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Kate Pullinger
"Kate Pullinger is a Canadian novelist living in England. Her books include the novels A Little Stranger, The Last Time I Saw Jane, Where Does Kissing End?, Weird Sister, and When the Monster Dies, as well as the short story collections, My Life as a Girl in a Men's Prison and Tiny Lies. She co-wrote the novel of the film The Piano with director Jane Campion. Her latest novel, The Mistress of Nothing, is currently shortlisted for a GG, a Governor General's Literary Award for Fiction, one of Canada's main annual literary prizes. Kate Pullinger also writes for digital media. Her current projects include 'Lifelines' - digital stories for secondary schools, 'Inanimate Alice' - a digital novel in episodes, and 'Flight Paths: a networked novel' - a project aimed at creating a novel on and through the internet. She is Lead Writer on a game for Facebook, to be launched in 2010. See http://www.katepullinger.com/blog for urls.
Eric Dean Rasmussen - 20.01.2011 - 16:52
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Zuzana Husárová
Zuzana Husárová is a scholar teaching at Comenius University and Masaryk University. From January until June 2011, she was a Fulbright scholar at MIT, Cambridge. Within a Slovak grant on electronic literature research, she co-edited with Bogumiła Suwara a publication V sieti strednej Európy: (In Central European Network:). She is the author of experimental literature across various media and with Ľubomír Panák has created several interactive literary pieces. She is working with Amalia Roxana Filip of a transmedia project liminal (visual poetry book and multimedia). Her theoretical and creative works have appeared in several European and American journals in print and online and were presented at several venues.
Eric Dean Rasmussen - 26.01.2011 - 15:20
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Daniel C. Howe
Daniel C Howe is an artist and critical technologist whose work focuses on the relationships between networks, language, and politics. His hybrid practice explores the impact of networked, computational technologies on human values such as diversity, privacy and freedom. He has been an open-source advocate and contributor to dozens of socially-engaged software projects over the past two decades. His outputs include software interventions, art installations, algorithmically-generated text and sound, and tools for artists.
Scott Rettberg - 30.01.2011 - 20:09
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Rita Raley
Rita Raley is Associate Professor of English, with courtesy appointments in Film and Media Studies, Comparative Literature, and Global Studies at the University of California, Santa Barbara (UCSB). Her primary research interests lie at the intersection of digital media and humanist inquiry, with a particular emphasis on cultural critique, artistic practices, and language (codework, machine translation, electronic literature, and electronic English). Her book, Tactical Media, a study of new media art in relation to neoliberal globalization, has been published by the University of Minnesota Press in its “Electronic Mediations” series. Her most recent publications include the co-edited Electronic Literature Collection, Volume 2, as well as articles on poetic and narratological uses of mobile and locative media and text-based media arts installations.
Eric Dean Rasmussen - 31.01.2011 - 11:59
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N. Katherine Hayles
Katherine Hayles is Distinguished Professor of English and media studies at the University of California, Los Angeles. Her research interests concern topics related to literature and science in the 20th and 21st century; 20th and 21st century American fiction; electronic textuality, hypertext fiction and theory; science fiction; literary theory; and media theory. With degrees in both chemistry and English literature, Hayles is one of the foremost scholars of the relationship between literature and science in the late twentieth century. She is the author six books, including How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Informatics (1999), which won the Rene Wellek Prize for the Best Book in Literary Theory for 1998-1999; and Writing Machines (2001), which won the Suzanne Langer Award for Outstanding Scholarship. Her most recent book is Electronic Literature: New Horizons for the Literary (2007).
Eric Dean Rasmussen - 31.01.2011 - 12:55
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Romy Achituv
Romy Achituv is an experimental interdisciplinary artist whose work engages issues of representation, language, time, and memory. Underlying his practice is an ongoing interest in the language of visual representation and in dynamics of spectatorship and interaction. His projects often employ the language and formal attributes of his media to fabricate structural and visual metaphors. His work in new media has focused on digital expressions of time and space, experiments in nonlinear cinematic narrative, and the exploration of non‐linear linguistic structures. In recent years he has developed a particular interest in projects that explore the manifestation of digitally inspired paradigms in physical environments. Romy Achituv’s work has been widely exhibited and has been acquired by major international public and private collections. He is a member of the International Academy for Digital Arts and Sciences, and a founding member of ARTEAM Interdisciplinary Art, a non‐for‐profit art collective based in Israel.
Eric Dean Rasmussen - 31.01.2011 - 13:31
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Alice Bell
My research interests are digital literature, narrative theory and stylistics. My monograph, The Possible Worlds of Hypertext Fiction, develops and supplements Possible Worlds Theory for its application to hypertext fiction. The text includes analyses of four canonical hypertext fiction works and also offers a theoretical evaluation of Possible Worlds Theory. In my current work, I am developing a number of other narratological and literary linguistic frameworks for the analysis of digital fiction including cognitive poetic and unnatural narratological approaches. I am the principal investigator of the Digital Fiction International Network (funded by The Leverhulme Trust Jan 2009 - Jan 2010). The network provides an arena for a new generation of scholars to collaborate on integral theoretical and analytical issues within digital fiction research.
Eric Dean Rasmussen - 01.02.2011 - 10:31
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Juliet Ann Martin
Juliet Ann Martin has a BA in Visual Arts from Brown University and an MFA in Computer Art at the School of Visual Arts. She is a painter, performer, writer, digital artist, and programmer. She has received recognition for the computer work she has done from the Cooper Hewitt, the DNP Achievement Awards, the European Media Arts Festival, the Year Zero One Gallery, Rhizome Contentbase, Macxibition, David Siegels High Five, Paper Magazine, and Wired Magazine. Her short stories have been published in CUPS Magazine and Black Ice Literary Journal. (Source: http://www.studioxx.org/en/juliet-ann-martin)
Jill Walker Rettberg - 02.02.2011 - 22:43
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John McDaid
John McDaid, author of Uncle Buddy's Phantom Funhouse, is an award-winning science fiction writer, folk/filk singer-songwriter, freelance journalist, and media ecologist from Brooklyn, NY.
He attended the Clarion Science Fiction Workshop in 1993, and sold his first short story, the Sturgeon Award-winning "Jigoku no mokushiroku"to Asimov's in 1995. His 1993 digital novel, Uncle Buddy’s Phantom Funhouse, included two audio tapes, which Robert Coover's New York Times review called the work of “A mischievous guitarist and vocalist with a gift for the inimitable phrase."
With Michael Joyce, Nancy Kaplan, and Stuart Moulthrop, he is a co-founder of the TINAC collective, a group of writers and theorists of hypertext. He helped create one of the first hypertext writing programs (within Expository Writing) at New York University in 1988 where he served as Coordinator of Computer Composition.
Eric Dean Rasmussen - 07.02.2011 - 12:46
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Ben Rubin
Media artist and designer based in New York known for his work on data-driven art and media. He has been director of the Center for Data Arts at The New School since 2015.
Eric Dean Rasmussen - 07.02.2011 - 15:44
