Search

The search found 292 results in 0.018 seconds.

Search results

1. Childhood in Richmond

   An interactive autobiographical Flash poem about growing up in a fishshop in Richmond (Australia).

   Scott Rettberg - 17.06.2012 - 00:13

2. My Summer Vacation

   This haunting narrative about a summer vacation turned tragic uses a slim strip of moving images as the background for a stream of language flowing from right to left as a series of voices tell a piece of the story. The sound of waves on the shore serve as a soothing aural backdrop to each character’s whispered voices, perhaps suggestive of what happens when the sea raises its voice. Each character involved with the tragic turn of events brings a different perspective to the situation, yet they are all so involved in their own affairs, much like the ending of Robert Frost’s poem “Out, Out.” In the final lines of the poem, as the speaker (whisperer) seeks to tie up the events in a neat little package that can provide closure, we realize that closure eludes all the characters in the story, who must continue to live on haunted by their memories and regrets.

   (Source: Leonardo Flores, I ♥ E-Poetry)

   My Summer Vacation was originally published via Adobe Flash in 2008. It was republished via HTML5 in 2020.

   Scott Rettberg - 17.06.2012 - 13:59

3. Palimpsest

   “Palimpsest” is an audiovisual work exploring the space between sound and image through collaboration. Two distinct narratives, audio and visual, collide to find alternative paths and perspectives around a virtual light sculpture. The piece reinterprets one of a series of photographic light paintings taken during a drive at night [see image 1]. The photographs were experiments: improvisations with long exposures, motion and gesture. As images in themselves however, the collaborators found them to be engaging both visually and conceptually. Visually they bring to mind the poetic: the camera has captured ethereal light trails drawn by the motions of passing traffic in mid-air, giving them an almost sculptural quality. They suggest contours, energies, volumes and spaces that are open to further exploration and interpretation. Conceptually, their contradictory nature seems to suggest ideas of the interstitial - the space or place in-between things - or what Duchamp termed the “infrathin”. The light-forms captured in the image, exist in-between the real and the virtual, brought together in a moment by the camera.

   Meri Alexandra Raita - 18.06.2012 - 19:22

4. Cut to the Flesh

   This multimedia poem was written by Jody Zellen, using a “page space” developed by Deena Larsen for this collaboration. Each of the question marks responds to a mouseover by triggering a line of verse moving diagonally across the poem’s surface along with a sound. The title’s reference to the flesh and the use of heartbeat, sonogram, and voice recordings saying things like “breathe” all reinforce a surgical conceptual framework, and metaphorically framing the diagonal language movement as cuts, slashing across the screen. The occasional variations in the sounds and word movement place the poem in conversation with some of the urban concerns which are so central to Zellen’s poetics, while the literalization of a metaphor through interface design is part of Larsen’s. (Source: Leonardo Flores, I ♥ E-Poetry)

   Deena Larsen - 20.06.2012 - 19:27

5. Incarnation: Heart of the Maze

   This lyrically powerful hypertext poem is inspired and informed by a large number of sources, primarily on mythology (mostly Greek) and labyrinths (mandala shaped ones). Centered upon the Minotaur myth, the labyrinth Daedalus and Icarus built to contain it, Ariadne and the Minotaur himself, the poem gives a voice to some of these characters, representing them visually with an image of a portion of the mandala-shaped stone maze, and a body part (in the name given to the node. The hypertext is structured like a mandala, allowing readers to take direct paths in towards a center space with its own nodes. The interface also allows for lateral or circular movement across voices, placing them in conversation with one another and allowing readers to spiral in towards the center. (Source: Leonardo Flores, I ♥ E-Poetry)

   Carolyn Guertin - 20.06.2012 - 22:42

6. Archetypal Africa

   In this work, Bigelow takes everyday objects (stapler, chair, spoon) and elevates them to archetypal status through several strategies:

   * short, looping background videos (with audio) of natural scenes, usually focused on animals or plants, intercut with brief images of the object being discussed.

   * A poetic description of the object, using metaphor, personification, and other figurative language to highlight their function or role.

