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Electronic Literature Organization 2021: Platform (Post?) Pandemic
Electronic Literature Organization 2021: Platform (Post?) Pandemic
Scott Rettberg - 03.02.2021 - 11:17
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COVID 19 E-Lit Exhibition
COVID 19 E-Lit Exhibition
Scott Rettberg - 03.02.2021 - 11:20
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NYU Bloomsday Reading at the Media Research Library, NYU
A collaborative reading at the NYU Media Research Laboratory featuring Noah Wardrip-Fruin, Stephanie Strickland, Jennifer Ley, Bill Bly, Adrienne Wurtzel, Nick Montfort and William Gillespie, Rob Wittig, and the Unknown
Scott Rettberg - 15.04.2021 - 00:17
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The Boston T1 Party at the Boston Public Library
The Boston T1 Party was a hit! More than 100 people turned out and Bernie Margolis, president of the Boston Public Library, accepted copies of electronic literature works on physical media to add to the library's collection. The event featured, Adam Cadre and Dirk Stratton,William Gillespie, Talan Memmott, Rob Wittig, Noah Wardrip-Fruin, Scott Rettberg, M.D. Coverly, Shelley Jackson, Kurt Heintz, and Nick Montfort.
Boston Public Library
Rabb Auditorium
6:30pm - 8:30pm
Wednesday
25 April 2001
Admission: freeOnline writing is revolutionary - and no solitary affair. The Electronic Literature Organization presented award-winning authors reading from their projected work: Shelley Jackson's monster showed off her stitches, with the audience indicating which thread to follow. The Unknown let the audience yell out when they wanted to switch scenes. The Ed Report team offered a "press conference" about their mock government report. M.D. Coverley revealed "Hidden Places in Califia," reading the concealed beginning and ending of a story about a character the audience selects.
Scott Rettberg - 15.04.2021 - 00:33
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Platforming Utopias (and Platformed Dystopias)
Platforming Utopias (and Platformed Dystopias)
Scott Rettberg - 20.05.2021 - 09:34
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transmediale
transmediale
Malthe Stavning Erslev - 12.11.2021 - 10:06
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ELO 2020: (Un)Continuity
ELO 2020: (Un)Continuity
Malthe Stavning Erslev - 12.11.2021 - 10:38
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ELO 2021: Platform (Post?) Pandemic
Globalized platforms present new opportunities for writers and readers both because of their large audiences and the fact that new forms of electronic literary cultures are emerging around them. The current rise of global platforms and platform culture however challenge Electronic Literature’s history of developing independent, purpose-specific platforms, since commercial platforms are often closed formats with largely rigid templates for ‘content’. In this sense, forms of criticality are challenged by the fact that the platforms are typically owned, maintained and often quickly updated (and sometimes made obsolete) by global corporations.
Malthe Stavning Erslev - 12.11.2021 - 14:01