Search

Search content of the knowledge base.

The search found 1726 results in 1.196 seconds.

Search results

  1. Alain Vuillemin

    Alain Vuillemin

    Eric Dean Rasmussen - 22.03.2011 - 11:58

  2. Alckmar Luiz dos Santos

    É natural de Silveiras, SP. Possui graduação em engenharia eletrônica, pela Universidade Estadual de Campinas (1983), mestrado em Teoria e História Literária pela Universidade Estadual de Campinas (1989) e doutorado em Estudos Literários pela Université Paris VII (1993). Atualmente é professor de Literatura Brasileira da Universidade Federal de Santa Catarina e coordenador do Núcleo de Pesquisas em Informática, Literatura e Lingüística (NUPILL, núcleo de pesquisa de excelência do CNPq, desde 2008). Foi pesquisador convidado na Université Paris 3 - Sorbonne Nouvelle (2000-2001) e na Universidad Complutense de Madrid (2009-2010). Tem experiência na área de Letras, com ênfase em Literatura Brasileira e Teoria Literária, atuando principalmente com teoria do texto, literatura e filosofia, hipertexto e texto digital, poesia. É também poeta, romancista e ensaísta.

    Eric Dean Rasmussen - 23.03.2011 - 14:15

  3. 10 Poemes en 4 Dimensions

    10 POEMES EN 4 DIMENSIONS a été créé sur et pour PC, sous Internet Explorer.

    Son point de départ est un dialogue platonicien, "Le Cratyle", dans lequel Socrate débat avec Cratyle et Hermogène de l'origine des noms.

    Sont-ils, comme le pense Cratyle, formés de l'essence des choses. Ou bien sont-ils, comme l'avance Hermogène, pure convention?

    En mêlant textes, graphismes et animations, l'écriture en langage HTML permet d'aborder ce débat, et de lui apporter sinon des éléments, du moins des échos.

    Un clic sur le côté gauche de la bannière fait apparaître une barre de navigation. Un double clic la fait disparaître. Un clic sur le côté droit de la bannière fait progresser jusqu'à la page suivante.

    En haut et à gauche de chaque page, un autre lien vous est proposé, qui donne un autre de lecture différent.

    D'une façon générale, cet ensemble se découvre autant avec les yeux qu'avec les mains. Cliquez et doublecliquez partout sur la page où un lien apparaît: chaque page recèle de nombreuses surprises.

    La lecture est une exploration.

    (Source: Author's description from the project site)

    Eric Dean Rasmussen - 23.03.2011 - 14:42

  4. New Media Creative Writing (English 5764, Fall 2007)

    New Media Creative Writing (English 5764, Fall 2007)

    Jill Walker Rettberg - 24.03.2011 - 10:50

  5. From Papyrus to Hypertext: Toward the Universal Digital Library

    Reflections and predictions of technology's effect on reading and writing In this study, Christian Vandendorpe examines how digital media and the Internet have changed the process of reading and writing, significantly altering our approaches toward research and reading, our assumptions about audience and response, and our theories of memory, legibility, and context. Reflecting on the full history of the written word, Vandendorpe provides a clear overview of how materiality makes a difference in the creation and interpretation of texts. Surveying the conventions of reading and writing that have appeared and disappeared in the Internet's wake, Vandendorpe considers various forms of organization, textual design, the use (and distrust) of illustrations, and styles of reference and annotation. He also examines the novel components of digital texts, including hyperlinks and emoticons, and looks at emergent, collaborative genres such as blogs and wikis, which blur the distinction between author and reader. Looking to the future, reading and writing will continue to evolve based on the current, contested trends of universal digitization and accessibility.

    Eric Dean Rasmussen - 24.03.2011 - 15:37

  6. M.U.C. Love Letter Generator

    Arguably the first work of electronic literature, this 1952 program used Alan Turing's random number generator to create combinatory love letters on the Manchester Mark I computer. While the output may not be of high literary quality, Strachey discovered and implemented the basic the basic structures of combinatory literature, at a very early point in history.

    Jill Walker Rettberg - 24.03.2011 - 23:06

  7. Computer Lib: You can and must understand computers now / Dream Machines: New freedoms through computer screens—a minority report

    Computer Lib: You can and must understand computers now / Dream Machines: New freedoms through computer screens—a minority report

    Scott Rettberg - 25.03.2011 - 12:19

  8. Digital Arts and Culture 1999 Conference

    The Second Annual Digital Arts and Culture Conference (DAC '99) will bring artists, media practitioners, scientists, theorists, and members of industry to Atlanta, Georgia to explore established and evolving forms of digital culture.

    Keynote speakers and performers at DAC '99 include: Robert Coover, Elliott Peter Earls, N. Katherine Hayles, and Michael Joyce.

    Participants in the DAC '99 program include more than 100 scholars, artists, and performers from nearly a dozen countries.

    Many of the presentations and performances during DAC '99 were audio- or videotaped for later "webcast" over the Internet (NOTE: files now offline).

    (Source: Conference website)

    Scott Rettberg - 25.03.2011 - 16:31

  9. Print Is Flat, Code Is Deep: Rethinking Signification in New Media

    Lulled into somnolence by five hundred years of print, literary analysis should awaken to the importance of media-specific analysis, a mode of critical attention which recognizes that all texts are instantiated and that the nature of the medium in which they are instantiated matters. Central to repositioning critical inquiry, so it can attend to the specificity of the medium, is a more robust notion of materiality. Materiality is reconceptualized as the interplay between a text's physical characteristics and its signifying strategies, a move that entwines instantiation and signification at the outset. This definition opens the possibility of considering texts as embodied entities while still maintaining a central focus on interpretation. It makes materiality an emergent property, so that it cannot be specified in advance, as if it were a pre-given entity. Rather, materiality is open to debate and interpretation, ensuring that discussions about the text's "meaning" will also take into account its physical specificity as well.

    Scott Rettberg - 25.03.2011 - 21:11

  10. Leevi Lehto

    Leevi Lehto

    Scott Rettberg - 28.03.2011 - 13:50

Pages