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1. Dichtung Digital 29

   The papers in this issue reveal a range of conceptions of code. The reading here is doubly satisfying, not only for the clear presentations of these engaging projects, but for the sense of code as undercurrent, the way encoding, language, and artistic expression are separate undertakings, but inescapably intertwined.

   (Source: Editorial)

   Patricia Tomaszek - 27.05.2011 - 23:18

2. Inner Workings: Code and Representations of Interiority in New Media Poetics

   'Inner Workings' addresses itself to the methods, properties and practices of writing systems, including human writing systems, whose very signifiers are programmed. What does programmed signification tell us about the inner human writing machine? John Cayley's essay participates in relevant metacritical and metapsychological discussions - reexamining Freud's Mystic Writing Pad in particular - and is specifically sited within the context of debates on code and codework in literal art. Rather than revealed interiority, code is the archive and guarantee of inner workings than reside beneath the complex surfaces of poetics in programmable media.

   Patricia Tomaszek - 27.05.2011 - 23:29

3. Process Window: Code Work, Code Aesthetics, Code Poetics

   The Process Window contains general information about the state of the process, with a summary of its current threads and their states.

   Patricia Tomaszek - 27.05.2011 - 23:44

4. Poetics of Dynamic Text

   Dynamic texts offer new possibilities for reading and new challenges in how we approach the reading object, forcing the final object away from the idea of a fixed form on a fixed surface. In order to "read" such an object, one must look deeper, into the code itself, and one must consider the various ramifications inherent in a code-based work. Ultimately, one must explore the edge where language apparatuses engage.

   Patricia Tomaszek - 28.05.2011 - 00:02

5. Coding the Infome: Writing Abstract Reality

   Because of their specific history, we think of computer languages and code as symbolic abstractions of natural languages, and computers as universal machines manipulating these symbols. However, today every computer exists in relation to the Internet, whether it is connected or not. Every software is potentially a networked software, a building block of the networks we live within and through. Because of this, code is no longer Text, a symbolic representation of reality - it is reality. To write code is to create and manipulate this reality. Within it, artist-programmers are more land-artists than writers, software are more earthworks than narratives, this creates new and fascinating issues in terms of referentiallity and meaning for the coding artist to delve into.

   Patricia Tomaszek - 28.05.2011 - 00:14

6. Line of Inquiry: Many Authors Explore Creative Computing Through a Short Program

   The talk takes the audience through how a single one-line Commodore 64 BASIC program can serve as a Rosetta Stone, helping people understand the interconnected cultural and technical aspects of creative computing, practices of using the computer expressively and recreationally in innovative ways.

   Patricia Tomaszek - 22.07.2011 - 18:03

7. Code, Interpretation, Avant-garde

   Code, Interpretation, Avant-garde

   Eric Dean Rasmussen - 29.08.2011 - 17:14

8. Generative Poems

   This work is part of an ongoing series of interactive, experimental and generative poetic texts using Processing to generate visual compositions which fill the viewable space in time, with a growing pattern triggered by sound and silence.These particular poems developed with Szekely were inspired by Hansjorg Mayer’s alphabetenquadratbuch poem (alphabetsquarebook). In all the experiments, three communication systems are coming together: image, writing and code.

   It is my aim to stretch the possibilities of programming to produce generative texts activated by sound and rooted in the tradition of concrete poetry, its formal representation, production processes and progression with technological advances. As a research project, the work will have a valuable input in provoking discourses and bringing knowledge and understanding into the different explored disciplines.

   (Source: Author's description on her website)

   Scott Rettberg - 22.09.2011 - 15:44

9. Codeswitching 23μg

   CodeSwitching 23µg imagines hypertext at the time when the Web has evolved into Web[∞].
   CodeSwitching 23µg attempts to illustrate what will happen if the DNA sequence is replaced with the Dewey Decimal System.
   CodeSwitching 23µg establishes how a hypertext might also function as a T-cell receptor complex.
   CodeSwitching 23µg follows the information hygiene protocol.
   CodeSwitching 23µg is an attempt to come up with impossible, non-existent information technologies.
   CodeSwitching 23µg imagines a society where the self has long been proved as fiction; hypertexts in this society are marketed, packaged and sold as events.
   CodeSwitching 23µg is part of a series of hypertexts called “10^–43: Blan©k Fiction”.
    

   Theodoros Chiotis - 30.09.2011 - 19:26

10. Tema procura-se

    Textual engine, with sound, by Rui Torres, exploring the combinatorial technique in digital medium, integrating it in the multimedia animated poetry. 

    Rui Torres - 25.11.2011 - 18:40

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