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1. “This Is Not a Utopia”—Collection of Russian Electronic Literature

   “This Is Not a Utopia” is a collection of Russian electronic literary work from early 2000s through 2015. The show is based on the Russian Electronic Literature research collection in the ELMCIP Knowledge Base (http://elmcip.net/research-collection/russian-electronic-literature-coll...) prepared in 2013 by Natalia Fedorova. The collection problematized a number of gaps in the development of Russian e-lit and the exhibit shows also the work that has been created since the gap was acknowledged.
   

   Hannah Ackermans - 12.09.2015 - 11:57

2. PIKSEL 14

   Piksel is an annual event for artists and developers working with free and open source software, hardware and art. Part workshop, part festival, it is organised in Bergen, Norway, and involves participants from more than a dozen countries exchanging ideas, coding, presenting art and software projects, doing workshops, performances and discussions on the aesthetics and politics of free and open source software.

   The development, and therefore use, of digital technology today is mainly controlled by multinational corporations. Despite the prospects of technology expanding the means of artistic expression, the commercial demands of the software industries severely limit them instead. Piksel is focusing on the open source movement as a strategy for regaining artistic control of the technology, but also a means to bring attention to the close connections between art, politics, technology and economy.

   Hannah Ackermans - 31.12.2015 - 13:48

3. PRISM Breakup

   On October 4–6, 2013, Eyebeam hosted the first event of its kind, PRISM Breakup, a series of art and technology events dedicated to exploring and providing forms of protection from surveillance. This event came about in part from Eyebeam’s mission to support the work of artists who critically expose technologies and examine their relationship to society, as well as offering continued support to its alumni following their residencies. The gathering brought together a wide spectrum of artists, hackers, academics, activists, security analysts and journalists for a long weekend of meaningful conversation, hands-on workshops, and an art exhibition that was open October 4–12. (Source: http://prismbreakup.org/)

   Hannah Ackermans - 31.12.2015 - 14:10

4. Launching the Electronic Literature Collection Vol. 3

   This event was introduced in 18 of February at The Stedman Art Gallery at Rutgers University in Camden. This new ELC - third volume features 114 works from 26 countries in 13 languages. The latest collection, drawn from over 500 submitted and solicited works, represents a wide range of forms and styles, including poem generators, bots, interactive fiction, mobile apps, and more.

   Nikol Hejlickova - 01.09.2016 - 09:36

5. Exhibition "Shapeshifting Texts"

   Electronic literature is an ever-changing field which makes clear the intersections between multiple art forms, semiotic languages and experiences with the medium. This literary form thrives on dialogues between digital art, cinema, performance or games. The exhibition “Shapeshifting texts” aims to present a selection of works that incorporate these possibilities of interconnection.
   Between the 3rd and the 5th of November, we will present the collaborative work done by institutions and archives focused on the preservation of electronic and experimental literature and, simultaneously, demonstrate that electronic literature is part of an ever-evolving process which might have been catalysed by the first experiences with language and surfaces of inscription. At Staats- und Universitätsbibliothek Bremen, from the 3rd to the 5th of November 2016, visitors will find works that shapeshift at different levels, often depending on assemblage and recalibration to be experienced.
   This exhibition is linked with the International Conference on Digital Media and Textuality and with an Evening of Performances.

   Daniela Côrtes Maduro - 20.09.2016 - 15:23

6. Electronic Literature: A Matter of Bits

   From January 19, 2016 through April 21, 2016, The Stedman Gallery will host an electronic literature exhibition entitled “Electronic Literature: A Matter of Bits.” The exhibition is sponsored by the Digital Studies Center and was curated by Director Jim Brown and Associate Director Robert Emmons.

   Alvaro Seica - 18.10.2016 - 15:09

7. You/I: Interfaces & Reader Experiences

   You/I: Interfaces & Reader Experiences

   Dene Grigar - 05.11.2016 - 15:45

8. No Legacy || Literatura Electrónica

   No Legacy || Literatura electrónica (NL||LE) presents a collection of works of electronic literature in Spanish, Portuguese, Catalan, and English together with print works of the 20th-century avant-garde and contemporary post-digital experimentalism.

   No Legacy is a radical critique of the history of literature through a reflection on recursive temporalities. With no linear history, all literature is contemporary in No Legacy’s archaeology. No Legacy questions the languages of literature. Poetics bypass words. In No Legacy ideas take any form or are represented by just the one. In No Legacy, ideas are not means to explain the world around us. Rather, they are the objects that comprise the No Legacy world. In this ecosystem the literary is but an idea enacted across language, media, and time. No Legacy challenges your learned definitions. It proposes a universe of likely knowledge, rather than the absolute.

   Magnus Knustad - 08.11.2016 - 15:32

9. ReAnagramas

   ReAnagramas

   Rui Torres - 09.12.2016 - 13:31

10. Affiliations - Remix and Intervene: Computing Sound and Visual Poetry

    In  this  exhibit,  sound  is  represented  as  an  overarching  medium  connecting  the  artworks displayed. Visitors of the “Affiliations” exhibit will find poetic works that radically explore language and sound. For the curators, sound is one of the fundamental aspects, if not the core, of experimental and digital poetics. Yet, as some writers  and  critics  have  pointed  out  - especially  Chris  Funkhouser,  Hazel  Smith,  and John Barber - sound has not been sufficiently highlighted as a fundamental trait of electronic literature.

    The “Affiliations” exhibit presents works that embrace appropriation and remix of older and contemporary pieces - be they merely formalist or politically engaged - as pervasive creative methods in experimental poetics. Furthermore, it suggests that  electronic  literature  can  be  seen  as  a  heterogeneous  field  of  self-reflexive experimentation with the medium, language, sound, code, and space.

    Hannah Ackermans - 09.08.2017 - 10:58

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