   * A scheduled set of fake historical events involving the object, often absurd and hilarious, including the location and the date in which they happened.

   This level of attention to everyday objects is parallel to Gertrude Stein’s Tender Buttons, but with a different approach to its language choices. While Stein chooses language that belongs to the same semantic frame of the objects she describes, Bigelow breaks (or blends) the frames to take a twist towards the absurd. These objects become archetypal because they are presented as tools that shape their creators as much as the world around them, connecting them to nature and humanity at a global level.

   eabigelow - 28.06.2012 - 03:41

7. Baby Work

   BABY WORK is the 3rd edition of Cheang's LOCKER BABY PROJECT which consist of:
   BABY PLAY (2001, NTT[ICC], Tokyo) and BABY LOVE (2005, Palais de Tokyo, Paris).
   The Locker Baby project conceived in 2001 reflects a time when bioscience is accused
   of out of control and scifi fantasia brings forward the future. Deriving from Ryu
   Murakami's noted novel Coin Locker Babies (1980) of post-war Japan , the Locker Baby
   Project further contests the mother’s heart beats that are so desired for clone babies
   born out of lockers. A fictional scenario set in 2030 - the transnational DPT (DollyPolly
   Transgency) produces and engages clone locker babies in negotiating human "Memory"
   and "Emotion”. The clone baby holds the key to retrieve the networked inter-sphere of
   ME-data embedded in a playfield of sonic imagery triggered only by human interaction.
   In BABY PLAY, an oversized baby football field with clone baby players; in BABY LOVE, a
   ride in 6 motorized fairground teacups with love song remixed by clone babies; in BABY

   Elisabeth Nesheim - 16.08.2012 - 16:09

8. Blinding Lights

   This multimedia poem is about how saturated we have become with media coverage and how damaging that is. De Barros’ approach in this work is to also saturate us with sound, images, formatting, and color to make us realize the excessive amount of information we are constantly receiving. Each of the four parts of the poem uses multiple layers of color, still and moving images and text, looping and single-playing sounds, and responsive elements. Moving the pointer over the image of a man in the first part of the poem, for example, triggers a sequence of images that show how overloaded he is with visual information, to the extent that he needs to blindfold himself or avert his eyes. The narrative in the second part, and the images and words in the third and fourth parts all portray pain, damage, scarring, even murder, to demonstrate how damaged we have all become. (Source: Leonardo Flores, I ♥ E-Poetry)

   Kristine Turøy - 24.08.2012 - 11:03

9. Wired

   This video poem presents a nightmarish image of a body that seems to be inspired by Hellraiser and The Matrix. A sitting skeletal naked body with an umbilical-like cord connected to his heart and a screen for a face, inside of which a face grotesquely screams, apparently in pain or a trance (or both) seems to be the speaker for the poem. The verbal part of the poem is delivered entirely by audio, and through electronically distorted voices. The pain in the lyric cyborg speaker for this poem raises questions about medical technologies that artificially extend human life through painful surgical procedures that insert devices like pacemakers to regulate biorhythms. Has this character become posthuman?

   (Source: Leonardo Flores)

   Kjetil Buer - 31.08.2012 - 10:26

10. C()n Du It

    C()n Du It is a volume of poetic audio-videoclips, presenting the most important phenomena of visual culture and asking questions about a man’s place in the online sphere and about identity in the era of avatars. Intense, expressive and ironic pictures, show in an epigrammatic form our daily internet ‘rituals’, like clicking, posting, chatting. References to animation, film, advertisement or video games create dynamic, expansive clips. No ‘dry bones’, using a metaphor from ‘logical poem’, but a truly ‘fleshy’ poetry, precise and firm. The style of the whole volume may be described as a ‘post-Atari’, with green color reminding of system commands and simple font expressing nostalgia for the uncomplicated, 8-bit world. The spectator is forced to simultaneously cope with the picture and sound and experiences a true stereophonic reality. In so uncertain 20th century a man is a constantly reborn avatar, a pixel or just a printed circuit on the motherboard of society.

    Patricia Tomaszek - 04.10.2012 - 16:19

Pages