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  1. The Word Made Digital (CMS 609J, Fall 2009)

    The Word Made Digital (CMS 609J, Fall 2009)

    Jill Walker Rettberg - 24.03.2011 - 22:52

  2. Journal of Digital Information (JoDI)

    First publishing papers in 1997, the Journal of Digital Information is an electronic-only, peer-reviewed journal covering the broad topics related to digital libraries, hypertext and hypermedia systems, and the issues of digital information. JoDI is supported by the Texas A&M University Libraries through the Digital Initiatives, Research and Technology group, and hosted by the Texas Digital Library.

    Jill Walker Rettberg - 24.03.2011 - 23:29

  3. Tripp trapp tresko i cyberspace

    Dette er en anmeldelse av Juliet Ann Martins diktsyklus oooxxxooo. Juliet Ann Martin er skjermkunstner. Diktene hennes finnes ikke i trykt utgave, de må leses på skjermen. Hvis du vil, kan du lese dem nå. Du kan bruke back knappen i nettleseren din for å komme tilbake til denne anmeldelsen. Back knappen kan også være nyttig når du skalfinne frem og tilbake i anmeldelsen. Hvis du ikke liker labyrinter, finnes det en veiforklaring. Men prøv labyrinten først.

    Jill Walker Rettberg - 24.03.2011 - 23:31

  4. A Child's Game Confused

    This is a hypertextual essay about and around a cycle of poems by Juliet Ann Martin: oooxxxooo. It's an interpretation of the poems, a reading. It's also about playing with the medium and with writing. The essay speaks its own voice, linking almost only to itself, always beside the poems it speaks of. You may hear voices of theorists behind these words, but they are implicit, a background rather than names to be paraded

    Jill Walker Rettberg - 24.03.2011 - 23:45

  5. riverIsland

    [Note that the 2007 is for the Quicktime version. riverIsland was certainly published several years before this, but I have not been able to find the year. -JWR] riverIsland is a navigable text movie composed from transliteral morphs with (some) interliteral graphic morphs. It is an investigation of procedures of textual transformation associated with translation, which are proposed as transliteral.  (Source: author description)

    Jill Walker Rettberg - 25.03.2011 - 13:27

  6. Stepping Into the River: Experiencing John Cayley's riverIsland

     In this paper I investigate the emergence of new writing and reading practices under the impact of digital media. Examining Cayley's poetic work riverIsland , I focus on what the poet himself calls “literal morphing.” These transformations of letters constitute, I argue, an important shift in poetic writing whose importance for literary analysis must be acknowledged. I conclude that poetic works in programmable media lead to a rethinking of concepts of surface and depth in relation to writing.

    Jill Walker Rettberg - 25.03.2011 - 13:36

  7. Morpheus: Biblionaut

    The story of a poet sent to Alpha Centauri to test a nuclear bomb that can destroy a planet, who returns to Earth to discover that Earth has a ring instead of a moon and that there is - perhaps - no longer life there. The narrative is told linearly and lasts for about 20 minutes, with no opportunity to rewind  - it’s worth watching in a single setting though, both for the story itself and for the grungy space visuals created by Travis Alber: a scratched metal background with a window through which to watch the stars passing by, and dream images superimposed on or maybe reflected in the dull, stained metal.

    Jill Walker Rettberg - 25.03.2011 - 13:42

  8. Figures in the Interface: Comparative Methods in the Study of Digital Literature

     This paper, which is part of the collection of essays Reading Moving Letters (see introduction) reflects on what the emerging field of digital literature studies and the more established (but continually evolving) discipline of comparative literature might contribute to one another in terms of defining concepts and methods of literary analysis. My discussion is guided by the tentative proposition that the vexed status of the "national language" for comparative literature can be seen as analogous to the status of the "digital" for scholars undertaking research on computer-based literary texts. Aiming to overcome the ideological strictures of nationalism, many present-day comparatists are returning to the old question "what is literature?" and are placing renewed emphasis on the role of figurative language as a defining feature of literary texts and, consequently, as the appropriate focus of comparative textual analysis.

    Jill Walker Rettberg - 25.03.2011 - 15:17

  9. The Uninvited

    The Uninvited was originally written and developed in the late 90s as an interactive hybrid narrative formatted for presentation on CD-ROM. It was never publicly shown. In 2003, it was reformatted as a stand alone video. The Uninvited was included in the traveling exhibition, Art AIDS America, curated by Jonathan Katz and Rock Hushca.

    (Source: Artist's Statement)

    One of the video experiments in Lemcke’s series Light F/X.

    Jill Walker Rettberg - 25.03.2011 - 15:20

  10. We Descend : Archives Pertaining to Edgerus Scriptor, Volume One

    A story of our far future, unearthed by a Scholar to whom it is the distant past. But for that far-off scholar, as for every reader, the paths followed and the connections forged among the diaries, letters, confessions, and artifacts lead only to further questions. Some documents speak to us of Egderus, a young boy at the isolated Mountain House. What -- or who -- lives in the rocky hills around him? What secrets bind his superiors in fear and silence? What is it that creeps out, undetected, to drive a man mad, or to tear him limb from limb? Why must Egderus later leave the Mountain House as amanuensis to the Good Doctor, interrogator and torturer? What intrigue surrounds one prisoner, the Historian, that makes the Good Doctor so relentless in his attack? Why, ultimately, is this Historian the one victim that Egderus attempts to rescue? Years later, as an old man at the Mountain House, Egderus uncovers only more mysteries. What did the Historian learn that drove him to his death? Does something live, still, in the rocks around him? And how shall Egderus pursue this disturbing legacy that could shake the foundations of his darkening world?

    Scott Rettberg - 25.03.2011 - 23:43

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