Search
The search found 196 results in 0.011 seconds.
Search results
-
Thomas Was Alone
Thomas Was Alone
Alevtina Senik - 24.09.2021 - 13:01
-
Future Voices
Future Voices
Alevtina Senik - 24.09.2021 - 13:27
-
Epic Retold
'Chindu Sreedharan, a U.K.-based lecturer, is retelling the Mahabharata using the micro-blogging service, hoping to lure readers with creative snippets posted in chronological order.
“This is not quite about capturing the philosophical richness of the original Mahabharata -- but presenting a version that will, hopefully, suit the medium,” Sreedharan, 36, told Reuters in an e-mail interview.
The Sanskrit epic, one of Hinduism’s crucial texts, deals with a dynastic struggle for power that ends in victory for the righteous. It is regarded as an allegorical lesson in righteous living integral to much of India’s cultural consciousness.
Caroline Tranberg - 28.09.2021 - 00:26
-
memory
It knows the Clock runner (ASIMO in the video), he is concentrated, he does this every night – memory works on repetition. This robotic replicated action is necessary to tie up visual present with emotional past: “grass means theatre, ice-cream means april”. The process appeases himself with both - once all around is a simple time counting mechanism – and he himself, too. Time machine is on and time runs backwards (Rattapallax)
Maya Zalbidea - 04.07.2022 - 11:35
-
Czarne Jagody
Czarne Jagody
Patricia Tomaszek - 02.02.2012 - 21:11
-
Pentameters Toward the Dissolution of Certain Vectorialist Relations
John Cayley reads John Cayley reads and discusses his poem PENTAMETERS TOWARD THE DISSOLUTION OF CERTAIN VECTORALIST RELATIONS (which examines the effect of Google on language and poetics) with discursive and conversational interrupts from Jhave.
Recorded on John's Providence, Rhode Island home as part of i2.literalart.net/ on 12 Feb 2012.
(Source: David (Jhave) Johnston's vimeo account.)
Eric Dean Rasmussen - 12.03.2012 - 16:39
-
Xth Sense: Omnious
"Ominous (OMN) is a sculpture of incarnated sound. The piece was commissioned on occasion of the finals of the 5th Live Electronic Music Project Competition, organized by the European Conference of Promoters of New Music (ECPNM). The performance embodies, before the audience, the metaphor of an invisible and unknown object enclosed in my hands. This is made of malleable sonic matter. Similarly to a mime, I model the object in the empty space by means of whole-body gestures. By using my visceral, new musical instrument “Xth Sense”, the bioacoustic sound produced by the contractions of my muscle tissues is amplified, digitally processed, and played back through nine loudspeakers. The natural sound of my muscles and its virtual counterpart blend together into an unstable sonic object. This oscillates between a state of high density and one of violent release. As the listeners imagine the object’s shape by following my gesture, the sonic stimuli induce a perceptual coupling. The listeners see through sound the sculpture which their sight cannot perceive. OMN is an hommage to artist Alberto Giacometti.
Elisabeth Nesheim - 17.06.2013 - 14:37
-
Radiowall
I have an old theory that all the actual things (structures, ideas and so on…) are already in the air. Every poet is like a radio. He has to have an antenna (spiritual self) for getting the things (waves, ideas…) from the air. But he has to have tuning knob for getting signal clear – and that is his professional skills. And also he needs loudspeakers for making the sound powerful and recognizable – that’s his talent. Sometimes people have an antenna but their tuning knob is not precise enough. Sometimes their loudspeakers are too quiet… Actually I wrote one poem about a person – a young girl – who is at the same time a radio wave and in 2001 we, with the animator Diana Palijchuk, made a poetry video based on this poem. (interview with Sergej Timofeev)
Natalia Fedorova - 04.09.2013 - 22:58
-
Right
Right media archeological installation built of modified fax machines performing the same print job in a loop for days. These self –printing machines change their job over time from printing the monostych to drawing a pattern.Two loops of fax paper (5 and 12 metres approximately) are used. One has the text of a poem, while the second one has it printed on itself (repeated many times in loop – fax technology allows copying). On one hand it represents mechanic circling forming of a machine given a task it cannot stop performing, on the other hand the text repeated acquires the aspect of graphicality, linguistic signs trasformed to graphic image, a pattern of graphic symbols. The thermal printing technology used in faxes (instead of ink) allowed for installation to go on during a month without a break. The rustling sound fax produced was collected and enchanced as an important compositional feature.
Natalia Fedorova - 04.09.2013 - 23:04
-
Lux
'Interstitial Articulations' is a series of audiovisual works by artist Alison Clifford and composer Graeme Truslove, that explores the space between sound and image through collaboration. The series is based around reinterpretations of a number of photographic light paintings taken during a drive at night. The photographs were experiments - improvisations with long exposures, motion and gesture. The light-forms which resulted were chance occurrences, combining the momentary fleeting headlights of passing traffic and the movements of the photographer, resulting in a series of abstract, 'interstitial' (in-between) forms. Considering these ethereal forms as source materials, the series imagines what it would be like to experience them in different contexts beyond the photographic image. How might they be reinterpreted and rewritten for another context? And how might audio be used to structure our visual experience of them? Lux (2012) is the third work in the series.
Alison Clifford - 13.06.2016 - 13:29
