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1. Mobile Media Poetics

   Mobile Media Poetics

   Jörgen Schäfer - 17.02.2012 - 09:59

2. Writing on the World: Augmented Reading Environments

   Writing on the World: Augmented Reading Environments

   Jörgen Schäfer - 17.02.2012 - 10:00

3. Metaphernmodelle aktueller Kommunikationsorganisation

   Metaphernmodelle aktueller Kommunikationsorganisation

   Jörgen Schäfer - 17.02.2012 - 10:04

4. A Box, Darkly: Obfuscation, Weird Languages, and Code Aesthetics

   The standard idea of code aesthetics, when such an idea manifests itself at all, allows for programmers to have elegance and clarity as their standards. This paper explores programming practices in which other values are at work, showing that the aesthetics of code must be enlarged to accommodate them. The two practices considered are obfuscated programming and the creation of “weird languages” for coding. Connections between these two practices, and between these and other mechanical and literary aesthetic traditions, are discussed.

   (Source: authors' abstract)

   Scott Rettberg - 25.02.2012 - 13:24

5. Pressing the ‘Reveal Code’ Key

   Pressing the ‘Reveal Code’ Key

   Patricia Tomaszek - 16.03.2012 - 23:52

6. Logging In and Getting Off: Login, Labor, Literature, and the Subject of the Net

   Logging In and Getting Off: Login, Labor, Literature, and the Subject of the Net

   Eric Dean Rasmussen - 19.03.2012 - 08:34

7. Primal Affective Ground and Digital Poetry

   Since the first symbolic scripts emerged, language has always been visual. My own work explores how language's visual can be read both as art and as poetry; how affect is amplified by sound; how generative and combinatorial layouts of text-video-sound open art from linear readings into infinite variations perspectives.
   For ELO, I am interested in creating an artist talk that utilizes content derived from two essays on digital poetry written for my comprehensive exams in the summer of 2009. The original essays are entitled: "Affecting Language: interdisciplinary explorations of emotion (new media, neuroscience, phenomenology and poetry)" and "Defining Creative Conduits: mediations on writing in digital media". Since both essays (as take-home exams) were each written over a brief 72 hour span, I look fwd to the opportunity of synthesizing and refining their argument into a presentation format.
   (Source: Author proposal)

   Eric Dean Rasmussen - 20.03.2012 - 12:42

8. text, time, typography

   This issue of Poems that Go features work which continues in the tradition of typographical experimentation--this time on the Web.

   (Source: journal introduction)

   Meri Alexandra Raita - 20.03.2012 - 15:04

9. Gathered, Not Made: A Brief History of Appropriative Writing

   Gathered, Not Made: A Brief History of Appropriative Writing

   Meri Alexandra Raita - 20.03.2012 - 16:05

10. Oulipo: a primer of potential literature

    This is an amazing anthology of writings by members of the group known as Oulipo, including, among others, Italo Calvino, Harry Mathews, Georges Perec, Jacques Roubaud, and Raymond Queneau. Put simply, this group, which was founded in Paris in 1960, approaches creative writing in a way that still has yet to make its impact in the United States and its creative writing programs.

    Rather than inspiration, rather than experience, rather than self-expression, the Oulipians viewed imaginative writing as an exercise dominated by what they called "constraints." Quite commonly, they would attempt to write stories, for instance, in which strict rules had to be imposed and followed (for example, Georges Perec's notorious novel A Void, which was written without the use of the letter "e").

     While a major contribution to literary theory, Oulipo is perhaps most distinguished as an indispensable guide to writers.

    (Source: Dalkey Archive Press catalog.)

    Meri Alexandra Raita - 20.03.2012 - 16:11

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