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  1. Biopoetry

    Since the 1980s poetry has effectively moved away from the printed page. From the early days of the minitel to the personal computer as a writing and reading environment, we have witnessed the development of new poetic languages. Video, holography, programming and the web have further expanded the possibilities and the reach of this new poetry. Now, in a world of clones, chimeras, and transgenic creatures, it is time to consider new directions for poetry in vivo. In this article I propose the use of biotechnology and living organisms in poetry as a new realm of verbal, paraverbal and nonverbal.

    Patricia Tomaszek - 12.01.2011 - 17:25

  2. Holopoetry, Biopoetry and Digital Literature: Close Reading and Terminological Debates

    A version of this article was republished as chapter 1, "Digital Literature," in Simanowski's Digital Art and Meaning (University of Minnesota Press, 2011).

    Patricia Tomaszek - 13.01.2011 - 18:33

  3. Poesia Eletrônica no Brasil: Alguns Exemplos

    Este artigo é um breve estudo sobre a poesia eletrônica no Brasil, sob enfoque histórico e num percurso a partir do uso das tecnologias do século XX e XXI (rádio, cinema, vídeo, computador, internet, web) que vem produzindo uma poesia que reúne palavra, imágem (estática e/ou animada) e som nos meios eletrônico-digitais (videopoesia, holopoesia, poesia eletrônica) usando a interface, a interatividade, a hipertextualidade e a hipermídia.

    (Source: Author's Abstract)

    Luciana Gattass - 08.11.2012 - 15:15

  4. anomalie_digital arts n°5 "://brasil" / Anomalie

    Ce numéro 5 de la revue Anomalie_digital arts # 5 intitulé " : // brasil " est édité en partenariat avec le festival @rt outsiders 2005 / Maison Européenne de la Photographie. Il présente l'exposition du festival et " l'art des nouveaux médias " au Brésil. Cet ouvrage aborde dans une perspective historique les pratiques technologiques contemporaines qui animent la scène artistique brésilienne. Des expériences d'art cinétique d'Abraham Palatnik aux créations sensorielles d'Hélio Oiticica et de Lygia Clark, des poèmes holographiques d'Eduardo Kac aux créations numériques les plus récentes, il nous dévoile toute la multiplicité de la création actuelle, ce " mélange de sensualité tropicale et de rigueur constructiviste " dont parle Kac….

    Luciana Gattass - 12.11.2012 - 11:51

  5. New Media Poetry: Poetic Innovation and New Technologies

    States that new media poetry integrates characteristics of the new media in the theoretical basis of its poetics. Outlines its basis and shows how it affects poetic and verbal conventions, particularly with respect to the constitution of texts and the roles of author and reader, and with regard to its implications for views on language. (Source: Eric database)

    Alvaro Seica - 27.08.2013 - 14:06

  6. A Vanguard Projected in Motion: Early Kinetic Poetry in Portuguese

    This essay serves to promote a broader awareness of the pioneering efforts in videographic poetry produced in Portuguese in the decades leading up to the formation of the WWW. At present, documentation of such works in books and journal articles in English is particularly weak; the only title that even partially introduces such works is a now out-of-print issue of Visible Language that focused on New Media Poetry (Vol. 30.2). Thus, these historical predecessors to contemporary animated poetry are barely known in the United States. Prior to the 1990s only a few poets used video; much of what occurred transpired outside the realm of English (and some even outside the realm of language, as illustrated in the essay).

    (Source: Author's Abstract)

    Alvaro Seica - 19.11.2013 - 13:00

  7. Beyond Codexspace: Potentialities of Literary Cybertext

    First written and published in 1996, the unrevised form of this essay now comes across, in
    certain respects, as ancient history – a function of the notorious acceleration of cultural and
    media development since the explosive growth of the Web after 1994. And yet, it chiefly
    describes a productive engagement with writing in programmable and, latterly, networked
    media which dates back, in my own case, to the late 1970s, an all-too-human, rather than
    silicon-enhanced, historical context.

    (Source: Author's Introduction)

    Alvaro Seica - 04.02.2015 - 17:50

  8. Inner Telescope: The First Poem in Outer Space (a Conversation)

    Kac's work, entitled Inner Telescope, was specifically conceived for zero gravity and was not brought from Earth: it was made in space by Thomas Pesquet (French astronaut) following the artist's instructions.

    The artwork was made from materials already available in the space station. It consists of a form that has neither top nor bottom, neither front nor back. Viewed from a certain angle, it reveals the French word “MOI“ [meaning “me”, or "myself"]; from another point of view one sees a human figure with its umbilical cord cut. This “MOI“ stands for the collective self, evoking humanity, and the umbilical cord cut represents our liberation from gravitational limits.

    Inner Telescope is an instrument of observation and poetic reflection, which leads us to rethink our relationship with the world and our position in the Universe.

    Scott Rettberg - 29.08.2018 - 15:28

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