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Mauro Carassai
Mauro Carassai has a BA in Anglo-American Literature from University of Macerata (Italy), an MA in American Literature and Culture from University of Leeds (UK) and he is currently a second-year PhD in English at University of Florida. He had a Fulbright visiting year at Brown University in 2007-2008 and his research interests involve New Media Studies, Digital Narrative and Literary Theory.
(Source: Author).
Eric Dean Rasmussen - 14.03.2011 - 08:21
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The Program Era: Postwar Fiction and the Rise of Creative Writing
The Program Era: Postwar Fiction and the Rise of Creative Writing
Eric Dean Rasmussen - 14.03.2011 - 10:52
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Reveal Codes: Hypertext and Performance
Reveal Codes: Hypertext and Performance
Eric Dean Rasmussen - 14.03.2011 - 11:24
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"Of Dolls and Monsters": An Interview with Shelley Jackson
"Of Dolls and Monsters": An Interview with Shelley Jackson
Eric Dean Rasmussen - 14.03.2011 - 20:09
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My Mother Was a Computer: Digital Subjects and Literary Texts
We live in a world, according to N. Katherine Hayles, where new languages are constantly emerging, proliferating, and fading into obsolescence. These are languages of our own making: the programming languages written in code for the intelligent machines we call computers. Hayles’s latest exploration provides an exciting new way of understanding the relations between code and language and considers how their interactions have affected creative, technological, and artistic practices.
Eric Dean Rasmussen - 14.03.2011 - 21:07
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Digital Poetics: The Making of E-Poetries
In this revolutionary and highly original work, poet-scholar Glazier investigates the ways in which computer technology has influenced and transformed the writing and dissemination of poetry. In Digital Poetics, Loss Glazier argues that the increase in computer technology and accessibility, specifically the World Wide Web, has created a new and viable place for the writing and dissemination of poetry. Glazier's work not only introduces the reader to the current state of electronic writing but also outlines the historical and technical contexts out of which electronic poetry has emerged and demonstrates some of the possibilities of the new medium. Glazier examines three principal forms of electronic textuality: hypertext, visual/kinetic text, and works in programmable media. He considers avant-garde poetics and its relationship to the on-line age, the relationship between web "pages" and book technology, and the way in which certain kinds of web constructions are in and of themselves a type of writing. With convincing alacrity, Glazier argues that the materiality of electronic writing has changed the idea of writing itself.
Eric Dean Rasmussen - 16.03.2011 - 12:55
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The Cyberspace, Hypertext, and Critical Theory Web
The Cyberspace, Hypertext, and Critical Theory Web
Eric Dean Rasmussen - 17.03.2011 - 09:54
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Dubravka Djurić
Dubravka Djurić, born in 1961 in Dubrovnik, Croatia, and lives in Belgrade, Serbia. She writes poetry and essays, and is engaged in performance. She has published several collections of poems including The Nature of the Moon, The Nature of the Woman (1989), Traps (1995), Cosmopolitan Alphabet (1995). She is an editor of ProFemina and lectures at the Center for Women's Studies in Belgrade. In addition, Djuric is an active translator of American poetry. With Misko Suvokovic, she is editor of Impossible Histories Impossible Histories: Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991 from MIT Press (2004).(Source: PennSound)
Eric Dean Rasmussen - 17.03.2011 - 13:57
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Sue Thomas
Founder of the trAce Online Writing Centre, Professor at University of Leicester, author of print and online work, and transliteracy scholar.
Scott Rettberg - 18.03.2011 - 09:53
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51 Responses: What inspired you to get involved with Digital Literature
51 Responses: What inspired you to get involved with Digital Literature
Scott Rettberg - 22.03.2011 - 00:01
