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Nature is What Hurts

Critical Writing
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2016
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Abstract (in English): 

In this review of Timothy Morton’s Hyperobjects, Robert Seguin contemplates the implication of the text’s eponymous subject on art, philosophy, and politics. The “hyperobject,” a hypothetical agglomeration of networked interactions with the potential to produce inescapable shifts in the very conditions of existence, emerges as the key consideration for the being in the present.

(source: http://electronicbookreview.com/thread/criticalecologies/hurts)

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Malene Fonnes