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Poubelle
Poubelle
Scott Rettberg - 30.01.2013 - 11:39
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parlør
"Til hvert ord leverer bidragyderne en "ordforklaring" i en blanding af tekst, billede, lyd, video, animation og interaktivitet. (...) Sprogkurset strækker sig indholdsmæssigt fra det dybsindige til det revyagtige. (...) Det er er vores håb, at Afsnit Ps nye Parlør kan medvirke til at nuancere den efter vores opfattelse noget monotone kulturelle hjemlige debat, som virker fastlåst i en mediebestemt og merkantil diskurs, og levere et reelt og intelligent modspil til den udbredte forskrækkelse over for det poetiske, kunstneriske og intellektuelle udtryk, for ikke at sige over for alt ukendt og anderledes." -Afsnit P beskrivelse.
Sissel Hegvik - 07.03.2013 - 16:02
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Hybrid moment
Hybrid moment
Marthin Frugaard - 18.04.2013 - 19:28
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The Clown
"The Clown" by Shaolian Su, who is a modern poet from Taiwan, is a Flash poem about clowns. Su is the author and designer of this Flash poem. He wrote this poem for clowns in order to illustrates their true value to the audience and society in general. The true value of clowns is that they try to give the audience pleasure but always hide their sadness. A white clown is also a highlight of a drama. The design of it is very simple. There are four rows of clowns’ profiles show on the blue background which looks like a theater. Only one clown’s face can be seen clearly among them. The reader can click the image to start the poem. The content of this poem describes how clowns give the audience pleasure and never show their sorrow. The poem begins, “The clown never died, he left his smile on our faces.” The poem continues, and each line begins with the following sentence: “The clown never died.” Through this poem, Su tries to tell people by this poem that even though the clown will die physically, his soul will exist in audience’s heart forever. (Source: ELD; unreviewed)
Jill Walker Rettberg - 02.07.2013 - 16:28
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Beer
Beer
Scott Rettberg - 09.07.2013 - 14:25
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obituaries.count
What the user sees is a black-and-white, rectangular obituary in the middle of the
computer screen which addresses the victims of the last Iraq war. By letting the languages
and the meaning the textual fragments create fluctuate, the author emphasises
the fact that obituaries are a global phenomenon, the rhetorics of which are replaceable
and interchangeable regardless of where these are being written or read. The date of
the obituary is always the same as the actual date the text is read on, thus the text
gains the quality of actuality and credibility at the same time. Furthermore, in order to
increase the desired artistic effect, the author has put a body-count at the bottom of the
page, which is incremented roughly every second. Furthermore, there are strong sounds
of war, such as machine-gun fire, and screams of women and children in the background.(Source: Roman Zenner "Hypertextual Fiction on the Internet: A Structural and Narratological Analysis")
Scott Rettberg - 16.07.2013 - 16:27
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Poemas no Meio do Caminho: Poesia Combinatória Animada por Computador
Poemas combinatórios e generativos, programados de modo a permitir ao leitor alterar dinamicamente, em tempo de execução, os paradigmas que alimentam a sintaxe original; Som gerado aleatoriamente a partir de bases de dados previamente gravadas, com vozes e texturas sonoras; Além de alterar o poema, o leitor pode guardar as suas versões/leituras num weblog disponível na Internet. Duas versões disponíveis (versão horizontal e versão vertical) dão aos leitores a possibilidade de navegar entre distintas tipologias de página: em modo de panorama ou em modo de página html: A versão horizontal (panorama) inclui video, permite ao leitor alterar as palavras e enviar para weblog; A versão vertical (html) permite ao leitor alterar as palavras, alterar as listas e enviar para weblog.
(Source: http://edicoes.ufp.pt/product/humanidades/poemas-no-meio-do-caminho-poes...)
Alvaro Seica - 14.10.2013 - 13:09
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A Nordic Neurotic
A Nordic Neurotic
Alvaro Seica - 21.11.2014 - 01:17
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The Code Looks Back: Flash Software, Virtual Spectators, and the Interactive Image
The Code Looks Back: Flash Software, Virtual Spectators, and the Interactive Image
Alvaro Seica - 05.05.2015 - 16:14
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Nous n'avons pas compris Descartes
Nous n'avons pas compris Descartes
viniciuscarpe - 15.10.2020 - 18:13