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Tue-moi
Il s’agit d’une réponse au « tue-moi » de Christophe Tarkos (Caisses, 1998). Dès que le lecteur clique sur un bouton, un message d’alerte apparaît lui indiquant qu’un mail va être envoyé, puis la messagerie électronique du lecteur s’ouvre. Si le lecteur se décide à envoyer le message, il se rend compte que ce message est envoyé à une boîte mail qui n’existe pas.
(Source: Archive on author's site)
Eric Dean Rasmussen - 03.02.2012 - 12:13
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Mesostics for Dick Higgins
A series of 17 poems written in honor of Fluxus artist, poet, printer, and musician, Dick Higgins (1938-1998) on the occasion of his death. Each poem is a mesostic built around the letters "DICK HIGGINS" using words extracted from Higgins' "foew&ombwhnw." An concurrently published and extremely limited edition (50 copies) of Mesostics for Dick Higgins was printed under the Xerox Sutra Editions (Le Farge, Wisconsin: 1998) and distributed at Higgins' funeral.
Davin Heckman - 03.02.2012 - 13:06
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Mesostics for Dick Higgins (Print)
A series of poems written in honor of Fluxus artist, poet, printer, and musician, Dick Higgins (1938-1998) on the occasion of his death. Each poem is a mesostic built around the letters "DICK HIGGINS" using words extracted from Higgins' "foew&ombwhnw." An extremely limited release, 50 copies, Mesostics for Dick Higgins was printed under the Xerox Sutra Editions imprint and distributed at Higgins' funeral.
Davin Heckman - 03.02.2012 - 13:30
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Delivery Machine 01
The delivery machine sets a third horizon, a new and more mobile crust, above, beyond the earth itself, as well as civilization -- an umbrella of sorts that fills the air and activates the atmosphere. Consciousness expands, builds and binds to mock the elemental.
Meri Alexandra Raita - 23.02.2012 - 14:08
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mayday
Hypertext centered on Mass Observation at the time of New Labor's rise to power, a contributory crowd-sourced work in HTML.
"This site went on-line at 05:00hrs (BST) May 1st 1998, unfolding over the day on an hourly basis until 04:00 hrs (BST) May 2nd. It presents selected extracts from a project, initiated by poet / publisher cris cheek as a nod to Mass Observation, which received a wide range of texts and images from the everyday on Mayday 97. We invited responses throughout Mayday 98, and they were uploaded as they came in.The site now stands as a writing, drawn from those details of their everyday lives that its contributors wished to register. Our responses to the accumulating mass of observations form part of what became, for us, a 'performance' of 'mayday'.....
Scott Rettberg - 04.05.2012 - 13:25
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Modern Mother
In Modern Mother storytelling is both the subject of the piece, as well as its form of delivery. Stamp conducted audio interviews with her mother in 1995, literally asking, “Tell me a story about your life.” What her mother tells is not a story but rather a series of stories, or fragments of stories, that make up the narrative of her life. The tales, like all family tales, reveal emotionally charged secrets: the dream to dance on stage, the experience of molestation, an abortion gone awry. The user can only access these stories by entering into a closet, the space where secrets are hidden. And it is the user who decides how much to hear. Do you want to know more about “D is for dream,” “H is for Hell,” or “O is for oozing”? The choice is yours. Stamp provides a cultural context to these very personal stories by juxtaposing them against the popular music of her mother’s era: pop culture representations of a romanticized life of love, intimacy, and family.
Scott Rettberg - 03.06.2012 - 12:02
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Das Epos der Maschine
This work uses pictures and sound to make it more interesting. It looks and sounds creepy. The focus of the story is the interaction between man and machine.
Scott Rettberg - 16.06.2012 - 21:47
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Bodybuilding
Bodybuilding is an interactive installation which ironically stages the relation between the body, technology, and language. The user is active in a bodybuilding machine. Moving the weights, he or she affects the text movement on the screen in front of him or her. The text consists of erotic fragments stored in a database and selected randomly according to the user’s action. Here, the body, being a consuming and styling object of the Techno-culture, serves—paradoxically in full action—for the imaginative access to the verbally mediated erotic world, where the body simultaneously is a central theme. However, during the reading process, the user’s hands have to remain above the blankets—i.e., on the machine. Beyond, the textual dialog simultaneously functions as a commentary on the user’s situation in the machine.
Source: p0es1s exhibition catalog record, 2004
Patricia Tomaszek - 07.07.2012 - 01:18
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Face Codes
The Face Codes, taken in Kyoto and Tokyo, are digital video stills that were later reworked and typified using identical parameters. The text running along the lower edge of the image, similar to subtitles in a non-synchronized film, represents the alphanumeric code of the respective image, which has been translated “back” into the Japanese code.
Source: Hubertus von Amelunxen (on author's project webiste)
Patricia Tomaszek - 09.10.2012 - 13:41
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[the perpetual bed]
[the perpetual bed] is an online, virtual VRML world in which users can interact with each other from within a navigable, surrealistic narrative. A hybrid between video, interactive art, installation, and animation, the piece is based on my own and my grandmother's experiences within transparent yet tangible beings and places discovered when hospitalized. My creative concerns in creating this piece are numerous, but I am trying to create a new media from the temporal and motion imaging elements of film and video, the accessibility of the internet, the user-centered narrative form from interactive art, and elements of choreography. The interaction will take place through a technology I have designed called Navigable Chat. Users can percieve each other through their textual presence. My goal is to tell a story in an altogether new way -- that of allowing the user to move through a story, to "happen" upon a scene, and to find their own meaning in this ever-enacted place. Users can then leave their mark and become part of the story--leave hints, impressions, etc--for the next viewer.
Jill Walker Rettberg - 15.10.2012 - 14:55
