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  1. Destination Unknown: Experiments in the Network Novel

    PhD, University of Cincinnati, Arts & Sciences : English & Comparative Literature, 2003.

    Advisor: Dr. Thomas LeClair

    Scott Rettberg - 26.02.2011 - 16:15

  2. Twisty Little Passages: An Approach to Interactive Fiction

    This monograph outlines the history of interactive fiction from its beginnings in the 1970s, through its commercial primetime in the 1980s, its community-based explosion in the 1990s and into the 21st century. Riddles are presented as the primary literary ancestor of interactive fictions, which allows Montfort too see IF as literary but as more than simply narrative.  The book provides a vocabulary and approach for describing the genre and also presents new interpretations of selected games and summarises previous readings and discussions of works.

    ---

    A critical approach to interactive fiction, as literature and game.

    Jill Walker Rettberg - 26.02.2011 - 21:45

  3. Do You Think You're Part of This? Digital Texts and the Second Person Address

    This essay examines the use of the second person address in electronic literature and games. It discusses the way in which the direct address to the user has been used as a literary device, and how the "forced performative" that the reader is cast into when reading some such addresses is heightened in digital works, where the role of "you" is more literally enacted and regimented.

    Jill Walker Rettberg - 26.02.2011 - 22:03

  4. Dovetailing Details Fly Apart — All Over, Again, in Code, in Poetry, in Chreods

    "Dovetailing Details Fly Apart - All Over, Again, In Code, In Poetry, In Chreods" by Strickland and Lawson Jaramillo carries the debate into the analysis of specific poems and poetic practices, both written and spoken, graphic and sonic, alphabetically and digitally coded. The essay also introduces a new reference for the debate - namely, the work of Gregory Bateson, who is cited not just as a supporting 'theory' or philosphical framework, but in the spirit of differential discourse that distinguishes Bateson's work.

    (Source: introduction at electronic book review)

    Scott Rettberg - 26.02.2011 - 22:59

  5. Escaping the Prison House of Language: New Media Essays in the Electronic Literature Collection, Volume 2

    The article, published in Norwegian in Vagant and in English as "Escaping the Prison House of Language: New Media Essays in the Electronic Literature Collection, Volume 2" on the author's website, addresses the release of the Electronic Literature Collection, Volume 2, and several new media essays / documentaries published in the collection.

    Scott Rettberg - 27.02.2011 - 20:18

  6. Writing Space: The Computer, Hypertext, and the History of Writing

    From the publisher:

    This second edition of Jay David Bolter's classic text expands on the objectives of the original volume, illustrating the relationship of print to new media, and examining how hypertext and other forms of electronic writing refashion or "remediate" the forms and genres of print. Reflecting the dynamic changes in electronic technology since the first edition, this revision incorporates the Web and other current standards of electronic writing. As a text for students in composition, new technologies, information studies, and related areas, this volume provides a unique examination of the computer as a technology for reading and writing.

    Original publication date: 1991, published by Laurence Erlbaum Associates, Hillsdale, New Jersey.

    Patricia Tomaszek - 28.02.2011 - 11:48

  7. Literature from Page to Interface: The Treatments of Text in Christophe Bruno's Iterature

    Søren Pold explores the ways in which Christophe Bruno's Iterature expands the notion of literary form and shows what happens when words are no longer only part of a language.
    (Source: ebr)

    Eric Dean Rasmussen - 01.03.2011 - 15:42

  8. Typing the Dancing Signifier: Jim Andrews' (Vis)Poetics

    This study focuses on the work of Jim Andrews, whose electronic poems take advantage of a variety of media, authoring programs, programming languages, and file formats to create poetic experiences worthy of study. Much can be learned about electronic textuality and poetry by following the trajectory of a poet and programmer whose fascination with language in programmable media leads him to distinctive poetic explorations and collaborations. This study offers a detailed exploration of Andrews' poetry, motivations, inspirations, and poetics, while telling a piece of the story of the rise of electronic poetry from the mid 1980s until the present. Electronic poetry can be defined as first generation electronic objects that can only be read with a computer--they cannot be printed out nor read aloud without negating that which makes them "native" to the digital environment in which they were created, exist, and are experienced in. If translated to different media, they would lose the extra-textual elements that I describe in this study as behavior.

    Jill Walker Rettberg - 04.03.2011 - 21:58

  9. E-Poetry Triangulated

    E-Poetry Triangulated

    Patricia Tomaszek - 04.03.2011 - 23:01

  10. Against Digital Poetics

    Against Digital Poetics

    Patricia Tomaszek - 04.03.2011 - 23:07

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