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1. Dressage #7

   Claude Maillard and Tibor Papp’s “Dressage no. 7” is glaring example of anthropophagic inflection in early digital poetry. The authors, continuing to use the same language and themes established in previous editions of Alire, cast familiar words and phrases amidst a wider span of new visual contexts. Alternating graphical pages, verbal pages, and pages that incorporate both propel the narrative. Works in Maillard and Papp’s “Dressage” series address the diminishing status of civil liberties in general, inscribing their views in a new media format that revives the aesthetics of an earlier era with new purpose.

   (Source: Chris Funkhouser "Le(s) Mange Texte(s): Creative Cannibalism and Digital Poetry")

   Scott Rettberg - 31.01.2013 - 19:33

2. La dérive des continents

   La dérive des continents

   Jill Walker Rettberg - 29.08.2013 - 15:47

3. L'égérie, la vie d’Amandine Palmer

   L'égérie, la vie d’Amandine Palmer

   Jill Walker Rettberg - 29.08.2013 - 16:08

4. Proposition

   Proposition

   Jill Walker Rettberg - 30.08.2013 - 10:11

5. Icône

   Icône

   Jill Walker Rettberg - 30.08.2013 - 10:12

6. L'où

   “L’où” by Philippe Bootz published first in 1990 in alire 3, is a work of animated poetry that has no images, that has no sounds, but that demands a strong engagement from the viewer only with the words on the screen. Being a transitory text where the text changes without interaction of the viewer, one sees firstly the word “que” and groups of letters, “aill” and “vaill” , that move, but that do not make complete words. Then, the letters form “vaill/que/aille” perhaps referencing the commonly used French phrase “vaille que vaille”, creating a syntactic animation where the text is in tension between the reading (and interpretation) of the text on the space of the screen and the reading of the text within the transitory development and evolution of the work. In a similar manner, the title follows this motif of a phrase that is not complete, but that represents something more important than the words alone. This work evokes the theme of shipwreck that is supported by a lexicon of words pertaining to water, or the ocean, and to destruction.

   Claire Ezekiel - 15.09.2014 - 21:59

7. NeoNecronomicon

   NeoNecronomicon

   Daniele Giampà - 11.04.2015 - 10:46