, "Faced with imminent eviction, I began to write as if I was no longer there, about a Mile End that was no longer there. I manipulated the Google Maps API to populated "real" satellite images of my neighbourhood with "fictional" characters and events. in absentia is a web "site" haunted by the stories of former residents of Mile End, a slightly fantastical world, a shared memory of the neighbourhood as it never really was but as it could have been. in absentia was created with the support of the Canada Council for the Arts. It was presented by DARE-DARE Centre de diffusion d'art multidisciplinaire de Montréal. It launched June 24, 2008. New stories were added over the summer, in English and French. A closing party was held in conjunction with the launch of my novel, Words the Dog Knows, (conundrum press), at Sky Blue Door, November 7, 2008"
Eric Dean Rasmussen - 18.02.2011 - 20:12
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David Ciccoricco
David (also published as Dave) is a member of the English Department faculty at the University of Otago, located in Dunedin, New Zealand. His research is focused on contemporary narrative fiction, with a particular emphasis on emergent forms of digital literature and digital culture in general. He is the author of Reading Network Fiction (U of Alabama Press), a book on the first and second waves of digital fiction. He is the co-editor of ebr or the Electronic Book Review.
Eric Dean Rasmussen - 18.02.2011 - 20:17
