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1. Et null nynner

   Dette "cut up" diktet fortelles sakte, sakte i små hvite bokstaver på svart skjerm. Morten Skogly skriver selv at det er et "cut up" av dikt skrevet av ham, som "skriver seg selv (for den tålmodige)." Nesten som en skjermsparer kommer frasene fram, og skaper sammenhenger på skjermen som til tross for den tilfeldige sammensetningen nesten alltid gir mening. En stemme går igjen, en stemme som er engstelig: "Ikke forlat meg her", skriver den. Et null nynner er et eksempel på generativ poesi.

   Jill Walker Rettberg - 27.03.2011 - 13:13

2. Neseblod

   Neseblod means "nose bleed" in Norwegian, and a blurred photo of a man's face, with blood around his nose, is a key visual element of the piece. This is a dynamic, audio-visual work where the reader can affect which sounds are produced and which textual fragments are displayed on the screen. The background consists of three images that repeat in a loop at the same time as a white line continuously moves in a loop from top to bottom of the screen. The reader can move eight white dots around on the screen, and each dot has its own sound and a small textual fragment. Each time the white line scans a white dot the sound and the textual fragment are realised. The work's aesthetic expression depends on how many dots the reader chooses to activate, and how the reader organises the dots in the space. (source: Hans Kristian Rustad for elinor.nu)NO LONGER ONLINE?

   Jill Walker Rettberg - 27.03.2011 - 13:40

3. Nordic electronic literature. Tradition, Archiving, and Cultural Valuation

   Nordic electronic literature. Tradition, Archiving, and Cultural Valuation

   Jill Walker Rettberg - 27.03.2011 - 13:53

4. Når litteratur går fra papir til skjerm

   Når litteratur går fra papir til skjerm

   Jill Walker Rettberg - 27.03.2011 - 13:56

5. Tehtaan kuolema

    Tehtaan kuolema kertoo vanhoista tehtaista ja niissä viihtyvistä ihmisistä.Tehtaat eivät tuota enää tavaraa, mutta ne ovat edelleen tärkeitä. Ne ovat työtiloja, harrastuspaikkoja, kulttuurin keskuksia ja samalla konkreettinen osa kaupungin perinteitä. Silti tehtaat ovat joutuneet purku-uhan alle.Tätä reportaasia analysoidaan journalistisessa pro gradu -tutkielmassa Verkkoreportaasin synty. 

   Jill Walker Rettberg - 27.03.2011 - 14:38

6. Planting Trees Out of the Grief: In Memoriam Robert Creeley

   "Planting Trees out of the Grief" is a lyrical essay, or work of creative non-fiction about mourning. "Planting Trees out of the Grief. In Memoriam Robert Creeley" is a ficticious story that mirrors the psychological processes of coping with mourning described in the essay.

   The hypertext will lead you through both texts as same as one goes through the process of mourning. You will go further and sometimes you realize you just stepped backwards finding yourself at the same point you were once before.

   Being at the same point (textpassage) you were once before you'll have the choice to follow new paths - or you have to go through the same until a new path (link) reveals. Sometimes people forget they were in grief and then, suddenly, they face their loss again. Therefore, I am dealing with intendend moments of recurrence. By this, you are forced to find new paths and follow other links.

   Mark Marino - 27.03.2011 - 17:52

7. Les amis sur le seuil

   Les amis sur le seuil

   Scott Rettberg - 28.03.2011 - 14:40

8. Diari d'una absència

   The Diary of an Absence aims to be an example of intimate personal writing through something which has been put into words but which perhaps should have remained unsaid. Arranged in the form of a diary, this narrative follows the paths of absence by delving into the pain that is caused by desire, a desire that is reflected in this particular box of raptures in the face of a separation from the loved one. To the idea of introspection arising from the exercise of spiritual reflection and the flood of torn feelings that this brings, there appears the idea of the house as a cloister, which is the scenario in which the tale in our hypertext exercise has been set. A closed space, with rooms to walk through, just as we travel different routes when we go deeper into the intimate truth of the suffering narrator. The apparently illogical ups and downs of the narrator’s thoughts are metaphorically translated into the maze where the reader gets lost, this reader who has come in search of words that will lead towards the interior that tells a story of love, of the loss of love, of passion and of impossibility.

   Laura Borras - 28.03.2011 - 16:15

9. Electronic Literature Organization 2007 Symposium: The Future of Electronic Literature

   The Electronic Literature Organization’s Future of Electronic Literature Symposium at MITH at the University of Maryland, College Park was an event that brought e-lit writers, scholars, and an interested public together for an open mouse/open mic, a daylong symposium, and an ELO board meeting. Highlights included Katherine Hayle’s keynote (nicely summarized at jilltxt), considering the idea of “literary” vs. “literature” and providing very intelligent close readings of a variety of works of electronic literature, readings from new works by Stephanie Strickland, Rob Kendall, Nick Montfort, Deena Larsen, and others, as well as three very good panel discussions. The process-intensive panel looked at the idea of process from several different angles ranging from process-intensive collaboration, to natural language interface processing, to story generation.

   Mark Marino - 28.03.2011 - 16:32

10. Estudis literaris i tecnologies digitals

    Estudis literaris i tecnologies digitals

    Laura Borras - 28.03.2011 - 16:46

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