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Title	Author
“Som å lese en film”: Elevers lesing av elektronisk litteratur	Pål Fredrik Børresen
ヴェブレン OK (The Veblen Good)	David Thomas Henry Wright
“The Dead Must be Killed Once Again”: Plagiotropia as Critical Literary Practice	Rui Torres
“Signature of Digital Subversion” - Joseph DeLappe’s Online-Writing Performances	Gabriella Calchi-Novati
“Possible Worlds: Ithaka” Poetic installation for augmented reality with novel eye tracking interface	Caitlin Fisher, Damon Loren Baker
“It’s no good unless you die at the end": "Stranger than Fiction" como rascunho de um mundo possível	Daniela Côrtes Maduro
“III=II=I=I=II=III”	John Cayley
“I Want to Say I May Have Seen My Son Die This Morning”: Unintentional Unreliable Narration in Digital Fiction	Astrid Ensslin
“I think, therefore I connect”. Database, connessionismo ed esopoiesi nel romanzo anglo-americano (1995-2011)	Ugo Panzani
“Coat and Uncoat!”: The My Book of GHcoats Project and Implications for Conceptual Writing	Kwabena Opoku-Agyemang
‘You Can Still Make Websites Nowadays’: A Talk with the Pioneering Internet Art Collective JODI	JODI
‘Compose new Tweet’: A Cross-Disciplinary Perspective on Spectatorial Performance in the Digital Age	Simone Knox, Eirini Nedelkopoulou
Labs for the Digital Humanities	Piotr Marecki
Штирлиц на Капри	Aleksroma
Чепуха	Dmitry Manin
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Техника чтения 2.0: литературные практики после интернет-революции	Pavel Arseniev
Съедение Сорокина