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1. 10:01

   10:01 is the complementary and complimentary hypermedia version of Olsen's avant-pop novel 10:01 (Chiasmus, 2005) about what goes through the minds of the audience in an AMC theater at the Mall of America ten minutes and one second before the feature film commences.(Source: Author's description from Electronic Literature Collection, Volume One.)

   Eric Dean Rasmussen - 21.04.2011 - 10:47

2. Electronic Writing II (LITR 0210D, Spring 2008)

   Electronic Writing II (LITR 0210D, Spring 2008)

   Eric Dean Rasmussen - 29.04.2011 - 10:07

3. Frequently Asked Questions about "Hypertext"

   Frequently Asked Questions about "Hypertext" is a short fiction, in the form of a FAQ document, that revolves around various interpretations of a 69-word poem called "Hypertext." The poem "Hypertext," nominally by "Alan Richardson," is composed from all the hidden words/anagrams contained within the nine-letter word "hypertext." The tongue-in-cheek interpretations of the fictional poem include the perspectives of language poetry, cultural studies, feminism, and transgender studies. Emerging through the interpretations and FAQ answers, however, are the interwoven "real-life" stories of the troubled author and his/her troubled critics. The poem's notoriety creates a fan fiction phenomenon centered around an online database, which, along with its creator(s), comes under attack. As in Nabokov's Pale Fire, pseudo-literary criticism gives way to a mystery story about the real author of the text, transformation and transsexuality, love and murder.

   (Source: Author description, ELC 1).

   Eric Dean Rasmussen - 09.05.2011 - 12:53

4. The Book After the Book

   One is not after the novelty of cyberculture, nor striving to reinforce the now tedious discourse of the Internet’s redeeming potential as a computer web able to candidly unite all humanity into a global village.

   This wouldn’t be more than a chapter in the spectacular history being successfully elaborated in the last ten years by the computer and software industry.

   This narrative confers to the selfsame industry the power and the mission to inaugurate a new era. But digital writing points to another direction. It celebrates the loss of inscription by removing the trace from acts of erasure.

   ~

   Scott Rettberg - 23.05.2011 - 13:47

5. The Roar of Destiny

   Described by interactivecinema.org as "...a perfect example of thought and physical interaction working together... ", The Roar of Destiny is a hyperpoem constructed with hundreds of intertwined lexias. A dense interface of links that lead to fragmented story-bearing lexias, creates  an experience of environment and altered environment , and the reader, like the narrator, is involved in a continual struggle between the real and the virtual.

   Scott Rettberg - 02.07.2011 - 01:23

6. Peggy

   Very short hypertext based on conditional linking (HTML + javascript + cookies). One starting node, many paths, and only one ending. Conditional links drive the reader to the unique ending node.

   Jean-Hugues Réty - 04.07.2011 - 17:46

7. Click

   Click

   Eric Dean Rasmussen - 07.07.2011 - 16:42

8. of day, of night

   of day, of night is an experimental interactive narrative / hypertext/ electronic literature work produced in Macromedia Director 6.0 by Australian artist Megan Heyward that fuses moving image, literary, game and interactive aesthetics into interactive digital form. It received initial production funding of $76K AUD from the Australian Film Commission (now Screen Australia) in 1999 and was exhibited internationally from 2001 to 2013 and published by Eastgate Systems, Inc. in 2004. To date, it is the only interactive narrative/ hypertext developed by a writer from outside North America.

   The plot of the story involves a woman who has lost the ability to dream. She sets a series of creative tasks in order to start dreaming again; such as finding and collecting objects from various locations in the DAY (a street, market, river and café), imagining their fictional traces and histories, and rearranging the objects. As the user traverses the work, objects, memories and histories collide and create new meanings in the regained dream environment of NIGHT.

   Jill Walker Rettberg - 27.07.2011 - 15:32

9. I Have Said Nothing

   This hypertext narrative includes two fatal car crashes. The plot of this story motivates its readers to navigate their way through the story of loss, death, and media. This chilling story also encourages the readers to a chaotic retrospective thinking and reflection.
   With the use of hypertext links, the plot only progresses by the help from its readers through active participation and the choices they make with the point-and-click system

   Jill Walker Rettberg - 28.07.2011 - 14:42

10. Le Nœud

    Le Nœud

    Eric Dean Rasmussen - 17.08.2011 - 16:04

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