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  1. A Quick Buzz around the Universe of Electronic Poetry

    An introductory essay that offers readers new to electronic poetry a brief survey of the field as it was taking shape at the beginning of the new century. The essay provides a tentative definition of e-poetry and identifies various poets writing digital poetry along with links to their works.

    Eric Dean Rasmussen - 11.03.2011 - 13:03

  2. Stitching Together Narrative, Sexuality, Self: Shelley Jackson's Patchwork Girl

    Landow, who praises Patchwork Girl as "the finest hypertext fiction thus far to have appeared," appreciates Jackson's mastery of hypertextual collage, which reveals, he suggests, how analogous techniques are at play when we conceptualize our gendered identities.   (Source: Eric Dean Rasmussen)

    Eric Dean Rasmussen - 11.03.2011 - 16:11

  3. Understanding Digital Humanities: The Computational Turn and New Technology

    Understanding Digital Humanities: The Computational Turn and New Technology

    David M. Berry - 12.03.2011 - 14:08

  4. E-Lit Works as 'Forms-of-Culture': Envisioning Digital Literary Subjectivity

    E-Lit Works as 'Forms-of-Culture': Envisioning Digital Literary Subjectivity

    Eric Dean Rasmussen - 14.03.2011 - 08:44

  5. Flickering Connectivities in Shelley Jackson's Patchwork Girl: The Importance of Media-Specific Analysis

    Flickering Connectivities in Shelley Jackson's Patchwork Girl: The Importance of Media-Specific Analysis

    Eric Dean Rasmussen - 14.03.2011 - 20:44

  6. Stitch Bitch: the Patchwork Girl

    It has come to my attention that a young woman claiming to be the author of my being has been making appearances under the name of Shelley Jackson. It seems you have even invited her to speak tonight, under the misapprehension that she exists, that she is something besides a parasite, a sort of engorged and loathsome tick hanging off my side. May I say that I find this an extraordinary impertinence, and that if she would like to come forward, we shall soon see who is the author of whom.

    Well? Well?

    Very well.

    I expect there are some of you who still think I am Shelley Jackson, author of a hypertext about an imaginary monster, the patchwork girl Mary Shelley made after her first-born ran amok. No, I am the monster herself, and it is Shelley Jackson who is imaginary, or so it would appear, since she always vanishes when I turn up. You can call me Shelley Shelley if you like, daughter of Mary Shelley, author of the following, entitled: Stitch Bitch: or, Shelley Jackson, that imposter, I'm going to get her.

    Eric Dean Rasmussen - 14.03.2011 - 20:58

  7. e and eye: art and poetry between the electronic and the visual

    e and eye: art and poetry between the electronic and the visual

    Eric Dean Rasmussen - 16.03.2011 - 10:40

  8. Narrative Motors

    Deploying the metaphor of "narrative motors," Tisselli analyzes several of his own "degenerative works" in which the program (the engine) burns fuel (information) until it is depleted and generates noise.

    Eric Dean Rasmussen - 23.03.2011 - 13:15

  9. The Unsatisfied Reading

    The Unsatisfied Reading

    Eric Dean Rasmussen - 23.03.2011 - 13:32

  10. Speak, "Memory": Simulation and Satire in Reagan Library

    Speak, "Memory": Simulation and Satire in Reagan Library

    Eric Dean Rasmussen - 23.03.2011 - 13:43

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