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JABBER: The Jabberwocky Engine
JABBER produces nonsense words that sound like English words, in the way that the portmanteau words from Lewis Carroll's Jabberwocky sound like English words.
When a letter comes into contact with another letter or group of letters, a calculation occurs to determine whether they bond according to the likelihood that they would appear contiguously in the English lexicon. Clusters of letters accumulate to form words, which results in a dynamic nonsense word sound poem floating around on the screen with each iteration of the generator.
JABBER realises a linguistic chemistry with letters as atoms and words as molecules.
(Source: Author's description at Poems That Go)
Scott Rettberg - 18.10.2012 - 10:58
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Blind Side of a Secret
“Blind Side of a Secret” consists of three audiovisual variations, created individually by Mühlenbruch, Sodeoka, and Nakamura, on words written by Thom Swiss. The work could be considered remix culture in action, overlaying and cutting up an underlying tale—which is never given entirely as a whole, though many sections are held in common—about the unspoken parts of relationships, of coming and going. In all three pieces, alternating third-person voice-over narration by a man and a woman forms the bulk of the audio portion, and it includes parts in English, French, and Dutch.
Scott Rettberg - 18.10.2012 - 12:37
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Lair of the Marrow Monkey
Lair of the Marrow Monkey
Scott Rettberg - 18.10.2012 - 15:25
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Dandelion Chance
Dandelion Chance
Scott Rettberg - 20.10.2012 - 15:41
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Free Haiku!
This “reactive” (a.k.a. responsive or interactive) poem does an admirable job of representing the haiku in digital media, much like “Basho’s Frogger” by Neil Hennessy. Built upon a looping image of a drawing of a tree changing through the seasons, while a stick figure walks across the screen representing its shifting mood through body language. As the reader moves the pointer on the screen, different words emerge, allowing for the discovery of different phrases, depending upon one’s mouse movements. Juxtaposition of images and a connection to nature along with the speaker’s “posture” towards the material are all represented in this brief poem. The question of the title remains: is this a “free haiku” because it is offered gratis or because it has somehow been liberated from convention? Both readings are plausible, given the politics and poetics of Dada.
(Source: Leonardo Flores)
Helene Helgeland - 25.10.2012 - 13:12
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Bokstavene
Bokstavene
Jill Walker Rettberg - 02.11.2012 - 17:53
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Viva Zombatista
Viva Zombatista
Scott Rettberg - 03.11.2012 - 12:50
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Norangsdalen
Norangsdalen
Scott Rettberg - 03.11.2012 - 12:57
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Kliniken
Kliniken
Scott Rettberg - 03.11.2012 - 13:04
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Skogen
Skogen
Scott Rettberg - 03.11.2012 - 17:50