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1. Bridging Intertextuality and Intermediality from a Cultural and Literary Perspective

   In this paper we argue that technological applications, and the intermedial practices that the World Wide Web allow can play an important role in developing educational and cultural policies and practices, expanding the stock of shared heritage while maintaining cultural diversity, and multiplicity, despite problems such as accessibility, the digital divide and growing economic focus, copyright and open-access, the organization of vast amounts of information and its preservation as part of our cultural heritage. Our previous research has emphasized the potential of intermediality to serve as a model that not only increases our understanding of the mechanisms of media convergence but also applies to parallel phenomena in intercultural and educational contexts. We have proposed that the basis for a constructive conceptualisation of social change is mediated through technology and that the good use of intermediality as a vehicle for socio-cultural needs to be further explored, both theoretical and practically, in its aspects of production, distribution, and usability.

   Eric Dean Rasmussen - 27.01.2011 - 16:21

2. E-Formes 1 : Ecritures visuelles sur support numérique

   E-Formes 1 : Ecritures visuelles sur support numérique

   Scott Rettberg - 30.01.2011 - 17:46

3. AlletSator

   “Alletsator” is a hypermedia work that is best defined as a quantum opera, or perhaps in the final analysis a game – interactive, three-dimensional – where the present and the virtual intersect and mix. A hybrid hypermedia, therefore, in which the “spectactor” (immersed in an environment that is intended to be cosmic, magical, fantastic, dreamlike ...) is challenged to traverse the surface of a sequence of drawings. The work is a journey without ending. “Alletsator” is a computer generated narrative that allows an infinite potential of combinations. It is also an object of the new media art. It is a product and agent of the cyber culture that promises to revolutionize the world as we know it. The dramaturgy it needs is already anticipated in the metaphor that better explains the work itself: a spacecraft of dispersed paths, of multilinear unexpected pathways.

   Scott Rettberg - 30.01.2011 - 18:22

4. Tesão

   Minitel animated poem shown online in the group exhibition Brazil High-Tech (1986), a minitel art gallery organized by Eduardo Kac and Flavio Ferraz and presented by Companhia Telefônica de São Paulo. Words (in Portuguese) emerge and disappear through layers of lines and color masses, forming an ephemeral digital graffiti.

   Scott Rettberg - 30.01.2011 - 23:29

5. Reading the Discursive Spaces of Text Rain, Transmodally

   Reading the Discursive Spaces of Text Rain, Transmodally

   Eric Dean Rasmussen - 31.01.2011 - 15:21

6. Screen Writing: A Practice-based, EuroRelative Introduction to Digital Literature and Poetics

   Screen Writing: A Practice-based, EuroRelative Introduction to Digital Literature and Poetics

   Eric Dean Rasmussen - 31.01.2011 - 15:35

7. Geopoetics: Aesthetic Experience in the Works of Stefan Schemat and Teri Rueb

   Geopoetics: Aesthetic Experience in the Works of Stefan Schemat and Teri Rueb

   Eric Dean Rasmussen - 31.01.2011 - 15:44

8. Metamorphose

   Metamorphose

   Scott Rettberg - 02.02.2011 - 14:35

9. Ré veille d’artiste

   Ré veille d’artiste

   Scott Rettberg - 02.02.2011 - 14:48

10. Amour

    Amour

    Scott Rettberg - 02.02.2011 - 14:50

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