Search
The search found 3462 results in 0.035 seconds.
Search results
-
The New River (Fall 2018)
When you consider that writing as a form hasn’t really changed all that much since The Epic of Gilgamesh, some 4,000 years ago, what’s occurring in the world of new media becomes that much more impressive. Digital writing is already able to do things that authors aspired towards for years; incorporating visuals, music, and sound, as well as interacting directly with audience. In this issue we’ve tried to put forth work that exemplifies the wide range new media is capable of.
(Source: https://www.cddc.vt.edu/journals/newriver/18Fall/editor.html)
Lucila Mayol Pohl - 17.10.2020 - 12:18
-
A NOTE FROM THE EDITORS (Fall 2018)
When you consider that writing as a form hasn’t really changed all that much since The Epic of Gilgamesh, some 4,000 years ago, what’s occurring in the world of new media becomes that much more impressive. Digital writing is already able to do things that authors aspired towards for years; incorporating visuals, music, and sound, as well as interacting directly with audience. In this issue we’ve tried to put forth work that exemplifies the wide range new media is capable of.
(Source: https://www.cddc.vt.edu/journals/newriver/18Fall/editor.html)
Lucila Mayol Pohl - 17.10.2020 - 13:18
-
The New River (Spring 2018)
The world as we know it is changing: drones can deliver burritos, cars can drive themselves, all movies are remakes, and our middle school math teachers were all wrong – we do always have a calculator in our pocket. Welcome to the future! We’re talking about your smartphone. These small rectangular devices have affected nearly every aspect of our lives. New media is no exception. For this issue, we have curated a collection of pieces, both desktop and mobile, that exemplify all that new media has to offer in this future we live in.
Source: https://www.cddc.vt.edu/journals/newriver/18Spring/editor.html)
Lucila Mayol Pohl - 17.10.2020 - 13:36
-
The Human Touch
The Human Touch started out as an augmented reality project where Zellen took images of graffiti and animated them with her signature line-drawing style. Most of the images focus on human figures, faces, or birds and move from static to animated in varying levels of frantic. Viewing them all together leaves you with a feeling like there might be something you missed. This is a feeling we hope will remain with you. Slow down and notice the possibilities in all the static images that surround you.
(Source: https://www.cddc.vt.edu/journals/newriver/18Spring/editor.html)
Lucila Mayol Pohl - 17.10.2020 - 14:12
-
A NOTE FROM THE EDITORS (Spring 2018)
The world as we know it is changing: drones can deliver burritos, cars can drive themselves, all movies are remakes, and our middle school math teachers were all wrong – we do always have a calculator in our pocket. Welcome to the future! We’re talking about your smartphone. These small rectangular devices have affected nearly every aspect of our lives. New media is no exception. For this issue, we have curated a collection of pieces, both desktop and mobile, that exemplify all that new media has to offer in this future we live in.
(Source: https://www.cddc.vt.edu/journals/newriver/18Spring/editor.html)
Lucila Mayol Pohl - 17.10.2020 - 14:20
-
The New River (Fall 2017)
The New River has been around for over 20 years, and in that time the digital world, and our readers' familiarity with that world, has changed drastically. In this year's Spring issue we take a moment to appreciate what still works from back in the early days of new media and the possibilities offered to us by its future.
We have been lucky enough to receive submissions from several past contributors this reading period, and have a pretty packed issue.
(Source: https://www.cddc.vt.edu/journals/newriver/17Fall/editor.html)
Lucila Mayol Pohl - 17.10.2020 - 14:29
-
The Dreamcatcher
Commissioned by Peterborough’s Platform8 / Jumped Up Theatre and devised by One to One Development Trust / Dreaming Methods, The Dreamcatcher gathered people’s aspirations and dreams about the city of Peterborough in the UK, through audio, film, creative interventions and social media. This was woven into a projected interactive digital art installation and Virtual Reality experience primarily for the Oculus Rift. Artists from Jumped Up Theatre gathered dreams from local school children, festival goers and shoppers.
(Source: https://diary.dreamingmethods.com/dreamcatcher/)
Lucila Mayol Pohl - 17.10.2020 - 15:02
-
The Shootout
A western con with your choice of ending.
(Source: https://webyarns.com/the-shootout-2016/)
Alan Bigelow's "The Shootout" is a wonderfully fun and interactive western tale with poetic language, immersive sound, and a surprisingly modern ending that you won't see coming. It seems, no matter where technology goes, we cannot help but love stories and puzzles. We just find new packages for them.
(Source: https://www.cddc.vt.edu/journals/newriver/17Fall/editor.html)
Lucila Mayol Pohl - 17.10.2020 - 15:23
-
A NOTE FROM THE EDITORS (Fall 2017)
The New River has been around for over 20 years, and in that time the digital world, and our readers' familiarity with that world, has changed drastically. In this year's Spring issue we take a moment to appreciate what still works from back in the early days of new media and the possibilities offered to us by its future.
We have been lucky enough to receive submissions from several past contributors this reading period, and have a pretty packed issue.
(Source: https://www.cddc.vt.edu/journals/newriver/17Fall/editor.html)
Lucila Mayol Pohl - 17.10.2020 - 15:33
-
Hotel Minotauro
This work started to be built in the year 2013, out of scripts, texts writing, musical composition, and a crime investigation (aside from the compilation of images from the web) that I carried out during previous years as if gathering pieces from a puzzle. “Hotel Minotaur” first was entitled “It`s Enough to Open a Hotel`s Doors” and I first started to visualize it when writer Fernando Marias, invited me to be part of his anthology “Solitude is the Home of the Monster” (Imagine Press, 2013), with a multimedia piece. To facilitate the reader`s turn from paper to the digital space a QR (Quick Response Code) in the book`s Codex was added.
Andrés Pardo Rodriguez - 21.10.2020 - 11:13
