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1. Characters don’t need closure: a aventura impressa e digital

   Characters don’t need closure: a aventura impressa e digital

   Daniela Côrtes Maduro - 05.02.2015 - 17:15

2. Words as occurrences – a (i)materialidade digital

   Words as occurrences – a (i)materialidade digital

   Daniela Côrtes Maduro - 05.02.2015 - 18:06

3. Hyperrhiz 10: Bumper Reviews Issue

   Hyperrhiz 10: Bumper Reviews Issue

   Scott Rettberg - 14.02.2015 - 18:39

4. (Electronic) Literature and the (Post)human Condition

   Electronic literature exists in a perpetual state of flux, due to its reliance on digital technology; with the rapid progression of processing power and graphical abilities, electronic literature swiftly moved from a reliance on the written word into a more diverse, multi-modal form of digital arts practice. The literariness of early electronic literature is manifest: the work was primarily textual, the centrality of reading paramount. The current crop of electronic literature--with its audio-visual, multimodal nature--calls into question the literariness of this work, however, as is evidenced by this year's call for papers. I propose that this ambiguity as regards literariness and written textuality in electronic literature disadvantages the field, in both academic circles and in the search for a wider reading audience. If electronic literature as field is to assert and validate its position within the greater literary tradition, links between electronic literature and past literary achievements need to be uncovered and illuminated.

   Daniela Ørvik - 19.02.2015 - 15:49

5. Faceless Patrons – An Augmented Installation Exploring 419-Fictional Narratives

   ‘Faceless patrons’ is an installation that documents stories used by Internet scammers in so called ‘overpayment check scams’. Scammers use scripted stories to reach their victims, yet when correspondence continues story worlds start to evolve. We created a virtual character to interact with scammers who posed to be art buyers. The installation presents five of these interactive narratives in form of a series of photos each coupled with a forged check. By using smartphones or a tablet an augmented reality layer can be accessed to expose further story elements.

   Andreas Zingerle - 05.03.2015 - 14:44

6. Playing the Blues: Pete Townshend's Who I Am and Music as Experimental Autobiography

   Reviewer Tim Keane suggests that Pete Townshend’s memoir Who I Am captures the tension animating The Who’s career, the duality of autobiographical blues and (art-school inspired) auto-destruction. But, Keane suggests, the book also articulates the written autobiography’s inevitable (if sometimes interesting) failure to achieve the "ex-static" atemporality of music. "I Can’t Explain" ends up telling us more about Townshend’s soul than Who I Am.

   Pål Alvsaker - 12.09.2017 - 15:10

7. Reconfiguração do conhecimento no espaço hipermediático. Análise e avaliação de cinco arquivos digitais

   Esta dissertação é um dos resultados da participação como bolseiro de investigação no projecto "PO.EX'70-80 – Arquivo Digital da Literatura Experimental Portuguesa" e tem como pano de fundo a problemática dos arquivos digitais para conteúdos variáveis e multimodais. A partilha é hoje em dia uma palavra contestada por muitas causas, e é esse mesmo facto que está na base desta dissertação. Isto é, através da distribuição de informação e obras de arte em diversos arquivos digitais. Com essa partilha pretende-se dar a conhecer autores e formas artísticas distintas, tornando-os presentes num mundo onde a integração multimodal e a diversidade cultural parecem andar juntos, mas também caracterizado pela efemeridade das suas produções. Partindo do princípio de que os arquivos digitais são fundamentais para a preservação e divulgação de conteúdos artísticos e literários, será objectivo desta dissertação dar a conhecer esse mundo da cultura participativa, multimediático e hipertextualizado, acabando com uma visão geral sobre as formas de arquivamento que hoje em dia o meio digital torna possíveis.

   Hannah Ackermans - 07.12.2018 - 10:29

8. Networks without a cause: A critique of social media

   Networks without a cause: A critique of social media

   Hannah Ackermans - 06.08.2019 - 10:36

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