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  1. STRUTS

    STRUTS is an algorithmic narrative collage created from a collection of fragments of facts and fictions pertaining to a place and its people, history, geography and storm events. Narrative resonates in the spaces between the texts horizontally scrolling across the screen, the flickering updating of monthly tide gauge averages, the occasional appearance of live weather weather warnings pulled in by RSS feed and the animated set of photographs of the ends of the struts that support the seawall that protectsa portion of foreshore from the rising tides of the Northumberland Strait. The photographs were taken on May 23, 2011 the second day of a five-week stint as Open Studio Artist in Residence at Struts Gallery and Faucet Media Lab, Sackville, New Brunswick, Canada, May 22 – June 26, 2011. The Saxby Gale of 1869 is the storm we compare all possible storms to. The tide gauge data represents the monthly tide gauge averages for Shediac Bay from the month I was born to the month I moved from Canada to England.

    Eric Dean Rasmussen - 19.09.2011 - 15:27

  2. BA-Tale

    BA-Tale is an interactive, intermedial electronic literature piece, whose narrative is a fake myth about the formation of Slovakia’s capital—Bratislava. The way the reader engages with the piece brings about the concept of myth as an oral narrative and re-contextualizes it. The story is read in fragments—semantic units from the scattered moving text. The aspect of catching a fragment in time reminds one of listening to the oral story, although the necessity to remember the subsequent words in order to proceed adds a new aspect to this tradition. The sound is randomly computer-chosen from our database that defines for each unit a number of sounds. The semantically most important word of the unit was used as a keyword to find several corresponding sounds in freesounds.org.

    Zuzana Husarova - 29.09.2011 - 18:21

  3. Fragments of Distances

    The Fragments of Distances is a short, only 5 web pages long browser based narrative focusing on the inner world of the main protagonist as he (it as well might be a she) meets the tourists asking him for a direction in his hometown. In other words it’s about the difference of the remembering and experiencing self and how they get along in forming of the self image. Or perhaps it’s just about the streets of Ljubljana. After all there is a lot of Google Maps API involved in the narrative. Actually, I’ll leave it up to you to make your own take on it.

    Jaka Železnikar - 30.09.2011 - 21:18

  4. Sous Terre, The Subnetwork

    Sous terre is an order of the RATP for the celebration of the centenary of the Parisian subway in the year 2000. Under ground, the subway, his memory, his internal organization, his/her/its history. His tunnels, of travelers that pass and iron. All one life that we forget under streets. The subway is useful, it serves to go from a point to another, to move without being confronted to the urban chaos. It is another city, but of passages, of flux, of cuts,: a network. Between time, in the displacement, it is necessary to kill the time, not to feel the surrounding intensity, all these people that us meet without recognizing them, the out-flow of the maintaining chanted by the scrolling of stations. To the difference of the other means of transportation the subway doesn't ask for no attention of travelers as for the taken road. One only waits. The subway requires to face the other travelers then, to look at them while waiting to arrive to destination. Travelers are held seated or standing. Some watch on the right, on the left, of others no. A woman reads a book, a man a newspaper, of others merely the emptiness.

    Scott Rettberg - 06.10.2011 - 10:46

  5. Honeymoon in Beppu

    The work was published on Young-Hae Chang Heavy Industries' web page in 2009 according to the Internet Archive's Wayback Machine.

    Meri Alexandra Raita - 11.10.2011 - 13:10

  6. Suits: A Narrative of About Twenty-Seven Hours, More or Less

    Author's description from The New River: 

    This piece tells the story of a character's response to her father's death. In creating this piece, I worked in Flash ActionScript 3.0 to code a random trigger function, so that when you click on the suit icon a random sound file plays and an associated text appears on the screen.

    Scott Rettberg - 11.10.2011 - 14:01

  7. La plissure du texte

    A collaborative fairy-tale coordinated by Roy Ascott but incorporating fragments from participants around the globe who sent in their parts of the text on the ARTEX computer network.

    Roy Ascott described this piece in an interview with Südwestrundfunk that is quoted on Media Art Net:

    1983—that was in 1980, I actually set it up—1983, Frank Popper invited me to do a project for a huge exhibition in Paris, called Electra, which was looking at the whole history of electricity right across the spectrum of the arts. And I got rather good funding. I set up this planetary fairytale. We had fourteen nodes across the world, Australia, Hawaii, Pittsburgh, various places, ... Vienna, Amsterdam, and so forth. And to each node I ascribed an archetypical fairytale character. [...]

    Jill Walker Rettberg - 01.11.2011 - 11:14

  8. The Life of the City of the Mind

    In this creative work, Young-Hae Chang Heavy Industries adopts a new graphical style. Compared to their earlier monochrome works, such as Dakota, the use of buildings and a vertical text box adds a new dimension to the narrative.

    Meri Alexandra Raita - 24.11.2011 - 16:28

  9. Excerpts from the Chronicles of Pookie & JR

    Excerpts from the Chronicles of Pookie & JR is a short fiction by J. R. Carpenter about her adventures with Montreal-based artist Ingrid Bachmann's hermit crab Pookie during the month June of 2009. Pookie's website is: http://digitalhermit.ca/ Pookie is also known as Pookie 14.

    J. R. Carpenter - 25.11.2011 - 11:32

  10. Making Art Online

    Conceived and produced by Judy Malloy, Making Art Online, a work of computer-mediated  Information art/narrative, is created with artists statements about making art in early telecommunications systems.

    Making Art Online includes words by Scot Art, John Coate, Anna Couey and  Lucia Grossberger Morales, Pavel Curtis, Robert Edgar, Kit Galloway and Sherrie Rabinowitz, Carolyn Guyer,  Michael Joyce, Roger Malina, Jeff Mann, Pauline Oliveros, Tim Perkis, John Quarterman, Howard Rheingold, Jim Rosenberg, Randy Ross, Sonya Rapoport, Fred Truck, and others.

    As musician/composer Tim Perkis wrote  about "The Hub",  (created in 1986 with fellow composer John Bischoff)  "..The result is a really new kind of collective composition, a new social way of making music that didn't exist before. We have a good time." -

    Judy Malloy - 18.01.2012 - 04:42

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