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1. The Aesthetics of Feminist Digital Archiving in the Suffrage Postcard Project

   In 2019, we have Twitter, Instagram, and Facebook. A hundred years earlier, there were postcards. In the “Golden Age” of postcards (1902-1915), postcards circulated with the same fervor, if not speed, of images on popular social media apps today. The Suffrage Postcard Project looks back at the early decades of the 1900s in the context of the women’s suffrage movement, a movement that gained momentum in the same historical moment of the Golden Age of postcards and produced hundreds of pro- and anti-suffrage images. This project asks: How can feminist DH and data visualization approaches to over 700 postcards offer new perspectives on the visual history of the U.S. suffrage movement?

   Vian Rasheed - 11.11.2019 - 23:12

2. Tale of a Great Sham(e Text)

   The date is 1881.

   There are high rents and evictions, there is homelessness. In answer to the extra-ordinary times the Ladies’ Land League is directed by Anna Parnell to organize public meetings and protests. Thirteen women, speak, rally, and inspire female agency. Irish Women realizing their own political potential, moving the struggle away from government to the personal.

   This is an electronic text, which will be using 13 female voices and a computer. The visuals/text of the electronic text will be created using game development software and electroacoustic compositional techniques, presented as an interactive work within a web browser. The 13 female voices will sound original text created using works by Anna Parnell, processed using electroacoustic compositional techniques. Passive resistance is be combined with a constructive creative programme, developing the self-confidence of the audience and encouraging them to participate.

   “The best part of Independence is the independence of the mind.” (Anna Parnell)

   Vian Rasheed - 18.11.2019 - 15:56

3. Her Body #arthack at #FriezeLondon 2019

   Part of the #GlitchedGoddess and #arthack series of the artist. Comment on gendered representation and body shapes.

   "Stemming from an #ArtHack Instagram project which the artist initiated in 2016 to disrupt and democratize the exhibition space, her glitch aesthetic permeates the oscillating female forms depicted in her Glitched Goddesses series." (ANTE Mag: https://antemag.com/2019/03/16/augmented-humanism-the-artwork-of-marjan-...)

   Maud Ceuterick - 08.07.2020 - 12:24

4. Hacking Sarah Lucas with Hilma af Klint and @matieresfecales foot from Instagram

   Hacking Sarah Lucas with Hilma af Klint and @matieresfecales foot from Instagram

   Maud Ceuterick - 08.07.2020 - 13:32

5. Assembly

   Angelica Mesiti’s ASSEMBLY is a new three-channel video installed within an architectural setting inspired by the historical shape of the community circle and amphitheatre. ASSEMBLY establishes as an evolving set of translations from the written word to stenographic codes then music, and performance. Filmed in the Senate chambers of Italy and Australia, the three screens of ASSEMBLY travel through the corridors, meeting rooms and parliaments of government while performers, representing the multitude of ancestries that constitute cosmopolitan Australia, gather, disassemble and re-unite, demonstrating the strength and creativity of a plural community.

   Maud Ceuterick - 10.07.2020 - 12:27