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1. Rice

   Rice is a hypertextual anthology of poems focusing on my experience as a Western tourist in Vietnam. Issues of colonialism, war, poverty, and cultural difference arise. Technically and aesthetically, Rice belongs to an early period of web-based poetry. It uses Shockwave, popup windows, and frames. (Source: Author description from ELC 1)

   Eric Dean Rasmussen - 24.02.2011 - 19:11

2. Destination Unknown: Experiments in the Network Novel

   PhD, University of Cincinnati, Arts & Sciences : English & Comparative Literature, 2003.

   Advisor: Dr. Thomas LeClair

   Scott Rettberg - 26.02.2011 - 16:15

3. The Meddlesome Passenger

   A hypertext fiction about the death of the author, the relationship between the reader, the author, and the text, travel, life, and death. Links in the text launch paratexts, which are juxtaposed with the 70 fragments of the "main" story. Readers can navigate the work by selecting individual fragments or by moving at random through the text, by clicking to animate and irritate the dead author.

   Scott Rettberg - 26.02.2011 - 16:42

4. Writing Space: The Computer, Hypertext, and the History of Writing

   From the publisher:

   This second edition of Jay David Bolter's classic text expands on the objectives of the original volume, illustrating the relationship of print to new media, and examining how hypertext and other forms of electronic writing refashion or "remediate" the forms and genres of print. Reflecting the dynamic changes in electronic technology since the first edition, this revision incorporates the Web and other current standards of electronic writing. As a text for students in composition, new technologies, information studies, and related areas, this volume provides a unique examination of the computer as a technology for reading and writing.

   Original publication date: 1991, published by Laurence Erlbaum Associates, Hillsdale, New Jersey.

   Patricia Tomaszek - 28.02.2011 - 11:48

5. The Inframergence

   The outer interface of this work is a spiral of buttons, each of which leads to an interactive screen. Beginning at the outside, the screens consist of overlaid polylinear skeins. Each skein has an “obverse,” which goes in the opposite direction. As the reader proceeds through the spiral to the center, nonlinearity emerges. The skeins become more concentrated and are then replaced by clusters; the clusters then clump together into structures, in which some elements are dominant over others; and eventually a full diagrammatic syntax appears, in which any element can be connected to any other using the full complexity available to networks.

   (Source: Jim Rosenberg in http://www.giarts.org/article/travels-contemporary-new-media-art)

   Patricia Tomaszek - 04.03.2011 - 22:19

6. Principles of Spatialization in Text and Hypertext

   Principles of Spatialization in Text and Hypertext

   Patricia Tomaszek - 05.03.2011 - 21:48

7. A Companion to Digital Literary Studies

   A Companion to Digital Literary Studies

   Eric Dean Rasmussen - 10.03.2011 - 10:55

8. From Lexias to Remediation: Theories of Hypertext Authorship in the 1990s

   How electronic-writing technologies will affect authorship remains an
   important issue in hypertext theory. Theorists agree that the author’s function
   has changed and will continue to change as writing migrates from the page to
   the screen, but they disagree on the specifics of how print-based and
   hypertext-based authorship differ and whether this digital migration constitutes a radical break from the age of print. Early hypertext
   advocates, writing in the early 1990s, claimed that naviagational features, such
   as hypertextual links, transfer a large degree of textual control from writers
   to readers, thus blurring the distinction between the role of the author and
   that of the reader. More recently, theorists began to dispute the idea that the
   hypertextual reading experience was necessarily more creatively empowering than
   reading a printed book. Exploring the arguments of influential hypertext
   theorists, this paper traces developments in hypertext theory in the United
   States during the 1990s. It describes how poststructuralism has informed
   

   Eric Dean Rasmussen - 11.03.2011 - 12:51

9. Stitching Together Narrative, Sexuality, Self: Shelley Jackson's Patchwork Girl

   Landow, who praises Patchwork Girl as "the finest hypertext fiction thus far to have appeared," appreciates Jackson's mastery of hypertextual collage, which reveals, he suggests, how analogous techniques are at play when we conceptualize our gendered identities.   (Source: Eric Dean Rasmussen)

   Eric Dean Rasmussen - 11.03.2011 - 16:11

10. Reveal Codes: Hypertext and Performance

    Reveal Codes: Hypertext and Performance

    Eric Dean Rasmussen - 14.03.2011 - 11:24

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