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1. Data-Realism: Reading and Writing Datafied Text

   Pold and Erslev explore third-wave electronic literature -- a practice situated in ¨social media networks, apps, mobile and touchscreen devices, and Web API services” (Flores). At the next conceptual level, however, literary practices of this kind unavoidably take part in representing and reconstructing the metainterface - a space of data collection, standardization, commodification and redistribution that, for better or worse, is our context for a contemporary data realism.

   Malthe Stavning Erslev - 12.11.2021 - 10:32

2. Exhibiting, Disseminating, Teaching: Digital Literature in Danish Public Libraries

   Danish public libraries have since 2010 exhibited, disseminated, and taught digital literature. This paper lays out the general trajectory of their work, and introduces the notion of a post-digital literacy: a theoretical lens through which to conceptualize and articulate the importance of teaching digital literature in K-12.

   In fruitful dialogue with a variety of other parties and institutions, including Aarhus University and the ELO, a handful of public libraries have developed considerable and impressive expertise, grounded in practice-based experimentation. Their efforts, which have taken place in the course of six projects, are the case into which this paper inquires. The case represents an astute continuity in terms of exhibiting and communicating digital literature to the general public, yet the decade of work has hitherto not been presented or analyzed collectively. In doing so, this paper not only collects the efforts made by multiple librarians in multiple libraries and documented in a variety of places and formats, it also considers the general trajectory of the work carried out as an ample case for charting areas for future work.

   Malthe Stavning Erslev - 12.11.2021 - 10:38

3. Contemporary Posterity: A Helpful Oxymoron

   In his essay, Malthe Stavning Erslev approaches the notion of post-digital from the perspective of a broader cultural phenomenon of posterioriy, emphasizing the fact that the prefix post- still allows for discussion of multidirectional and complex changes that our world is currently undergoing. In order to better grasp all the complexities and interrogate somewhat linear periodization implied by the prefix, Erslev employs the oxymoronic concept of contemporary posterity. At the same time, he ties his theoretical proposition with the extensive analysis of an online community engaging in bot-mimicry.

   Malthe Stavning Erslev - 12.11.2021 - 10:51

4. Digital Humanities

   A chapter in the Bloomsbury Handbook of Literary and Cultural Theory about the emergence of a new field of digital arts, Hypertext. 

   Joseph Tabbi - 30.11.2021 - 14:40

5. The Bloomsbury Handbook of Literary and Cultural Theory

   The Bloomsbury Handbook of Literary and Cultural Theory is the most comprehensive available survey of the state of theory in the 21st century. With chapters written by the world's leading scholars in their field, this book explores the latest thinking in traditional schools such as feminist, Marxist, historicist, psychoanalytic, and postcolonial criticism and new areas of research in ecocriticism, biopolitics, affect studies, posthumanism, materialism, and many other fields.

   In addition, the book includes a substantial A-to-Z compendium of key words and important thinkers in contemporary theory, making this an essential resource for scholars of literary and cultural theory at all levels.

   (from Bloomsburys description)

   Joseph Tabbi - 30.11.2021 - 14:53

6. ‘Grasp All, Lose All’: Raising Awareness Through Loss of Grasp in Seemingly Functional Interfaces

   From baroque proto-cybertexts to countercultural gestures by historical avant-gardes, there is a longstanding tradition of disruptive strategies used by artists at the interstices of societies’ demands for order, control, and functionalism. For the avant-gardes and their multiple artistic inf(l)ections, radical changes to the way sensory perception had come to be depicted since Modernism became a central part of their strategy. By placing an emphasis on the confluence between various arts and media, the innovative character of their proposals had much to do with the ways in which they were able to embrace notions that represented modernity, including concepts such as simultaneity, dynamics, motion, and the symbiosis between human and machine. In this manner, they sought to induce estrangement and defamiliarization by using seemingly functional mechanisms to raise awareness through the loss of grasp.

   Jill Walker Rettberg - 24.05.2022 - 20:55

7. A 2020 Computer-Generated Text as a Posthuman Mode of Literature Production

   A central idea of posthumanism in a technological society is the actual transition of the human towards a post-human entity, the cyborg. This entanglement between humanity and technology can not only be found in – actual and fictional – cyborgs, but also in computer-generated textproduction. Through the close collaboration between human creativity and artificial intelligence, algorithmically facilitated writing is emerging as anart form that is proving promising for literary analysis in a posthuman context. This article will examine computer-generated fiction as a new,posthuman mode of text production and use poststructuralist and related theory – mainly Roland Barthes, Michel Foucault, and Susan Sontag – toexplore the implications that such forms hold for the roles of authors, readers, and that of literary critics and scholars.

   Jill Walker Rettberg - 24.05.2022 - 21:21

8. Theatricality in the midst of a pandemic: An assessment of artistic responses to COVID-19 pandemic in Zimbabwe

   This article examines theatre as a creative journalistic media deployed by theatre practitioners to map experiences of Zimbabweans during the COVID-19-induced lockdown. When the first positive case of COVID-19 was reported in March 2020, the Zimbabwe government, like many other countries, responded by introducing restrictions for public gatherings and ultimately a lockdown including arts events. Yet, theatricality has refused to capitulate. Artists re-invented their theatre productions into theatrical comic and satirical works posted on various social media platforms, in an effort to make sense of the pandemic, bring laughter and address a serious complex situation. We examine how artists deployed theatre to journal, capture and document the citizen’s collective experiences during the COVID-19 pandemic lockdown, for both the present and posterity. We are specifically interested in analysing the different ways art is deployed to provide entertainment, a broader understanding and awareness of the social, psychological and economic impact of COVID-19 for the present and future generations.

   Jill Walker Rettberg - 08.06.2022 - 23:36

9. Looking Back while Moving Forward: The Case of Concrete Poetry and Sankofa

   This article considers the intersection between African oral tradition and electronic literature by exploring the potential of Sankofa to interact with concrete poetry in an electronic space. Sankofa is an example of the Adinkra, a set of symbols that were originally created and used by the Akan in West Africa. These symbols have literary value which this article looks at in ways similar to concrete poetry; examining Sankofa as concrete poetry in an electronic context enables a simultaneous dovetailing with as well as convergence from oral and print based modes of engaging with the text: aspects of oral tradition influence this exploration. 

   Jill Walker Rettberg - 27.06.2022 - 18:53

10. Popular Prosody: Spectacle and the Politics of Victorian Versification

    Paper discussing John Clark's Latin Verse Machine (1843) and the effect of this kind of technology on popular understandings of prosody.

    Jill Walker Rettberg - 15.07.2023 - 13:52

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